metaworld label:
https://matt-flores.bandcamp.com/
Hailing from the heights of Neanderthal, Germany, Matt isn’t just part of the infamous Gush Collective, he has also pioneered Jungle&(digital)Dub , produced UKG w/ ZED BIAS on Contraband and has crafted House with Chicago legend TYREE COOPER on Supa Dupa, Compost Black and Dsoh just to name a few. As Producer and Drummer of the Band Ai he has released several 12”s & Albums on THEMES FOR GREAT CITIES and more. on Bandcamp you can find his freshest releases. 

https://matt-flores.bandcamp.com/track/my-t-mr-ice-cream

His most recent 12“ was on Londons finest UKG/2STEP imprint SHUFFLE & SWING as 2smart/ GUSH COLLECTIVE.  Also look out for his several projects GUSH COLLECTIVE, AM and Ai. 

Socies:

https://www.instagram.com/matt_flores 

https://youtube.com/playlist?list=PL6Q89UTRsaTsZm1Jrgsp02g9tj5hRgbPw

https://soundcloud.com/matt-flores

https://aimusic1.bandcamp.com

Artist from Düsseldorf, Germany. Working in the fields
of music, sounddesign, installation, motion, direction, and creative coding.

Former lifes as recording artist, dj, and in various media related jobs. Currently running the interdisciplinary studio “beansandbacon”.

I am into interesting projects/collaborations. Please contact me via the beansandbacon site.

Trailblazing glitch masterpieces (1990s), delicate, hyperreal, futuristic post-rock vignettes (after 2010) and now abstract club bangers with a twist - Oval continues to be a celebration of innovation, skill & sensibility. 

With an undeniable instinct for the pleasantly irritating, the drastic & the dreamy, M. Popp keeps on pushing the envelope. No one out there plays the computer quite like him.

Yet another music 'service' bites the dust after making artists pay for features that never get implemented. Goodbye SoundCloud - we won't really miss you. 

Find us elsewhere using the links below!

If such a joyous sonic welter as the music of Oakland’s Artemis needs a handle, then call it “pavement psychedelia,” or “urban robot raga” or “trip-pop.” On a song like “Hypno,” spectral keyboard washes and sinuous dance beats set up a feeling of warm alienation before the singer’s voice heats things further. Over the thump and shimmer, she croons with detached fervor, the production dissolving in a storm of pixie-dust disco until a rude riot of effects snaps the tether and she vanishes.

Aesthetically, the band is a poppier variant on trip-hop, with layers of beats and synth effects providing atmospherics for sophisticated classic rock song structures and the velvet swoop of Artemis’s vocals.

Artemis co-produces and performs with various members of the RTFM collective, which includes the polymathic likes of Daniel Berkman (aka Colfax, multi-instrumentalist and wizard of the kora, a twelve-string harp-lute used extensively in West African music), Cliff Tune (the drummer, who adds to orthodox skin-pounding masses of programmed beats layered for pallidly funky effect), Keith Crusher (producer, programmer and sonic theoretician) and newcomer Daniel Durrett, who doles out mind-bending effects with ease, lowering the ambient temperature to dry-ice.

Despite the variety of syncretic means, the whole wraps around the singer in true rockist fashion like a flash-frozen Big Brother & the Holding Company. The music pulses with downtempo beats while ambient sound FX sinks tethers from the world outside into the listener only to pull them pleasantly loose with the band’s coruscating riffs and hooky churn. Artemis presides over this aural slow-burn like one of Wim Wenders’ angels; warm, wise, detached and waiting for you…

Artemis’ releases Orbits (2007), Gravity (2005) and Undone (2001) are all top sellers on online music label Magnatune, and have garnered praise and press in publications from the New York Times to Remix, Electronic Musician and Keyboard magazines. Her music receives global airplay and is featured regularly on major podcasts and popular online radio shows such as Dave’s Lounge, SomaFM, Groovera, and Below Zero. Songs have been licensed for television, video and compilations, and she has recorded and collaborated with producers worldwide including Banco de Gaia’s Toby Marks and former Duran Duran manager Paul Berrow. Tracks from her most recent release, the Auralei EP (2010), have already won awards and spotlights, with the Colfax remix of ‘Here and Now’ earning top marks at the first Epiphyte Records Test Press event of 2010.

Composer, artist-mentor, father, husband, would-be sailor… Born in Cooperstown, NY; Trained at the Crane School of Music, SUNY Potsdam, Queens College, NYC, American University, Washington D.C., and others… taught at the Hartt School of Music, Theater and Dance, Great Neck North High School, and resident composer at New Dramatists, NYC; Central City Opera, Denver; Colorado Springs Conservatory; American School in London, and others.  18 Choral pieces published by Hinshaw Music, Inc; GIA Music, Chicago… numerous commissions and larger works available at rogerames.org

"Stand Up fi what you lovin" - these six words are not just from her latest single, but also sum up TriXstar's way of life.

OpenAI is an AI research laboratory discovering and enacting the path to safe artificial general intelligence.

Daniel Vorhauer is following