some heavy shit right there. bring on ADE :-)

Techno *-*

Back at our mammoth Stay True Scotland broadcast earlier this month, one track came real close to bringing The Caves' roof down during Nina Kraviz's powerhouse headline set. "I Wanna Go Bang" very nearly executed its titular statement – well, if the song was more about wrecking balls and less about...oh, never mind.

The vocals that stalk the track, so wholly devoid of humanity, rub up against razor-sharp claps and serious bounce in the subs. It's weighty warehouse techno of the highest order, set to devastate dark basements and big tents alike throughout the year. Simply put: Icelandic producer Bjarki has delivered a bomb.

Grip the physical via трип from July 15th onwards.

Bjarki "I Wanna Go Bang" - Boiler Room Debuts

DNA (Free DL)

We are the future pls dont forget me

Valence will release Untitled by Taylor Duepree on June 3 

Taylor Deupree - Untitled (Marco Shuttle Solar Reshape)

PREMIERE > inverted-audio.com/premiere-bjarki-here-it-comes-can-you-feel-it-92-hoover-2

Today we are proud to present the premiere of Icelandic producer @bjarki “Here It Comes Can You Feel It 92 Hoover 2” @triprecordings - a track that is thunderous, mysterious and constantly keeps the listener in the dark until it damn well pleases.

Bjarki - Here It Comes Can You Feel It 92 Hoover 2 [трип]

Techno two-piece Slam (Stuart McMillan & Orde Meikle) bring the new double vinyl album Machine Cut Noise to the forefront next month Stuart and Orde's day-to-day proceedings consist of maximum time spent on the road, in airports and hotels; which also forms the creative hub for their music-making. It's this transitory state that largely dominates the vibe on Machine Cut Noise.

With each of the album's eleven tracks handed its own unique energy, this concept is probably depicted most prevalently in "Psalm". There is a deep emotional core found within this programmed 7.5-minute piece. It conjures a direction that 'has been paved by the machines which surround us'. A technophile's voyage into the unknown we strongly recommend getting on board with.

Machine Cut Noise comes out on 28th October on Slam's own Soma Records.

Pre-Order

Slam "Psalm" - Boiler Room Debuts

Rote, a collaboration with @volte_face_bleed. EP2 out now on BleeD Music, vinyl and digital.

rote.bandcamp.com/album/ep2

EP2 (BleeD006)

Buy from Bandcamp

Rote - Rote 4

Beatport: btprt.dj/2dFxg0s
Vinyl: bit.ly/2decJdZ

1: Stephan Hinz - Venom
2: Stephan Hinz - Primal
3: Stephan Hinz - Out Of It
4: Stephan Hinz - Shadowselves [digital only]

Stephan Hinz returns to Second State once again, painting the canvas of silence with his masterstroke of imposing drums and vicious hooks. 'Venom' is Hinz' latest offering and comprises four incredibly massive tunes which perfectly showcase his evolving sound of Techno's best in peak time pandemonium. 
The title track 'Venom' kicks off the EP with a devilish throbbing groove while mischievous organ stabs rise and fall generating an impeccable balance between tough and playful. 'Primal' follows up with a more devious style where relentless percussion and sinister synth stabs culminate into absolute debauchery. Switching gears, 'Out Of It’ shows Stephan twisting the track's elements into a grooving, up-beat tool with a contagious faction of ingredients that transform into a sublime trip suitable for a million situations. 
Clinching the EP is a venture into the ethereal: the aptly titled 'Shadowselves' takes a journey into the dramatic world of villainous sonics and surging tones creating a labyrinth of dense atmospherics before winding into a grand crescendo.

@stephanhinz
@secondstateaudio

Stephan Hinz - Venom

Get this track here www.beatport.com/release/orbital-…nance-ep/1858521

www.florianmeindl.com | www.flash-rec.com @flash-recordings

In celestial mechanics, an orbital resonance occurs when two orbiting bodies exert a regular, periodic gravitational influence on each other, usually due to their orbital periods being related by a ratio of two small integers.

Producing for over fourteen years, Florian has become known for his deep, grooving powerful techno. His productions are characterised by his love of analog, which represent his true signature sound.
As a DJ, live performer, studio producer and sound designer, Florian has over the years established an impressive producing base for himself in his Berlin based Riverside Studio complex with an exciting hardware set up including Modular Systems, an analog mixing desk as well as classic machines like Roland 909.
Orbital Resonance was produced on his hardware and modular equipment, which he has also been using to produce his upcoming album, which we can expect to hear early 2016.

Download

Florian Meindl - Styx Charon [ FLASH Recordings ]

Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique. Their submerged “scuba” sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the ‘soundmarks’ of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop and art-damaged noise all drinking from the same well of inspiration. Together with restless international collaborators such as Kevin Martin, and theoretical thinktanks such as the Mille Plateaux label, Mellwig and Köner were key players in a larger decentralized rebellion against musical monoculture. Their stated desire to make unexpected timbral shifts as important to their compositions as rhythm, along with their indifference to concerns like public image, set up a situation that critic Kodwo Eshun picked up on early on (“no pictures or interviews act as shock absorbers…the full force of their inexplicable sounds falls around your ears.”)

For proof of Porter Ricks’ enduring legacy, look no further than the fact that “dub techno” is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel / Chain Reaction label alliance (where Mellwig’s mastering skills also played a starring role). Lurid traces of PR’s aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo’s unique ‘aquatic’ techniques to be applied to a variety of different musical contexts. However, this does present Porter Ricks with the unique challenge of reasserting themselves in a scene that has mastered their sonic vocabulary so well, the originals themselves run the risk of sounding like imitators…are they up to the task?

Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so oversaturated with communications noise. It’s made clear at once that it’s a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them. From the outset, the title track “Anguilla Electrica” slithers to life with bouncing and panning sequences that cover the full frequency spectrum and provide a perfect update on Porter Ricks’ exploration of animalistic movement and perception. Elsewhere, pieces such as “Scuba Rondo” also reanimate the classic Porter Ricks sound in striking fashion, playfully setting up a virtual sonic kitchen in which gelatinous sound phrases blend with steamy hisses and distinct crackling. In other places, like “Port of Tangency” and “Shoal Beat,” the duo once again demonstrates just how effortlessly catchy the conversational tension between lockstep groove and slightly unhinged, unidentifiable sound material can be.

This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf - yet it is far more invigorating than relaxing. True to the Porter Ricks tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake

Anguilla Electrica

Tresor Store

Porter Ricks - Prismatic Error

live recording of Alessandro Adriani's set @ We Are Radar night

02.06.2017
Szpitalna 1
Kraków

Alessandro Adriani @ We Are Radar | W.A.R.002

Release Date - 27 July 2018
Format Digital

Support & Buy : http://bit.ly/2OF2WAz

Alexandar on Facebook : www.facebook.com/alexandarsound/
Alexandar on Soundcloud : @alexandarsound
Aquiver on Facebook : www.facebook.com/Aquiver2/
Aquiver on Soundcloud : @aqui_ver

Serie Radioattive

Support & Buy

Aquiver - Camminando da solo [ALXNDR002]

PABLO MATEO - WEIRD REFLECTIONS BEYOND THE SKY 
Release date: September 23rd 2019
Format: 2x12" & digital
Artwork by: Louis Ardine
Preorder:  http://bit.ly/FIGLP04
https://www.residentadvisor.net/news/44256

An outstanding artist since his earliest productions, @pablo-mateo-10 now fully joins the ranks of Figure for his first album. On this versatile LP finally expands his complete creative vision of what techno music truly means to him. 

Weird Reflections Beyond The Sky is an album that is accessible to all audiences. When engaged with actively, it holds narratives deeply connected to personal experience, going beyond what words or even images can describe. Confronting the listener with their own complexity and emotions is both its feat and feature. A beautiful use of technology and synthetic sounds as a means to journey far within. 

An open invitation to drop all expectations and simply let the mind wander, creating an immersive soundtrack for each individual to explore.

Coming soon.

www.figure-music.com

Weird Reflections Beyond The Sky

PABLO MATEO - WEIRD REFLECTIONS BEYOND THE SKY (FIGURE LP 04)

Giuseppe Falivene releases "Parallel State EP" on Subosc Records. Monument premieres the title track of the release, that will be out on April 27th. 

@giuseppefalivenemusic
@subosc-records

MNMT Premiere: Giuseppe Falivene – Parallel State

NEU-ROMANCER MIX 002

Kill Acid On Space releases "Evolving EP" on Cliche Morph's Postdynamic Records. Monument premieres track "Evolving II" from the release, that is out on July 15th.

@killacidonspace
@postdynamicrecords

MNMT Premiere: Kill Acid On Space – Evolving II

TREMOR - THE NEW ALBUM - 31.10.25

Pre-order: https://danielavery.ffm.to/tremor-store

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Rote - Rote 4

Daniel.Avery

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