Rough piece on the mandolin for this afternoon. You can even hear some sloppy fingering - proof that it's not generated by a computer (although...).
In French, "arbre à palabres" refers to the tree under which people gather to discuss, debate or listen to the village sage. It's a tradition usually associated with some African cultures but you've probably seen it somewhere else - people talking under the shade of a tree.

Perso

Arbre a palabres

L'arbre à palabres

Composed by Vice Commandant Dubois.

Beat, loop arrangements etc- Vice Commandant Dubois
Rhythm guitar, lead guitar- Admiral Krank
Vocals- Gospel Skanks for Jesus. 

Gospel Skanks for Jesus appear courtesy of Jesus Got Good Taste Records.

Bravo and the Cosmonauts

El Paso To La Patagonia

I would like to apologize in advance :)
all songs, instruments(soft synths, moog theremini, korg volca sample and guitars fretted and fretless) & production by me.

3. Strange Attractor

Gustavo - Modular Live Improvisation #Juni 2020

Original Track - https://youtu.be/ExKvDzw0bDw 
MOSNAR DET - Remixing

Loop Diggers Challenge 39 - Y O U _ G I V E _ M E

2020-07-17

Metamorphosis 08

Created by DD on Friday October 23rd 2020
Synthesizers (8 tracks, mostly arpeggiators)

for this challenge: Creative Destruction
The Assignment: Show how you got to a tortured sound.

Step 1: Through some multi-step process, arrive at a complicated, tortured sound. Keep track of how you got there.

Step 2: Record a piece beginning with the end result: that complicated, tortured sound. Then transition to the start of the process and build back up to the end result, slowly repeating how you got you there.
https://llllllll.co/t/disquiet-junto-project-0460-creative-destruction

I created a very slow nice and tame, sequence with several arpeggiators playing complementary riffs in C minor. 

To produce the tortured sound I just accelerated the master 6X.

I respected the instructions, so it is in mirror:
Chaos/Fast - Calm/Slow - Chaos/Fast 
This is how it goes, for the tortured souls that really want to listen to this:
00:00 Count down
00!01 Start at  fastest tempo, all tracks playing at once
00:12 All tracks playing, slow down starts
00:27 Slow tempo, tracks start to mute one by one
00:59 Slow tempo, basic track remains and the build up starts, each track (re)entering in turns
02:27 All tracks playing
03:10 Acceleration starts
03:39 we arrive to the beginning's tempo, and finish

photo: bicycles, scooters and other things taken back from the bottom of the Seine river in Paris 2020.

The Construction And Deconstruction Of Chaos (disquiet0460)

Sliding scale

a rework from Pete Swinton of a track previously released by Marco Lucchi and M.Nomized

for "piano patterns" vol. 2, a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns-vol-2

dicembre 2020

Marco Lucchi, M.Nomized & Pete Swinton - n°12

Unknown album (12/9/2020 3:14:11 PM)

Wavelength

Boson Spin - Vouceratio

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

The Construction And Deconstruction Of Chaos (disquiet0460)

Daniel Diaz