This song is autobiographical. It traces three different stages of my journey through life with music always by my side.

rock, soft rock, pop rock, Retrospection, Music All The Way

Music All The Way

Memory Game

Hypersonic. 
Buy merch at kasai.theprintbar.com

LEAVING

Contact

Playthrough - https://youtu.be/ev8MNgJNf5A

Concept Album about the meaning of the Mourning
https://soundcloud.com/refound_emotions/sets/mourning

📍Guitars/ Gear:
- Ibanez Universe 777 (Juggs Misha Pickups)
- H.Benton (EMGx)
- H.Benton 6 strings Bass
- Ibanez SR305EB-WK Bass
- Neural DSP Quad Cortex
- Cubase & SD3

Thank you for all of your support and comments

Mourning - (Yearning) 06 Lack

They think blowing up is about rapping about BIRDS and BEES and smoking trees? nigga please 

06- BIRDS & BEES

Monumental Times was inspired by my dear cat, Ziggy. Evolving from past mistakes, isolation from society, current crazy worldly affairs.

All songs written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments: Daniel Lars

Monumental Times

Not My Type

My slow blues number. Inspired by a stunning performance I saw of Grace Bowers.

Yours Bluely

Dart

What Were Missing (Prod.FINAVILLE BEATS)

Sacred Score: A Truffle Odyssey, Leeuwenstein
A cinematic journey designed to gently guide a truffle ceremony from threshold to homecoming. Warm analog pads, cathedral-like choirs, and expressive orchestral themes (with a soft wink to Vangelis) rise and fall like breath, majestic one moment, tender the next. A five-note leitmotif appears throughout as a compass, returning you to center.
What to expect
This album moves in arcs: opening → descent → discovery → peak → release → integration. Massive drums and brass lift you when courage is needed; intimate felt-piano, handpan and strings hold you when the heart opens. Everything is wordless and ceremonial—crafted to support deep inner work without pulling attention away.
Best way to listen
Low or moderate volume, full-range speakers or good headphones, lights soft and warm. Breathe with the swells. Allow the spaces between notes to do their work.
Tracklist
Threshold of Light — 6:30
Descent Through Amber — 7:20
Cathedral of Ferns — 8:00
Mirrors in the Veil — 7:10
The Mountain Remembers — 9:00
Starlight Procession — 6:40
Heart Peak (Lux Intus) — 10:30
Tears Made of Dawn — 7:50
Integration Walk — 6:20
Home to the Infinite — 8:30
Instruments & palette
CS-80-style analog pads, felt-piano, strings & brass, handpan, frame drums, flugelhorn, solo violin, harp, subtle arpeggiators, and a luminous mixed choir (no lyrics).
For facilitators
Arc lengths are intentional; transitions have long tails for seamless cueing. Suitable for deep introspection, breath-led movement, and gentle integration.
Credits
Music, concept & production: Leeuwenstein
Artwork: “Sacred Score: A Truffle Odyssey”

Starlight Procession

Daniel Lars: Multi-Instrumentalist, vocalist, songwriter, producer. Born, initially grew up in the heart of San Francisco. Music deeply rooted...young age of four. Psychedelic music scene was electrifying. Nevertheless, Daniel Lars was deeply influenced from extensive variety of music. Rock, Hard Rock, Psychedelic, Glam Rock, R&B, Funk, Soul, Motown, late '60s pop music, Progressive Rock, Gothic, Eastern music, Blues, Disco, Bossa nova, Folk, Jazz Fusion, Jazz, Classical, World Music, Techno, Psychedelic Trance, Hip-hop. 

Daniel Lars: "My father would play stacks of vinyl from extensive record collection. Especially, during weekends. Late, through the night. Recall in record collection...early Beatles, Big Band, classical, jazz, Elvis, Frank Sinatra, MC5, Dusty Springfield, Motown. Various country artists in record collection. While my oldest brothers were playing '60s rock, Southern Rock, English psychedelic bands, from vinyl collection. During late '60s psychedelic era, early '70s." 

Young age of twenty, Daniel decided to seriously pursue music career. First band, younger brother on bass. Jammed with various musicians, friends, bands. San Francisco Bay Area, during the eighties. Formed power trio, "Third Eye." Performed various popular clubs in San Francisco. Relocated in the East Bay Area. Small town in Pleasanton. Shortly, after Third Eye disbanded. Joined popular local East Bay Area hard rock band, Most Wanted. Final gig, major benefit concert. Billed with several other popular Bay Area local bands. Such as Black Tiger (former members of Y&T). To support "October 17th, 1989 Loma Prieta" earthquake victims. During late '90s, hired as a professional session guitarist for two years. Major recording studio in Oakland, CA. Where he learned extensive skills in studio production. Left California in 2008. Always creating gems in musical moments of time. His two lovely rescue cats Syd & Ziggy, daily magical hikes in the forest...are current "musical" inspirations. Cheers.