trailer miusic using my new "toy", @cinesamples musio libraries.

january 25th 2024
sample libraries by dd
photo by rob simmons


https://llllllll.co/t/disquiet-junto-project-0630-creative-sufficiency/

Orchestralscapes (Trailer) - disquiet0630

This week, the prompt for Disquiet Junto 0634, "Bust a Move", asked us to build on a foundation of a piece of classical music heard through a wall or floor.

I chose Schubert's "Trio In E-Flat, Opus 100",  because I am a child of the 80s and The Hunger had a huge influence on me growing up as a babygoth.

I used a physical effect send to route the audio through a chain of guitar pedals, then loop back in to a new audio track in the DAW. I made three new tracks this way, with the pedals tweaked live, each one an interpretation of the source audio. The pedals I used were a Meris Enzo guitar synthesizer, an Eventide H9 Harmonizer, and the famous Walrus Audio ARP-87. 

NOTE: Headphones are recommended as a first line of defense against abduction. As a rule, Schubert never wore headphones. And we all know what happened to him.

Recorded at NOSIGNAL Multimedia Labs in The Shambles, Chicago USA

More about this week's Disquiet Junto: https://disquiet.com/0634/

Disquiet Junto

The Abduction of Schubert (disquiet0634)

Watch out for the hairpin turns on this dusty track out back of Lone Pine.

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

disquiet0636 - Mallard Drone

Jupiter 6 patch midi from Ableton. layered. & post processing with various effects phasing etc...

Jupiter - 6 Phased Noise Pulse For Disquiet0636

I used Tristan Louth-Robins  (@red_robin) guitar track as a basis for this. 

https://soundcloud.com/red_robin/disquiet_junto_0636-epochs-left-1-of-3-72-bpm

I added electric bass, playing a quite standard bass line and some harmonics.

This still sounds like a "basic track", hope somebody has an idea to complete this next week.
This collaboration between two austral guys is called Australopithecus.

I did alter the original to suit my taste, I added an intro (copy paste form the original's first bars) 'cause Tristan's track started a bit abruptly. And then added the coda using an Ecophlex tape delay simulation. My best contribution to the track  if you ask me.
So , yeah, I didn't follow rule number 3 "When composing and recording your part, don’t alter the original piece of music at all" so shoot me!
The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

Australopithecus - disquiet0637 with tristan louth robins

I added some beats and bass to the ethereal drone by @blaaroed (@tt16tt). There should be enough space for someone to add to it. 70 bpm, C minor.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Part 2 - Disquiet0637

I took SAMPLAIR's track (https://soundcloud.com/user-248104983/disquiet0636-85bpm-1?si=7f73fecc7db545d6bdaa4d34fcb41c38&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing) and played with long delays, granular and fft effects, against the original track.

The track is at 85bpm.
--
More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

cavernous (disquiet0637)

Krautrockish
I promise I was thinking on making this a bit Krautrock when I started, doesn’t sound like that now, I guess...

Based on rightward [disquiet0637] by LazenbeeIndustries and John Wright
https://soundcloud.com/lazenbeeindustries/rightward-feat-john-wright-disquiet0637

I just added a 808 kick and played bass. Most satisfying and less time consuming on the lot, but I don’t think it works, a 4th (soloist) part is needed IMHO.

dedicated to the guy in the photo, god bless him..

#DisquietJunto
For this junto challenge:
https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

@lazenbeeindustries @disquiet @thgirwnhoj



Krautrockish (with LazenbeeIndustries and John Wright) disquiet0638

I dunno, maybe it's springtime in sunny Paris, but I felt the urge for some old disco vibes. 
So I went for the duo. Lefty Drone, Right English disquiet0637
https://soundcloud.com/skylarkduquesne/lefty-drone-right-english-disquiet0637
by skylark duquensne (David Totten)  and alanblip

I didn’t change the original tracks at all, I behaved this time.
I added a beat, for that 50 years old euro-disco vibe and then jammed on a lead synth that brought this to some sort of proto-disco-floyd.

Four on the floor man, you can’t go wrong…

It was fun.


#DisquietJunto
For this junto challenge:
https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

@disquiet
@skylarkduquesne
@alanblip


the grounding of an english lark (with skylark duquensne and alanblip) disquiet0638 trio

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Disquiet0638 - Fakeg3nius+Glitcher Ftrg Samplair - EGsquared

naos

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

the grounding of an english lark (with skylark duquensne and alanblip) disquiet0638 trio

Daniel Diaz

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