Name: Aquatic (m. geddes gengras’ phonogene version) by Daniel Lanois
Duration: 9 min 47 s
Description: Daniel Lanois' Aquatic - m. geddes gengras’ phogene version

Phogene? You probably mean Phonogene I presume.

Ahh and then some pedal steel.. so great..

Denovali Records is pleased to welcome RICARDO DONOSO to the roster. In anticipation of the release of his new album Saravá Exu in January 2015, to be released along with Deterrence, previously available only on casette and now completely remastered, we offer the EP Beginning of the Shape as a free digital release. A further new album, Machine 2 Machine, will appear in April 2015, and a collector's vinyl boxset release, containing the previous albums Progress Chance, Assimilating The Shadow and As Iron Sharpens Iron, One Verse Sharpens Another will follow in May 2015.


BEGINNING OF THE SHAPE EP

Carrying on from his highly acclaimed trilogy on the Digitalis label, “Beginning of the Shape” marks his first release for Denovali. The new EP hints at a new direction for the composer, while more experimental textures are at the forefront his sense of pacing and musical development remains intact – a perfect taste for what’s to come in the months ahead.

Written & Produced by Ricardo Donoso 2013-2014
Recorded at Vesica Pisces
Mastered by John Tejeda
© Ricardo Donoso

Ricardo Donoso is a composer, percussionist and electronic musician from Rio de Janeiro, Brazil who currently resides in Boston.  After having studied composition at Berklee College of Music and New England Conservatory he has participated in a slew of projects over the years, most notably playing drums for avant-death metal unit Ehnahre and being one half of the ever morphing electronic duo Perispirit. Ricardo's musical vocabulary draws as much from contemporary composition, drone, to techno and noise. Whether on his multifaceted albums or in live performance Donoso’s main interest lies in building and manipulating an immersive sound world that bridges the gap between light and dark, hope & despair and the past & future – creating a truly timeless & transcendent experience.

He has released music on esteemed labels such as Digitalis, Further Records and Hospital Productions and has toured throughout North America, Europe & Asia. His first three albums – Progress Chance (2011), Assimilating The Shadow (2012) and As Iron Sharpens Iron, One Verse Sharpens Another (2013) – were widely celebrated by specialized vehicles such as FACT, Clash and Resident Advisor. Pitchfork Media called it: “dream-state dance music,” while Exclaim (CA) called it “one of the most compelling and satisfying electronic albums of the year” which culminated with performances at the illustrious Sonar Festival in both its Barcelona & Sao Paulo editions in 2012. His music has been described as a sort of ‘anti-techno’ where polyrhythmic structures and meticulous textures blur any semblance of a bar line, instead collapsing in on itself for moments of striking isolation.

Ricardo Donoso has led listeners on an incredible journey through the sun kissed, post-rave morning in Rio through to the blackened shadows of the psyche, to the submerged alien depths of the Scuba Death project. Next time all limits will be destroyed. 

Free download

Ricardo Donoso - Shape Collateral

Afraid

First track from the new record coming out March 2nd, 2015. It's a vinyl-only release (limited to 500 copies) consisting of three long drone-pieces created from analog synths, piano, organs and fuzzzzzz. Get the LP here: http://www.elparaisorecords.com/releases/jonas-munk-absorb-fabric-cascade-lp

Or the bundle with the Pan reissue here: http://www.elparaisorecords.com/product/jonas-munk-lp-bundle-preorder

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Info:

Second solo LP from Causa Sui guitar player/producer Jonas Munk. These three long pieces aren't defined by Munks signature guitar-approach, but is rather a musical vision of vintage synthesizers, organs, piano and analog electronics elegantly weaved together to create extensive formations of pure sound. The harmonic simplicity and unrestricted dedication to sonic balance and texture is something of a first in Munk's body of work. This is pattern music, characterized by slow builds and subtle, but refined, transformations, where gradual tectonic shifts and tiny harmonic gestures generate vivid emotional responses. Instead of imposing any direct intention or meaning, it's an album that can create a mental environment for the listener to expand and open up into.

Music like this is perceived as incredibly simple and free flowing, but, as is the case with the biological world, reveals textural minutiae and interweaved intricacy once studied close-up. Every tiny detail serves the bigger picture. It's music that's practically vibrating with possibility.

File next to: Terry Riley, Keith Fullerton Whitman, Brian Eno, Popol Vuh.


Jonas Munk: "Absorb"

Daniel Lanois' Aquatic - m. geddes gengras’ phogene version

Aquatic (m. geddes gengras’ phonogene version)

A track from the album Terelan Canyon out 08/05/16 on Constellation Tatsu.

Mary Lattimore & Maxwell August Croy - Dominant Eye

Taken from "Glass Bird Movement" -  CD/Digital/LP+7" 
Out Oct. 14th on morr music

On their first album in six years, ISAN once more weave together electronic soundscapes, delicate rhythms and the occasional odd sound into a pulsating, ever-morphing whole. Glass Bird Movement is Antony Ryan and Robin Saville’s eighth studio album since they have started the project two decades ago. Exchanging ideas between England and Denmark, where Ryan currently resides, ISAN have crafted an album which is reminiscent of heyday Boards Of Canada productions, the friendlier ventures of Aphex Twin or the most focused moments of Ulrich Schnauss, if you will. However, this album (as well their impressive back catalogue, as subtle it may seem) displays a strong signature. ISAN constantly move forwards without leaving their respective studios. And why should they - it’s warm and dry in there and the kettle is always boiling. 


Glass Bird Movement

Buy The Album

ISAN: Parley Glove

Hearing Music

Going Through the Veil - Becoming a Swan

Taken from 'Collected Pieces' by Mary Lattimore, out April 14, 2017.

Order Links:
The Ghostly Store: https://goo.gl/xXKSXW
Retailer of your choice: https://Ghostly.lnk.to/ml-collected-pieces

Collected Pieces

Mary Lattimore - Wawa By The Ocean

Spheres

Tatu Rönkkö - Spheres

http://brian-eno.net
Small Craft On A Milk Sea album released: 2 Nov 2010 (15 Nov 2010 in the UK)

Small Craft On A Milk Sea

Emerald and Stone

Brian Eno with Jon Hopkins & Leo Abrahams - Emerald and Stone (taken from Small Craft On A Milk Sea)

I remember the first time I read W.E.B. DuBois eclectic masterpiece The Souls of Black Folk. The way in which this Weberian scholar flowed from personal account to prose to sociological analysis to music and even political intervention has had a lasting impact on my own work as a cultural anthropologist. It made me understand that as scholars we must use different means in order to give expression to the totality of the lived experience: There is only so much in an academic text.

The experience of alienation has always been at the heart of my scholarly and artistic practice. I have used academic writing, lecturing, theatre performance and electronic improvisation to understand and represent it as a theoretical concept, postcolonial condition and lived experience. I believe, some issues need to be told like a story, some analyzed in most abstract terms and others need to be sung like a gospel. The medium changes the message.

In this sense, I guess, I’m a singing cultural anthropologist.

For some time now I have been engaged in the use of dystopian themes and sounds to paint a sonic picture of structural racism and whiteness of our present. But recently I have grown weary of this Ballardian idea of Future Now and the resulting phantasmagorian aesthetics myself and others have been invested in. The widespread availability of Digital Audio Workstations, sequencers, loopers and delay pedals has lead us into a futuristic cul de sac best described by Mark Fisher as the very absence of future.

Likewise, I am most skeptical of the “naturalist” countermovement, the return of folk. Especially in Germany, I am convinced there is no such thing as an innocent or progressive folk musical expression as it is always connected to the idea of the homeland (“Heimat”) which in turn produces the colony. It seems to me, the current zeitgeist is stuck between a “museum of a dystopian future” and a “museum of an idealized past”, but I wanted to sing about the present.

So, I involuntarily returned to pop music in its two-folded meaning of something popular and addressing not an essentialist notion of “Volk” or its woke cousin “communities”, but society as a whole.

I entered the studio just with a few lo-fi sounding melodies and rhythms from my circuit bent CASIO synthesizer. I had no clue what the finished product would sound like. But as soon as Markus started drumming, in a way strangely reminding me of CAN’s Ethnographic Forgery Series, my uptight sounds were suddenly embedded within a warmer global sound spectrum. The alien at home and abroad and the strange overlapped: We were seeing one and the same sound differently but were gently held together by Tobias’ producing.

Making music is about building coalitions. It’s about suggesting an articulation of styles, sounds and people, that hasn’t materialized, yet, but may help us in the current crisis: I wanted Amon Düül II to send their drug induced archangel thunderbird to rescue the refugees, that had tried to escape the police by climbing up a tree in Munich in 2016. I wanted Sun Ra to taunt far-right protesters in Chemnitz in 2018. And I wanted to mourn the loss of a former kebab shop cum discotheque that served as proof that there is such a thing as a minoritarian universalism.

SCHLAND IS THE PLACE FOR ME is a pop album featuring songs of alienation, not only as a tragic experience, but as a pop-cultural promise. Maybe Bill Callahan sung it best, “I am Star Wars today, I am no longer English grey”. I want those who suffer from alienation to stand in alliance with those who seek alienation, and vice-versa. A coalition, that tolerates the possibility that we are moved by the same groove for contrary reasons.

Aquatic (m. geddes gengras’ phonogene version)

Daniel Lanois

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