Die Platte ist einfach ein muß für jeden Plattenkoffer :) YES :) Enjoy it

Sometimes you find these records to which you know they will remain good for years and years. And this is one of them.

EPM20 - EP1

Shadows

L.B. Dub Corp | Nearly Africa Dub

Daniel Stefanik
"Signs"
[COR12119 Cocoon 119]
Release Date: 04.08.2014

[COR12119] Daniel Stefanik - A1 - Signs

Makam - A Night At Trouw
Amulett 002, 2015
https://clone.nl/item33835.html
Low quality / for promotional use only!


Makam - A Night At Trouw

Can't Be Undone

The preview of my new remix for https://soundcloud.com/substr8sounds is now up on SoundCloud, coming soon on the https://soundcloud.com/plankton-repellent

I gave the original groove my own touch, taking it into a deeper journey with the kind of energy I love to share.

Hit play, turn it up a bit, and enjoy this new track.

Thanks for listening and for the support.

---
Ya está arriba en SoundCloud el preview de mi nuevo remix para https://soundcloud.com/substr8sounds, que pronto verá la luz por el sello https://soundcloud.com/plankton-repellent

Le di mi propia interpretación al groove del original, llevándolo hacia un viaje más profundo y con esa energía que me gusta transmitir.

Dale play, súbele un poquito y disfruta este nuevo track.

SUBSTR8 – Black Magic (NIUKID Remix) // Soon! Preview

Cocoon Compilation Q

Blitzar

Playground

Five

Cocoon Recordings is back in full force with the follow up to last year’s superb vinyl compilation ‘Dots & Pearls’. Providing a tracklisting that is nothing less than the modern interpretation of House, Techno and Tech-House ‘Dots & Pearls II’ eschews monotonous loops and predictable formulas and rather delivers a selection packed with energy and depth. 

Ilario Alicante and Todd Bodine have the honour of opening the record and very much set the tone for the feel of the album. "Modern Apocalypse" gives the impression that the duo wanted to produce a matching track to follow up Ambivalent's "Iwato" in a DJ set. The record has a wonderfully stripped and spacious feel to it, conjuring up an early hours feel with its entrancing effect and stabs plucking at the air around you. Next up we have Subb-an feat. Jacob Phono with "In The Night" a track that explores how the sound and atmosphere of big 90s Techno acts like Underworld can be transferred into our contemporary Minimal and Deep House universe, a task in which they succeeded brilliantly. Resonant beats and percussions, some 808 claps, funky fills and filtered layers match perfectly with the hypnotic vocals and form an impressing overall result that fits into the DJ's set at any time during the night. 
Mark Reeve's contribution "Carry Me" springs from typically Reeve-like UK-influenced House sounds. Softly filtered layers and cool vocal elements provide the right mood, and the long build-up with much patience and even more emotion makes "Carry Me" one of the best and deepest British Tech House tracks in recent times, a certain winner for fans of 20:20 Vision and Global Communication. 
With "Jellied Eels", Marco Effe steps up to try and win the prize of 'the fattest beats on the compilation'. The E-piano chords are a sure fire hit and the warm layers in the breaks loosen the heavily muscled beats a little, but they can't hide the fact that there is an energy packed affair, which erupts in a perfect surrounding and will take any dancefloor beyond the boiling point. It’s easy to hear why this has been sitting in the sets of Sven Väth and Luciano for some time. Danito & Agent! have just recently delivered their Cocoon debut and their mix of deep House elements and big-room Techno citations has already convinced the experts. Their track "Raw Symphony" is no exception here but rather travels further into the realms of cinematic techno. Detroit sends its regards with a fat bass/strings combination and much pathos, based on an elegant House-style beat that never demands too much and leaves enough space for the above mentioned big-room sound. With "Iwato", Minus figurehead Ambivalent contributes a slightly dark but still deep and minimal Techno track that lives on a juicy Chicago bass line and pays tribute to the compilation's motto by using uncommon sounds and effects. The pearls are literally hearable in the arrangement, setting accents in order to prevent the track from sounding too rounded-off. Hypnotic and kicking, but still unpredictably different. Berlin, 07:30 h in the morning – here's the matching soundtrack for a winter sunrise! 
Harvey McKay's "First Strike From Mars" sounds like its title suggests, and Captain McKay doesn't take prisoners. Demanding, massive and equipped with a mighty beat, the tune is reminiscent of recent Slam releases or some of the stronger Santos productions. A peak time production that has only one message: no escape and total madness on the dancefloor, this is a winner that has been getting plays from Sven Väth and Luciano! Sawlin's "Posay" is plumbs the depths of the Techno ocean, with plenty of echo and even more reverb, his remote metallic percussion sounds create an atmosphere that would also be perfect as the soundtrack for a big art installation. "Posay" shows that Techno in the year 2012/2013 does not only mean 'in-your-face', but rather depth and elegance. 

Besides the vinyl edition, ‘Dots & Pearls II’ is also released in a digital version, which contains four extra pearls, in addition to the eight tracks of the vinyl version: With "Sequence Of Moments", Martinez sends the listener back to the high times of that DBX-influenced Detroit sound full of bleeps and blonks, like Daniel Bell or Fred Gianelli perfected at the time. However, he doesn't deliver a retro piece at all, but combines the raw and direct vibe of Bell with modern sounds, layers and pads, and thus moves himself a little towards the Reboot or Johnny D corner. With their contribution "The Gate", Patrick Kunkel & Sascha Barth follow the current sound of now: matching parts of House, Minimal and Techno, in a skilful mix that, on the one hand is reminiscent of the hypnotic-minimal DJ sets of Ricardo Villalobos and on the other hand releases energy galore, in order to make demanding ravers happy. This is definitely one for fans of Pele and Matthias Tanzmann. Next Ross Evana pays tribute to fat Chicago beats and follows Sneak & Co. with his superb production "Cheget". The kick drum pumps, the claps and hi-hats clack heavily and the thick, pitched-down organ stabs in combination with the percussive staccato vocal fragments make the whole thing even more driving. And as if this wasn't enough, Evana adds some industrial sounds and effects that would easily fit in any big Depeche Mode remix, just lacking Dave Gahan's vocals in order to make the crowd freak out. Playing, dancing, partying, you have everything in here. With their track "Still Laughing", Fumihiro Hoshi & Tadac present their unique and different sound and provide a perfect closing opus to this outstanding compilation.

Marco Effe – Jellied Eels

Jimmy Edgar Announces New EP, Label Launch, Special Projects

Detroit’s Berlin-based Jimmy Edgar is on a mission to manifest dance culture on a level deeper than any bass can drop. Synthesizing his passions for esoteric philosophy and ‘90s club music, Edgar announces a new EP, label launch, and special projects with fellow multimedia mystics Machinedrum and Pilar Zeta.

An alumni of vaunted electronic labels Warp, !K7 and Hotflush, Edgar teams with longtime friend and frequent collaborator Machinedrum (Travis Stewart) to launch a new label called Ultramajic. The two have been “deep telepathic friends” since their teen years when Stewart encouraged Merck Records to sign Jimmy based on a random CDR that found its way to the label in 1999. In addition to doing A&R for the new label, Stewart’s work with Edgar includes their side project JETS, as well as film and installation pieces.

The new label’s first release is Edgar’s new EP, Hot Inside, out June 10th. Hot Inside struts with libidinous abandon and oozes supernatural essence. The title track opens Hot Inside with a filtered diva wail, cavernous beats, and warped techno grooves. “Shout” is a pulsating electro stomper, riddled with vocal loops, oscillating synths, and shuffling syncopation. “Strike” is a stripped down jacking track that soars into an infinite fade.

“These tracks were started in South America when I was at Machu Picchu and on a sort of metaphysical adventure down there during December,” Edgar explains. Keeping his body music’s sensuous aura, Edgar intensifies his dancefloor focus, inspired by his extensive remix work and DJ gigs. “I'm booked every weekend this year on almost every continent.” In 2012, Edgar did over thirty remixes, including a Portishead edit he made hours before his Boiler Room set with Hotflush’s Scuba.

Hot Inside will feature collaborative artwork with Pilar Zeta, a longtime creative partner. As part of Edgar’s complete experience concept, they are also releasing a metaphysical card deck based on the Law of One, a series of books allegedly cowritten by an extraterrestrial being. "We are very interested in the idea of ancient magick becoming a modern reality and merging it with art culture... We are invested in making these things relevant again and spiking some curiosity within young people."

Hot Inside will be released on Ultramajic on June 10th. Jimmy Edgar is available for interviews now.

Hot Inside Track List:

 Hot Inside
 Strike
 Shout

Ultramajic is a vinyl and digital imprint distributed by STH Holdings, home to Hotflush Recordings. Ultramajic is primarily focused on singles and EPs, released every 6-8 weeks in deluxe hand-crafted packaging inspired by ritual magick, meditation, and alchemy. Management for Ultramajic and Jimmy Edgar is handled by Faux Management in Los Angeles.

Buy on Beatport: http://btprt.dj/14sBNop

Buy on iTunes: http://bit.ly/15R0zhe

[COR12119] Daniel Stefanik - A1 - Signs

Daniel Stefanik

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