It might seem like a paradox but the flute describes silence. Wonderful

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

all submissions

haiku #555/ they spoke no words / the visitor, the host / and the white chrysanthemum

Tears, bring awareness to
What's going on in this
World filled with sadness that's 
Lacking inspiration
Fill this
Void with the light that I see
Shining 
Through from the Otherworld
Take it all in 
Can you feel it
Moving you
Moving you
What a 
Horrible beauty we 
Live with 
Confounding mystery
Is this
A dream or reality
What's the difference...

Otherworld

method: layering; akai miniak, boss vo-1,  ehx grand canyon and walrus audio ages
narration: things do change, don't they .... aiming for that 'eno feel', I allowed too much dirt in - and liked it ;-)  
image: my photo based on a mask, gimped

poem / copyright jo richter:

he holds out a hand
watches the light change

a voice clings to him
as he walks past the building

THIS IS THE DAY
THE FUTURE WILL VANISH

trajectory minds
a dime a dozen

unidentified objects
of thought and delusion

THIS IS THE DAY
ELECTROMAGNETIC

all over the suburbs
giant birds roosting

spreading their wings
across minute houses

THIS IS THE DAY
THAT LASTS FOREVER

he feels vibration
life under his feet

atmospheric dilations
sentinence seeds

THIS THE DAY
EVERYTHING FLOATS

EVERYTHING FLOATS

the day everything

HAIKU MUSIC CHALLENGE

Naviarhaiku 555

they spoke no words
the visitor, the host
and the white chrysanthemum

For this week's challenge, I picked another poem by Ōshima.

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta

Picture by Ioann-Mark Kuznietsov

Submission deadline: 28th August 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Chrysanthemum

Chrysanthemum (naviarhaiku555)

they spoke no words
the visitor, the host
and the white chrysanthemum

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta: https://www.thepoetryhour.com/poets/oshima-ryota

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF spokeN [naviarhaiku555]

Marco Lucchi : piano and synthesizers

for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku555-they-spoke-no-words/

***

they spoke no words
the visitor, the host
and the white chrysanthemum

Ōshima Ryōta

Marco Lucchi - The Host [Naviar Haiku # 555]

22Aug24

My naviarhaiku555 submission
https://naviarlab.tumblr.com/post/759434058047602688/naviarhaiku555-they-spoke-no-words
:D

they spoke no words [naviarhaiku555]

This track was created for the Naviar Haiku group.
555
https://www.naviarrecords.com/naviarhaiku555-they-spoke-no-words/

2024-08-22

They Spoke No Words ( Naviarhaiku 555 )

An electronic composition, original sounds created in Pure Data.

Wordless Dialogue (naviarhaiku555)

https://youtu.be/i-osXq9vWj0
https://youtu.be/d2IKVVUTfxs

MMXXIIIIVGPR

they spoke no words
 the visitor, the host 
and the white chrysanthemum
Ōshima Ryōta 1718 – 1787

A picture of leaving the energies of grieve – together.
Have a look at my feature-reel: https://www.instagram.com/reel/C_FSdv4g4wu/

Contribution for naviarrecords:
https://www.naviarrecords.com/naviarhaiku555-they-spoke-no-words/

Enjoy!

corolla (naviarhaiku555)

electronic improvvisation
with no editing

0001 8 - Audio

Slow jam, instrumental groove.
DD: electric bass, fender rhodes, drum beats, electric guitar (ebow)
Bobby Rangell: flute

For this poem:

they spoke no words
the visitor, the host
and the white chrysanthemum

Haiku by Ōshima Ryōta
Photo by Craig Whitehead

The Visitor - naviarhaiku555

21Nov24

My naviarhaiku568 track
https://naviarlab.tumblr.com/post/767674064526540800/naviarhaiku568-liquid-flowers-hum
:D

liquid flowers hum [naviarhaiku568]

10th Ave.  is a smooth, late-night stroll through the heart of downtown. Built on mellow 10th chord progressions and George Benson–inspired guitar melodies, it blends warm jazz textures with laid-back downtempo grooves. Moody, elegant, and cool —  music for city lights and quiet moments.

Details: 2023 Idea.  A cyclicall and somewhat random A minor melody based on pentatonic shapes. 

Chords: A simple 10th chord guitar progression - F7(add 10), C7(add 10), Em7(add 10), Am7(add 10), Bm7(add 10), BbM7(add 10), Am7(add 10), AbM7(add 10).

Original concept, performance and composition by Malcolm Palin 11/15/2023.

Original demo: https://soundcloud.com/solanar/10th-ave-original-demo-111523?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=1eae4e6dda3043d282b195e6fdace3c5

10th Ave.

"To live is the rarest thing in the world. Most people exist, that is all." - Oscar Wilde

-

Artwork | life is wonderful.
All tracks are copyrighted by life is wonderful.

-

#beats #lofi #jazz #jazzmusic #lofistudy #relaxingmusic #musicforstudying #studylofimusic #chillmusic #chillout #barmusic #cafe #startyourdayright #lofimusic #lofibeats #lofihiphop #sunday #moodbooster #playlist #guitar #piano

24 drop shot.

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

The Visitor - naviarhaiku555

Daniel Diaz

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