Synths and treatments  by DD, Paris 2017

Disquiet Junto Project 0285: Live Barcoding
 
I used different constant delays and skidder FX but changing the setting time/pattern from one measure to the next, so every chord has it’s own repetitive tail. 
In a way  the full track could be read as a barcode interpretation. 
Cheers
DD


More on this 285th weekly Disquiet Junto project — Live Barcoding: Make rhythms from your packaged goods. — at:

https://disquiet.com/0285/3

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-project-0285-live-barcoding

when barcoded bipedal mammals are finally extinct (disquiet0285)

Experimental music and comic book imprint based in Hamilton, Ontario, Canada, Earth

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Experimental Multimedia Artist - Here be the compost heap and overspillage from the legendary id_23! (https://soundcloud.com/id_23)
sketches, doodles and experimental excursions, some maybe fleeting some more permanent adventures!  :) thanks for dropping by!

Comme je Trouve... Take me as you find me. 
I stand at the edge of Europe. Ocean surrounds me. I catch the odd storm. 
There is no more.

One half of Venona Pers (www.venonapers.com / SC link: http://soundcloud.com/venona-pers), echosonic is my long-standing solo music project. These days it tends to the more extreme end of the scale and as an on/off project. An mini-album (Gauze) was released in 2009 through the Fwonk net label (http://fwonk.com/releases/fw023/) which included material from a number of sessions pieced together into a series of tracks incorporating drifting washes of noise and haunting melodies. A single, Droplets (http://fwonk.co.uk/154/), was released in late 2014 through Fwonk, while I am a long-standing contributor to both the Disquiet Junto and Fwonk compilation series.

when barcoded bipedal mammals are finally extinct (disquiet0285)

Daniel Diaz