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New Music Friday UK (2)

Daniel Avery, Alison Mosshart · Greasy off the Racing Line

NaNaNa en Radio 3 | Playlist semanal

Brand New Music

New in Electronic

H4U Recap

Into Your Eyes

imanocean

It's Coming Soon

Los Angeles / Grandmother

Los Angeles

Cómo Pensarte Mal

Portal

Nur Um Liebe

REZZ x Owl Vision – "Downward" out now: https://hypnovizion.lnk.tt/downward
My new album "As The Pendulum Swings" is out September 12th:
https://hypnovizion.lnk.tt/pendulumswings

Video made by  @kadabura  

Follow REZZ on socials
https://twitter.com/officialrezz
https://instagram.com/OfficialREZZ
https://facebook.com/OfficialREZZ
https://soundcloud.com/official-rezz
https://officialrezz.com

Follow Owl Vision on socials
https://x.com/owlvision 
https://www.instagram.com/owlvisionmusic/ 
https://www.facebook.com/owlvision/
https://soundcloud.com/owlvision
https://www.tiktok.com/@owlvisionmusic 
https://owlvision.se/

Follow HypnoVizion on socials
www.HypnoVizion.com
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www.twitter.com/hypnovizion
www.instagram.com/hypnovizion

Stream

Downward

Greasy off the Racing Line

SPIDERS

The Scythe

Brand New Me

The Dead Dance

Loser

Ocean

SWAG II

SPEED DEMON

LOVE SONG

Quadrant Soundscape presents In:Focus 009

For our 9th mix of the series we turn the spotlight to one of our favourite labels of the last few years, Australia's finest - Primary [colours]

Primary Colours was founded in a pub over an IPA in 2012 (The Perfect place to form a label, in our opinion) and is the brainchild of Lance Harrison and Mark Baumann, aka Echo Inspectors. 

Over the last few years the label has gone from strength to strength and really carved out a unique sound amongst the Deep and Dub Techno Community. They showcase some of the top artists from around as well as bringing to the fore some of Australia's best talents. 

As with all our In:Focus mixes the challenge is to highlight the breadth and diversity of the label in question. It is by no means a 'greatest hits' and there is so much amazing music on this label that we didn't manage to include in this mix but we urge you to check out if you haven't already.


Tracklist - 

Stillhead - Recreational Beats (Beatles Rework) (2024)
Adam K Roll - Into the Ocean (2023) Mike Schommer - Very Being (cv313 Fling Dub) (2020)
Noosa Sound System - Ah Go Build (2025)
Stillhead - Iden (2024)
Stefan Gubatz - Noble Booth (2025)
Echo Inspectors & Subset - Youthman Feat Prince Morella (2023)
Stefan Gubatz - Village Whispers (2025)
Altone - Srene Abyss (2024)
Echo Inspectors - Archetype (Knowone Dub) (2020)
Echo Inspectors & Insect O. - Bourne Dub (Silver Ash Remix) (2020)
Altone - Effuse (Upwellings Remix) (2021)
Mike Schommer - Lost in You (FDF’s Down Under Cut) (2022)
Echo Inspectors - Eosophobia (2020)
Echo Inspectors & Silver Ash - Mad Roy (Bluetrain Special Dub) (2021)
Altone - Self-Replication (Brendon Moeller Dub) (2024)
Stelios Vassiloudis - Impulse Response (Stefan Gubatz Version) (2025)
Mike Schommer - Very Being (Deadbeat Blood & Bone Dub) (2022)
Echo Inspectors & Insect O. - Bribie Dub (2021)
Resoe - Chordology (Luke Hess Remix) (2022)
Stelios Vassiloudis - Complicity (Ohm & Kvadrant Remix) (2025)
Mike Schommer - City Sleeps (Steve O’Sullivan Remix) (2020)
Mike Schommer - Three Tears (Feat. Andrew Fagan) (2020)
Echo Inspectors - Lunar Shadows (Luke Hess Remix) (2020)
Altone - Self Replication (Brendon Moeller Remix) (2024)
Adam K Roll - Sweet Breeze (2023)
Subset - Impedance (2025)

Check out more from Primary Colours here -

https://primarycoloursmusic.bandcamp.com
https://soundcloud.com/primary_colours_music
https://www.facebook.com/primarycoloursrecordlabel
https://www.instagram.com/primary_colours_music/

In Focus 009 - Primary [colours]

When OK EG enters Varden it’s 8:30PM on Sunday. It’s been a slow and steady build during the day, much slower than the day before, people have been given time to rest properly from a late night on Saturday. This is the journey. The ebb and flow of the forest. It’s their job to get the crowd going for the last couple of interval sprints. They are well rested and ready.

OK EG’s expansive sound is deep and diverse. Their compositions display a range that shifts between delicate, textural soundscapes, and spiralling, mesmerizing, mind-trip techno.

They first went to Monument festival in 2024, taking a break from a residency at EMS in Stockholm to spend a weekend in the forest. They brought a field recorder with them and spent time on the riverbank recording the sound of stones and water.

And listen to this level of dedication; while preparing for their live set in 2025, they used those recordings to write a closing track called Monument Stone. This is what they said about it. ”In the moment of performing it at the festival, we felt that everything came together. The crowd, the music and the site connected and it happened just as we’d imagined it.”

During their set day turns to dusk. We transition together, ready for the night - the sound, nature, forest and lights. Hand in hand. 

Follow
https://soundcloud.com/okegmusic
https://www.instagram.com/okegmusic/

Monument Festival 2025 : OK EG (live)

Universal and electric, flowing with liquid and environmental sounds. Latin rhythms collide with broken fragments, building a crescendo of sensuality and velocity. Intriguing vocals ride over rolling grooves, acid tones, and techno kicks, creating irresistible bursts of energy.

Kia’s meditative cosmic aura meets Bitter Babe’s rhythmic fire in a tribal, sassy mix that moves, pulses, and evolves. Layered textures, ancestral grooves, and veteran bass carry the set through ravishing hours of sound.

Kia b2b Bitter Babe - Climate of Fear x Sustain Release - June '25

Jius-Ed & Move D all night long at Globus, Berlin 2025-09-05
I'm joining in at around 1h30min

JUS-ED & Move D ALL NIGHT GLOBUS 2025-09-05

Venera - Exinfinite
Label: PAN
Cat.No.: PAN 153
Release Date: 12 September 2025
Purchase: pan.lnk.to/Exinfinite

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn's James "Munky" Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. VENERA's sophomore full length is darker, heavier and more percussive than its predecessor, but there's something more intimate wired into its circuitry that's harder to define - something mystical, mysterious and melancholy. Songs materialize from the void only to be dissolved by acidic synths or pierced by Hunt's whetted beats, while Shaffer's dense, tortured riffs are offset by euphoric, time-dilated vocals from FKA twigs, Dis Fig and Chelsea Wolfe. Following their encounter with vastness, VENERA have peered inward, ruminating on the limits of existence and excavating their most deeply buried emotions.

VENERA emerged in 2022 when Hunt and Shaffer veered into their own musical territory after recording with Albanian artist Xhoana X. Improvising together and experimenting with cinematic, sci-fi-inspired sound design, the duo realized the collaboration had potential, so they began developing and evolving the sound further, bringing in assistance from former Mars Volta drummer Deantoni Parks, Queens of the Stone Age's Alain Johannes, post-punk duo VOWWS and LA noise rock legends HEALTH. And after their debut album appeared on Mike Patton's Ipecac imprint in 2023, VENERA kept deconstructing and rebuilding their approach to songwriting, swapping out ambient Eno-esque atmospheres for blown-
out beats and dense textures, and figuring out how to extend the narrative they'd opened up without retreading old ground.

On 'Tear', the duo's new direction can be heard clearly as Shaffer's primal guitar noises are reformed into eerie widescreen expositions that Hunt punctuates with pneumatic kick and snare cycles. Broken up by airlock hisses and luminous synths, the track proposes a backdrop that VENERA continuously transmute, reforging the concept as the album develops. Cult singer-songwriter Wolfe adds a gothic American flavor to the crepuscular 'All Midnights', crooning powerfully over VENERA's vacuum packed rhythms and gaseous synths, and Berlin-based noisemaker Dis Fig follows work with The Body and The Bug on 'End Uncovered' lending breathy, emotionally layered tones to Shaffer and Hunt's tape-damaged industrial pops and whirrs. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering 'Asteroxylon', and Hunt replies to Shaffer's reverberating plucks with foghorn groans on the ominous, pensive 'uuu773'.

'EXINFINITE' perpetually builds momentum until it hits 'Caroline', an intense collaboration with FKA twigs that isolates her most unearthly tones. Initially curling her words around ominous electrical distortions and mangled, ghostly voices, twigs launches into a charged operatic cry that Shaffer and Hunt meet with skittering cybernetic beats and dense walls of guitar noise. It's this track that fully cracks open VENERA's concept, merging the synthetic with the natural and prompting dysphoria, loss of self and infinite regress. So the blood-curdling noise and sinister ambiance of 'Decreation' acts like a dissociated coda. In the 'EXINFINITE', destruction and death are not overcome, they're intensified until they metamorphose completely.


Venera ft. FKA twigs - Caroline

Full tracklist & Video Mix: bleep.com/bleep-mix-309-dj-food

To celebrate the release of the Telepathic Fish compilation, we have a special ‘O Is For Orange 2025’ Bleep Mix from DJ Food.

"A version of this mix first appeared in 2013 at a night to celebrate the release of Boards of Canada’s ‘Tomorrow’s Harvest’ LP release. It then morphed into an Audio Video DJ set that I toured around the UK in 2019, playing the Bluedot festival to a packed tent that year. The idea was to thread Boards of Canada’s music with original sample sources, tracks they’d remixed, fan remixes or songs that fitted their sonic blueprint.

I recently resurrected and refined the mix for a gig booking, updating it into a new version. This happened to be a week before I was due to deliver my guest mix to Bleep and it seemed to be too good an opportunity to pass up. I abandoned the mix I was going to deliver and put down the first hour of the ‘Orange’ set including a video mix to go with it. I used stem splitting apps to deconstruct some of the tracks into unique versions before video mixing it all on turntables using Serato then editing the footage in Premiere." - @strictly

Bleep Mix #308 - DJ Food

The [Abstract] Best Vol. 1

Breathe & Stop [J.Period Remix] (feat. Q-Tip)

I Made this re rub about 7-8 years ago from memory.
REMASTERED - Up for a limited time.

Bomb Da Bass - Bug Powder Dust (Dust La Funk Mob Vs Kenny Beeper) REMASTERED - Free Download

Behind the Scenes: Ghetto Origins (Interlude) (feat. Q-Tip)

ATCQ Consists Of… [Interlude] (feat. Q-Tip)

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Greasy off the Racing Line

Daniel.Avery