Name: Sam by Dαɳιҽʅ Nαƚƚҽɾ
Duration: 3 min 58 s
Description: Written, performed and produced by Daniel Natter

Pretty so far.  Super clear, too.   It’s nice hearing the actual strings slide.

Life comes like a wrecking ball
First you rise then you fall 

I know where I’m going wrong 

Punches will catch you cold 
Unless you learn to duck  and roll 

I know where I’m going wrong
I know where I’m going wrong

At night 
Hold tight 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night 

Closed eyes
Save lives 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night 

Find the light and flick the switch 
Your in charge be more positive 

Now You know where your going wrong

At night 
Hold tight 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night 

Closed eyes
Save lives 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night

Solo till fade

Dead of Night

Patty

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, bass, composition, and arrangement
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, and bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout.
Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it.
If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

Sly Willy Blues (Eclectic Collective)

The Recursives live at The Fox in Oswestry, Shropshire. It was getting late and beer had been supped :))))
Al - Bass and vocals
Bri - Sax and lead vocals
Neil - Drums and vocals
Tez - Guitar

The Recursives - Live At The Fox

Check out Quixotic's Page: https://soundcloud.com/quixotic_producer

In The Fullness Of Time (Quixotic Collaboration)

Written, performed and produced by Daniel Natter

Sam's Basement

This is the second track from the Bird Thieves ~ Non Cinematic.
The Bird Thieves is a transcontinental collaboration between USA artist Jeff Roberts and myself. 
The song is about surprising your girl after she thought all the tickets had sold out to Glastonbury after her  favourite band were the headline.
The run up to the event she was down in the dumps but you show up in the camper van with two tickets. 
Pack a suit case we are on our way and leaving this grey dreary old non eventful town behind. 
Jeff as created a truly live festival  feel to the sound  from the instrumental through to the vocal sound with his production skills. 
We hope you enjoy the track and the moment takes you there if only briefly. 

Non Cinematic  (Brownie & Roberts)

V1
Bring ya good vibes  no upside down frowns 
Pack a suitcase cause your leaving this is town 
The engine is running the camper van is humming 
200000 people they are coming 


Chorus 
Look back please don’t stare 
A quick glimpse to see if you cared 
Look back  please don’t stare 
Shades on for the glare
Then we can move on 
Then we can move on 
From this one horse non cinematic town 


V2
going to the diary farmers magical place 
Were all the population hangs  out in one space 
like minded people sing dance and do there thing 
What a place to be in a camper van with me 

Chorus 

V3
Good god thats a sight
a sight to behold 
Everything is true what we were told
Get ready lipstick on to party all night 
We have finally arrived 
To have the time of our life’s

Chorus 

Non Cinematic Town

Non Cinematic ~ The Bird Thieves with Jeff Roberts

Trübselig (Gloomy)

I had a nostalgic day today. As I was just messing with my DAW did I also need to write down some fitting words to my "random plonks". I was first not going to open it but my friend known as SolarRae convinced me others.

Here are the words in writing:

There’s something about looking back about glancing over your shoulder at the road already traveled. It’s like tracing the edges of a dream, 
halfforgotten but still vivid in the way it made you feel. Time becomes less a straight line and more a circle, a loop where everything you were, everything you created, still lives, breathing just beneath the surface.

It’s strange how the past can feel more alive than the present sometimes. The spontaneity, the spark of an idea, the way the world used to stretch out in front of you limitless, unbroken. Back then, there were no barriers. No walls. Just endless possibilities, like the universe itself was unfolding just for you. It’s as if time itself wasn’t something to be measured, but something to be played with. You didn’t chase it; you danced with it.

Those moments they never leave you. They echo, like stardust still drifting through the cosmos. You were part of that great expanse once, untethered, where joy wasn’t something you sought, but something you radiated. You didn’t need permission to be free; you simply were.

And in that freedom, there was creation. There was no need to justify or explain what you did. You just did. Life was a blank canvas, waiting for whatever burst of color you felt like throwing at it. It wasn’t about making sense it was about being. The act of living itself was an art form, unfiltered, spontaneous, raw.

The beauty of it all is that those moments aren’t lost. They aren’t confined to some distant corner of your mind, gathering dust. No they are still there, woven into the fabric of who you are. They pulse beneath the surface, ready to be rediscovered at any time. All you have to do is close your eyes, take a breath, and there it is like light from a faraway star, still shining even after all this time.

Maybe that’s what nostalgia really is. Not a longing for the past, but a reminder that the energy, the creativity, the joy it’s all still within you. It never really leaves. It’s waiting, always, like a heartbeat, quietly reminding you that you’ve been free before, and you can be free again.

Nostalgic

Yep -

i wont fall
tears have won
im just falling when
oh.. 
i may have fallen 
take the pain on my soul 
see me open 
but im meant to be so cold
oh..
now you left again
maybe im meant to be frozen 
youre leaving me broken
i know
so you left 
for the time i know it 
see me falling 
maybe soon

i won’t fall (prod.Xzavier)

Daniel Natter is an independent recording artist, multi-instrumentalist, composer, and lover of improvisation and instrumental fusion music. 

Daniel Natter is self-taught and does all his own playing and recording.  As a child, he suffered an accident that caused his right arm to become paralyzed from the shoulder down. His arm slowly healed, but his hand has remained mostly paralyzed to this day. He has had to adapt his playing because of his injury.  He is a proud father of 3 and is an IT professional in the healthcare industry.

Daniel Natter can be heard playing:

Ibanez 6-string Electric Bass
GStyle 6-String Fretless Electric Bass
Rogue Acoustic guitar 
Keystation 88 Mkiii MIDI controller - piano/synth/Rhodes/Etc.
DAW'S: Caustic, Ableton, Studio One 6

Reach me at: Daniel.natter.music@gmail.com

He considers himself lucky to be able to play with one of his favorite musicians of all time, Eric Liebing, in their band called “In Human Resources”

To hear more by Eric Liebing:
https://soundcloud.com/pariah-of-pan?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
In Human Resources:
https://soundcloud.com/inhumanresources?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Sam

Dαɳιҽʅ Nαƚƚҽɾ

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