Ronrocos (x4), orchestral soundscapes.
for this haiku:

Under the twilight sky
light shimmering on the pond —
swallows in autumn

by Dakotsu Iida
Photo by Aron Gestsson

naviarhaiku595

Under the twilight sky (naviarhaiku595)

You can't quite see it in the photo out the window, but there's a carpet of plum slate in my back garden ... Great sonic fodder for a little rhythmic experiment like this! It's a bit ASMR-y if you're into that sort of thing too ... Also, I guess because it's just rhythm, you might feel it's ripe for additional parts. It's downloadable (85 BPM) if that remix prospect takes your fancy 🤗❤️

SO great to be part of the 700th Disquiet Junto!! 😁🔥

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share a peek out your window and some sounds inspired by the view — at https://disquiet.com/0700/

more halF unusuaL

halF vieW [disquiet0700]

A solo acoustic charango performed by me looking through the windows on my studio.
Two microphones, a great sounding room, some convolution reverb added.

Photo: the view through my windows this morning 29/May/2025

https://llllllll.co/t/disquiet-junto-project-0700-view-frame/

through my window - disquiet0700

Suss Müsik has been traveling a lot lately. Thus is the nature of having to work for a living, a privileged state that appears to be accelerating toward some form of extinction. That’s probably a gripe for another Junto project.

On a recent trip to a U.S. city not to be named, Suss Müsik captured this strangely bucolic view outside the hotel window. Look closely, and you’ll see evidence of gentrification in the urban landscape: a new corporate housing unit dominates the left side of the image, obscured by a rich envelope of foliage. There appears to be some sort of mosque in the background, perhaps representing one of the orthodox faiths, next to what might be a church steeple. A rustic brick dwelling sits confidently where it was built some 300 years ago. Just beyond that is a budget hotel and what is likely a corporate office building, both filled to half-capacity.

The intention of Suss Müsik’s sonic interpretation was to demonstrate this weirdly haunting mashup: a blend of classical ‘old world’ architecture residing in an environment of aggressively digital commercialization. It is a scene where progress is measured in glass panels, beige is the new brown, innovation is temporal, and humans interaction relies on the conductivity of elemental particles. If you can imagine the setting of a Milan Kundera story retold through a series of YouTube Shorts, that’s sort of the vibe this image presents. 

This piece for cello, violin, piano, and electronics was recorded quickly to TASCAM 8-track. It is dedicated to Marc Weidenbaum and all participants of the Disquiet Junto community. Here’s to 700 chapters and counting.

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share a peek out your window and some sounds inspired by the view — at https://disquiet.com/0700/

Urban Entropy [Disquiet0700]

Inspired by the view out of the side window in the living room, looking out onto our back garden.
Recorded in a single take using a preset from Slate & Ash's Cycles processed with Output's Portal, with a bit of slow random modulation of Portal's parameters using Live's LFO Random. I pitched/slowed down the result slightly too.
More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share the view and some sounds inspired by the view — at https://disquiet.com/0700/

A Small Window (disquiet700)

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share the view and some sounds inspired by the view — at https://disquiet.com/0700/

SONG 98 - Disquiet0700 - View Frame

The 700th Week of Disquiet Junto! 
Just after lunch I read this weeks challenge and was looking at my computer the window directly ahead of me! I snapped the photo and decided to record out the window for about 10 minutes. 
You don't see much from my window, a green fence / shed with a defunct biomas unit inside, part of my car is visable. The windows are quite dirty, there are trees at the top of the photo. 
I live in a rural spot, nothing about expect fields and trees and I was drawn to the addiotnal line of info 'Brief can be neighborly'  - As I have no neighbours I wanted the field recording to be central and the wind was nice but I put some effects on these sounds and just started to play around with notes and keys until this nice slow track took shape.  There is a nice airplane about 2 minutes in.  I was looking out the window all afternoon as I made this, watching the leaves and branches swaying away!   

Disquiet Junto Project 0700: View Frame
The Assignment: Share the view and some sounds inspired by the view.

Step 1: Take a photo out your window, with a little bit of the frame in view. Show people a glimpse of your world.

Step 2: Record a short, simple piece of music inspired (or otherwise informed) by what you see.

Window Looker [disquiet0700]

A response to Disquiet Junto prompt 0700, and based on a true story. From the window in my pantry I can see into my neighbor's back yard, where they have their hen house. Sometimes things happen. 

Unedited field recording, vintage Korg M3R. and reverb.

When I went outside this morning with my field recorder, one of the hens got agitated and started complaining loudly and repeatedly. She continued for almost exactly three and a half minutes, then stopped just as suddenly as she had started. The song is 3:43 minutes long.

Poses the age-old question, "Can Coraline make a serious song around a chicken sample?" What do you think?

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share the view and some sounds inspired by the view — at https://disquiet.com/0700/

The Discovery of a Fox (disquiet0700)

sound art for disquiet0700.

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share a peek out your window and some sounds inspired by the view — at https://disquiet.com/0700/

green presence (disquiet0700)

Disquiet Junto Project 0700: View Frame
The Assignment: Share the view and some sounds inspired by the view.

The cover picture shows the view from my window. I used a virtual modular system and wanted to create the feeling of crowded chaos, of structure and nervousness, of importance and frivolity. All from a distance, as I am still outside the picture looking out of the window.

The (cover) image does not perfectly equal the inner image I had in mind, as it is lazy sunday afternoon and vacation time, so the city is not that busy at the moment.  

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More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share the view and some sounds inspired by the view — at https://disquiet.com/0700/

Discussion:
https://llllllll.co/t/disquiet-junto-project-0700-view-frame/72046

BandCamp

Busy Street [disquiet0700]

Prompt 701 of the Disquiet Junto had us break a piece of music into segments and fill the gaps with something new,

My contribution is an interpretation of Scelsi's "Quattro Pezzi su una nota sola", its four pieces interrupted by narrative interstitials. Features ebow on slide steel, piano, and organic vocals. The script was adapted from https://www.allmusic.com/composition/mc0002378353.

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

Scelsi's Piano (disquiet0701)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

through my window - disquiet0700

Daniel Diaz