Written, Arranged, Performed, and Produced by Kyle Bolan
Art by Kyle Bolan

Lyrics:
Revenge is for dreams, never reality
Humming from the window, or is that just me?
Here and existing
Existence, the dream of a god wracked with ennui

Refuse to be comforted
with conscription or mosque or desired holocaust
Kangaroos lack individuality
not me

With the grief I've gathered up in my arms
See the face of Laocöon and his two sons come to harm
Crushed by the snake for threatening to interfere
Sometimes the rivers shake 
Sometimes the skies are clear

Sometimes the fire burns, dry and plain
Sometimes the wood is cool and wet with rain
Suffer the heat like a cat on the three hottest days
of midsummer,
go back to the river
Though there may be a maze along the way

Curse and throw spit into the fire
Cast out the bad souls left in me
Apparitions are just cedar trees in the dark
Though the thought refuses to expire
Though I take this expensive piece of language with me

With everything to have and everything to give
Evidence for the coming universal wish not to live
The Hand reaches down to cradle and caress
The peace of mind of duress and unrest

The scent of a sweet song is on the midsummer air
The false and unjust with talons that tear
But the snare of the struggle 
       of the dream is ennui
Is the humming from the window?
        or is that just me?
                   July 26, 2024

Kangaroo Kourt

/
Trump's Return - The Circus of Democracy // They Are The Players

/
music is a soundbed by JUNGLEPUNX from their work 'microcosm mystics',
excerpts from vivaldi's violin concerto in E/Op. 8/1 RV 269 from 'four seasons' as well as samples from Garben's 'Vermona'

lyrics written and narration provided by fictionalive

arranged, mixed and produced by fictionalive

artwork illustration by peter uertz, düsseldorf / germany

fusion of it all -
fictionalive with the popoems series and the hyper media reports

written and recorded first January 22nd, 2025, 
straight after president elect's inauguraution

/
dropped
tuesday, september 2nd, 2025
time - 7:29 pm, central european
hot summer time zone; today, 
not so so much so, a fresh breeze,
a storm is coming

/

/

/

/

*

*

*

Trump's Return - The Circus of Democracy // They Are The Players

Whiskey glass

This one’s a mix of indie electronic vibes with some experimental twists and a touch of black metal darkness. It’s raw, moody, and a little haunting — the kind of track that hits different late at night. If you’re into underground sounds and darker atmospheres, this one’s for you.

The Voice That Persists

A tender tribute to a dear friend facing the battle of breast cancer. Hold Me In Silence is an attempt to explain emotions through music when words often fall short. The delicate melodies and lyrics are aimed as an embrace in sound for someone navigating pain, uncertainty, but also an immense amount of hope. 

If you enjoyed listening, please like and repost if you would, which would be greatly appreciated. Thank you.

Hold me In Silence

Hold Me in Silence

Blood Stalactite

maisey moore

||| Eternity |||
A darkwave / EBM track exploring the benefits of shadow work, being the process of exploring and integrating the unconscious parts of personality that may be repressed or rejected, often referred to as the "shadow self." This practice aims to increase self-awareness, heal emotional wounds, and promote personal growth by acknowledging and accepting all aspects of oneself, including those that are uncomfortable or hidden.

Open your mind to savage beats, pulsing synth bass and echoes in the abyss, while minimalistic spoken vocals guide you through the shadows.

Watch the video:
www.youtube.com/watch?v=lAGcFIKXQWU&feature=youtu.be
lyrics
Fast falls the eventide
The darkness deepens...
There is no life
No life
Without its hunger
But then you come
And I am filled with wonder
Sometimes
I think
I glimpse eternity...
The darkness deepens
I glimpse eternity
In the silence
Until you come
I glimpse eternity
Until you come
In the silence
Until you come

Echo

Eternity

The Snow Queen – The Forest
September 2025
Duration: 2:45
Listen to more music from the Snow Queen ballet at: https://soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For strings, shakuhachi, bass flute, heckelphone, marimba, double bass, field recordings, timpani and percussion

The Snow Queen - The Forest

Jacques Lemaire : synthesizers and tape
Marco Lucchi : synthesizers

The Path

Assignment: Record a piece of music in tribute to Terry Riley’s In C using only samples of water sounds)

Used:
Several water samples, drops on a glass, waves of the sea (Baltic and South Atlantic) , a brandy glass hit with a stick, rain drops (field recording) + several instances of Chris Watson's  Ice and Water Recordings for Geosonics. And a grand piano.

Photo by Tim Marshal

Created by DD, Paris July 20th 2018


More on this 342nd weekly Disquiet Junto project (In Sea / The  at:
https://disquiet.com/0342/

Water in C

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Water in C

Daniel Diaz