Timberlace is a singer, songwriter, and producer from New Orleans who now resides in Harlem. Her debut EP, Dreamland, was released on December 23rd, 2016.

"In My Head", Timberlace's first ever single, will be featured in Spike Lee's new Netflix series, She's Gotta Have It.

Inquiries: timberlacemusic@gmail.com
PRO: BMI
Publisher: Timberlace Publishing

Eric Biondo's Recording Credits include Antibalas-Security (2007-Anti) T.V. on The Radio (2006-Interscope) Return to Cookie Mountain, TV on the Radio (2008) Dear Science, Regina Spektor-Soviet Kitsch (as a writer) (Sire 2005) Bat for Lashes (2007) Superhuman Happiness-Hands (2013) Superhuman Happiness Escape Velocity (2015) Yeah Yeah Yeahs (2008-unreleased) Foals (2008) Passion Pit (2008/2009 Columbia records) Shakira (2009) Holly Miranda (2008) DJ Nickodemus (2008) Alan Wilkis of Big Data-Babies Dream Big (Wilcassettes 2008) Harlem Shakes-(2008) Bermuda-(Green Owl 2008) Spankie Wilson and the Quantic Soul Orchestra (Quantic 2006) Dirty On Purpose (2006 North Street Records) The Monkees-Live Tour DVD (2002-Universal) The Monkees-Live in Las Vegas (2001) Davy Jones-Live at Mohegan Sun (2002) Zach DeLa Rocha-Unreleased Celebration-Modern Tribe (2007) Pela (2008) Brian Bonz (2008) Davy Jones (2007) Radio 4 (2009) Elysian Fields (2007) Miles Anthony Benjamin Robinson (2007) FunkyMonkeys- Taste Like Chicken (2005) FunkeyMonkeys-Mustache (2007) Teddybut-I've got a Mustache for you (2003) Teo Macero-Impressions of Duke Ellington (2002 Teo Records) Icarus Line (2006) Sean Bones- Rings(French Kiss 2009) Reverend Vince Anderson (2006) The Barbarian Horde (2007) Eternal Buzz Brass Band (2007) Ted Poor Quartet (2004) As a trumpet player in a hornsection I've made appearances with EL-P, The Budos Band, Sinead O' Connor, Davy Jones Band, Spoon, The Monkees, Burning Spear, Otis Day and The Knights, Hilary McRae, The Duke Spirit, Chin Chin, Thought, Mocean Worker, Pete Yorn, Sean Walsh and the National Reserve, Chris Garneau, Hootie and The Blowfish, State Radio, Disco Biscuits, Barry Williams (Greg from the Brady Bunch) Stephonik, Michael Leonhart's Hotel Music Band, The Drifters and Ursa Minor.

Percussionist, producer and educator Dave Sharma has been programming and performing with Ableton Live since 2002. With a career as wide as it is deep, Dave’s work explores the intersections of percussion and electronics on stage, in the studio, in the theater and recently, in the classroom.

Dave was part of the seminal live electronic group Sub Swara, and percussionist/songwriter with NYC Disco stalwarts Escort, playing the Montreal Jazz Festival, Coachella, and Europe. He has performed on Broadway as part of the A.R. Rahman production Bombay Dreams, toured with Moby, and appeared on Late Night with David Letterman (with MNDR), and at the Chicago Symphony as a guest soloist. He's also DJ’d at dawn at Burning Man, taught for the Weill Institute at Carnegie Hall and created music for film, TV and theater productions – counting Hulu and the PICA’s TBA festival as clients.

After 17 years in NYC, Dave began teaching Performative Ethnomusicology and Songwriting in Ableton Live at Cristo Rey Jesuit High School in Houston, TX,  where he chairs the Electives department. He also designed and began teaching "Remixing in Ableton Live," a certificate Capstone course at Houston Community College. He is passionate about bringing Ableton Live’s approachable paradigm of music-making to students, and using Ableton Live as a tool to solve problems and create musical opportunities.

Dave’s own musical happy place involves some combination of tabla, his RE-301 and Ableton Live with Push 2. He is available for group workshops, one-on-one lessons (in-person or Zoom), lectures or longer explorations in Ableton Live, Max for Live and Push 2.

Vernon Reid is probably best known for leading Living Colour. Vernon founded Living Colour in New York City circa 1985 and piloted the band through a remarkable career. Among the highlights: a double platinum-selling debut album Vivid, released in 1988; its gold-certified successor, Time's Up, released 1990; two consecutive Grammy Awards in the category of Best Hard Rock Performance; opening for the Rolling Stones' 1989 "Steel Wheels" tour; and appearing on the first Lollapalooza tour in the summer of 1991. Vernon is thrilled to be working with Living Colour again and is extremely proud of their new album Collidescope, which was released in October of 2003 on Sanctuary Records.

In addition to Living Colour, Vernon has been engaged his usual panoply of activities. He released "Mistaken Identity", his first solo album in 1996 and has collaborated with the choreographers Bill T. Jones on "Still/Here" and Donald Byrd on "Jazztrain". He performed "Party 'Til The End of Time" at the Brooklyn Academy of Music (BAM) with The Roots, an end of the millennium tribute featuring the music of Prince's album "1999". He also composed and performed "Bring Your Beats" a children's program for BAM. Vernon has also produced records by Resort (a Mexican hard rock group) and two Grammy nominated albums: "Papa" by the great African singer Salif Keita and "Memphis Blood: The Sun Studio Sessions" by James "Blood" Ulmer. Blood's most recent album, released in September of 2003, "No Escape From the Blues", was also produced by Vernon Reid. He also appears on "Guitar Oblique" (Knitting Factory Records) with guitarists David Torn and Elliot Sharp. Vernon was also featured in the program presented by BAM and the Experience Music Project in Seattle entitled "Magic Science", which includes Medesky, Martin & Wood and the Gil Evans Orchestra performing Gil Evans' arrangements of songs by Jimi Hendrix.

Vernon composed the score for the film "Paid In Full", directed by Charles Stone III (well known for creating the "Wasssup!" series of commercials for Budweiser as well as directing three videos for Living Colour) and released by Miramax in the fall of 2002. Vernon also composed the score for the celebrated documentary "Ghosts of Attica" which aired on Court TV in the fall of 2001 and has been featured at several film festivals.

Vernon along with DJ Logic, calling themselves "The Yohimbe Brothers", released an album in September, 2002, "Front End Lifter", The Yohimbe Bros. been touring on and off since the release of the album. Vernon is also the music supervisor for the film "Mr. 3000" starring Bernie Mac and directed by Charles Stone III; "Mr. 3000" is scheduled for release in the fall of 2004. Vernon's album with Masque (Leon Gruenbaum - keyboards, Hank Schroy - bass and Marlon Browden - drums), an instrumental album entitled "Known Unknown", was released in April 2004 on Favored Nations records.

The Grammy Award winning guitarist and his band Masque present a collection of 13 new songs. "Other True Self" is a sonic kaleidoscope, a tumble of colors and a whirl of astonishing visions that expose a vivid personal landscape and illuminates one or another side of Vernon Reid, was released on April 18, 2006.

Vernon recently joined with Philadelphia's Calvin Weston (drums) and Jamaaladeen Tacuma (bass) to create Free Form Funky Freqs

The birth of the free form funky freqs intertwined with the untimely death of Tonic, the legendary underground center for jazz, rock performance and experimental music in lower Manhattan. In its waning days a number of performances were commissioned from artists associated with the venue. Enter Weston, whose called two long time friends to share the stage. Due to traveling and production circumstances, the trio had not played a single note together. The success of this spontaneous performance at Tonic came as a surprise and revelation to the members of the trio. What started as an impromptu gig, now begged further consideration. Shortly thereafter, Weston invited Reid and Tacuma to come to the rhythm section’s native Philadelphia, playing the underground haven, Tritone. Once again with no prior planning, the three took the stage and had yet another remarkable evening.

Willing to take a risk, Reid booked time at a little known but professionally appointed studio near his home in Staten Island.

These three musical innovators went into the studio wanting to explore the organic energy and excitement they felt from the live performances. What you hear on this recording is their third performance. Electrified by Reid’s thought and riff provoking guitar playing, matched with Tacuma’s inventive bass work and locked down by Weston’s deep in the groove kit work, “Urban Mythology Vol. One” is a chapter in its own book.

Old school amateur musician enjoying home recording in a one man band.
All arrangements, instruments, lead vocals, additional lyrics, and production are by Artzat.  Some backing vocals by Allison Zatarain
Recorded in 10x10 foot office/studio/workshop using Presonus hardware and software, tunes I admire, and a lot of patience.

Musical gear:
Two Custom Zatocaster electric guitars, 2015 Taylor 314ce acoustic, 1968 Rickenbacker 360-6 and 2005 360-12, 1995-ish Epiphone Dot and 1972 Texan acoustic, 2015 Fender/Squier Modified Jaguar bass, homemade uke, Woodrow dobro-esque instrument. Low-end Yamaha keyboard, Yamaha DTX Multi-12 drum kit.

Instant Records is a record label founded in the 1970s by legendary producer, songwriter and record executive Richard Gottehrer.  The label borrows its name from Gottehrer’s original production company, under which he produced artists such as Blondie, the Go-Gos, Joan Armatrading and many others. Instant Records focuses on bringing innovative recording artists to the forefront of the music scene. Gottehrer revitalized the label in 2013.

We are The Empire.

Brothers and compatriots, the members of El Imperio banded together following two years of performing together with the smash hit Tony Award-winning show Fela!, about the life and times of African music icon and activist Fela Kuti. Bringing a mix of styles from Afrobeat to Bachata, from Soul to Salsa, the band has created an intoxicating style all their own. 

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