Prod. Yami's Sin

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Aegis

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

The Circle Dreamt Itself

This is my Burn it down affirmation song.
I've heard a lot of BS in this life from people who were supposed to have the best for me.
This song is about burning down all of silly shit and becoming your own person,not clinging to others thoughts and ideas.

Burn It Down

Untitled Demo/Promo in conjunction with the upcoming "Lowering the tone tour"

Music & Lyrics by
Acle Kahney
Jamie Postones
James Monteith
Amos Williams
Elliot Coleman

Untitled Demo (TesseracT)

God Is An Astronaut - God Is A Train Driver

Talking in my sleep, cursing through my teeth, sweating in the heat 
Stuck inside this dream of darkening frustration
Liars in my dream, I’m frightened and I’m weak, there’s nothing left for me
And the visions I endure are simply entertainment
Dark figures chasing me, I hear the wolf that cries, see them multiply
You’re ablaze behind the eyes; they burn into a memory
A sudden sense of hope, the virtue of my ghost, you’re another ugly host
And I can’t believe that you would just deny everything
I choose to live free
It took a second warning then I said goodbye
With tainted eyes I need to believe 
It took a little longer to sympathise
And you were hoping I would give in to you
I won't dance because you want me to
No romance; deep down I only want to be the same
Now there’s nowhere left to hide 
Game of chance; I roll the dice for you
Hopeless glance; deep down I only want to be the same
Now there’s nowhere left to hide 
The greatest thing you’ll ever learn 
Is just to love and be loved in return
I’m living such a life; therein lies your problem 
Imperfect, circular, entropy the fatal conclusion 
With a little sympathy it’ll burn inside, let the fires decide
Imperfect and circular
I won’t comfort you; no it won’t be the same
There’s nowhere left to hide 
And I won’t comfort you; no it won’t be the same
There’s nowhere left to hide 
And I won’t comfort you; no it won’t be the same
There’s nowhere left to hide 
And I won’t comfort you; no it won’t be the same
There’s nowhere left to hide

Polaris

Dystopia

Is there something I should know
Of the colours that you show?
I remember those words
In the back of my mind
There is an old phantom
It isn’t a secret this mind’s shrouded in history 
It isn’t a secret this mind spirals in disarray 
It isn’t a secret this mind shudders in mystery 
It isn’t a secret I find terror in memory
Come close. Don’t be afraid. 
It’s stranger than you think
Desperately opiate, weary
Feverish host to us, teary eyed
History hexes us
History hexes us
Don’t look. Don’t think 
Don’t feel. Don’t move. Don’t breathe
Don’t make a sound. It lives. It breathes
In my conscious mind
(Rosebud don’t change)
It isn’t a secret this mind’s shrouded in history 
It isn’t a secret this mind spirals in disarray 
It isn’t a secret this mind shudders in mystery 
It isn’t a secret I find terror in memory
I live and breathe again
These gory locks, don’t you dare forget them 
Don’t you dare.
Don’t you dare.
History hexes us
I breathe again
History hexes us
I live again

Hexes Ft. Martin Grech

Here I can breathe again 
I left it all behind to watch the days go by
Now I can breathe again 
I choose to never let go
So take your time, concentrate
Know the clock is ticking - don’t be late
Stand your ground, do your worst
Fragile frame, minor world
Take your time, prove your worth 
Don’t look behind, you’ll make it worse 
Why won’t you forgive me?
I was so alone, soaking to the bone
How could you forgive me?
Was I pitiful, unforgivable?
Unholiest, irreverent, immoral son. 
Ungodly one

Errai

Seven Names

Seven Names (ERRAI)

Epitaph

Seance Room

Distant Dream - Endless Destination

Seeing how today is my first official release with TesseracT, I figured I share one of the two auditions that got me in the band in the first place. I received "Deception" literally the night before I went to track it. Some of the timing might be off, but thats because I basically had to learn it while tracking it, as I was not familiar with the tune. Also, I didn't know whether or not to track the backing harmonies, so I left Dan's in there. I also do not use NEARLY as much vibrato when preforming this now hahaha. Anyways, don't take it too seriously as it was just an audition ^__^

TesseracT audition (Deception)

AWARDS and HONOURS:

Prog Award - Male Vocalist Of The Year 2015 - Nomination
Rolling Stone - Best Album 2015 (Critics Choice) Skyharbor
Rolling Stone - Best Song 2015 ‘Evolution’ (Critics Choice) Skyharbor
Prog Award (2014) – Artist of the year Nomination – TesseracT
Prog Award (2014) – Breakthrough Nomination – Skyharbor
Prog Award (2014) – Limelight Nomination – White Moth Black Butterfly
Metal Hammer (2014) – Golden God Nomination ‘Global Metal Band’ Skyharbor 
Jack Daniel’s (2013) - Band of the year – Skyharbor
Rolling Stone (2013) - Band Of The Year (Critics Choice) – Skyharbor
Rolling Stone (2013) - Best Album (Critics Choice) – Skyharbor
Rolling Stone (2013) - Best Song ‘Dots’ (Critics Choice) – Skyharbor
Rolling Stone (2013) - Band Of The Year (Popular Vote) – Skyharbor
Rolling Stone (2013) - Best Album (Popular Vote) – Skyharbor
Rolling Stone (2013) - Best Song ‘Dots’ (Popular Vote) – Skyharbor
Rolling Stone (2012) - Best Song ‘Maeva’ – Skyharbor
Rolling Stone (2012) - Best Emerging Artist – Skyharbor
Prog Award (2012) - New Blood Award – TesseracT (One)
Kerrang! (2011) –  5K Live Review @Sonisphere Festival – TesseracT
Metal Hammer (2011) - Golden God Nomination – Best New Band – TesseracT

BIOGRAPHY:

Daniel Tompkins is an award winning and innovative British singer / songwriter from Nottinghamshire in The East Midlands. More widely recognised as the singer for TesseracT with his unique live performances and unmistakable dramatic soundscapes on the highly acclaimed albums ‘One’ and 'Polaris'. Since 2009 Daniel has established himself as a highly respected vocalist with a dedicated worldwide fan base. Arguably one of the busiest collaborative vocalists, Daniel’s voice has been celebrated as one of the best in modern progressive rock and metal.
 
Daniel has released a diverse catalogue of records to date and in doing so demonstrated a natural ability to marry his distinct voice to various genres and yet remain in mesmerising control of his audience. However, much more than a recording artist, he is an accomplished performer who has earned a host of awards and honours having toured the world, sharing the stage with artists such as Iron Maiden, Gojira, Lamb of God, Devin Townsend, Meshuggah, Senses Fail, Animals As Leaders, No Use For A Name, Periphery and Protest The Hero
 
Looking to the future Daniel now balances his time between TesseracT and White Moth Black Butterfly and his various collaborations continuing to create a strong impression within the music industry. 
 
PEER AND PRESS QUOTES:

“Dan has a hell of a voice!!!” – DEVIN TOWNSEND 
 
“Check out the awesome vocals of Dan Tompkins, the man can sing YEAH!!’ – JON GOMM
 
“The dramatic soundscapes Dan Tompkins creates really are on another level, standing above the current crop of vocalists out there. Tesseract are destined for great things with a frontman leading the charge like this…one of the best vocals in modern metal” – SCUZZ TV (UK)
 
“An exceptional album from (White Moth Black Butterfly) Dan Tompkins. An absolutely essential work. Experimental, accessible and quite brilliant. This ranks high amongst this year’s progressive releases.” – Classic Rock Presents Prog Magazine
 
“There are so many musicians out there who jump from genre to genre and experiment with different kinds of sound but not all of them are able to pull it off. Out there, a bunch of them have the ability to make things so awkward, you’d just want to question what they were thinking. But then again, there are the special ones, the ones who shine in the dark and shine even brighter against the sun. The One’s who fully understand and are able to control their capabilities and of course the ones who actually know how to take things to the next level. They have this gift in whatever they do, it just works. One man who’s got this gift is UK-based vocalist, Daniel Tompkins – PULP MAGAZINE (MANILA)