DANIEL BENNETT GROUP
NEW YORK NERVE 
Manhattan Daylight Media (2021)
Produced by MP Kuo 
Daniel Bennett: Alto Sax, Flute, Clarinet, Keyboard
Assaf Kehati: Electric Guitar
Kevin Hailey: Electric Bass
Koko Bermejo: Drums

Copyright © 2024 J.s.Begley
All Rights Reserved

Artisan/Musician/Composer/Producer/Performer
Primary instrument (The Mind)

Featured in Guitar Player Magazine back in November of 2006 with a review by editor & chief Mr.Michael Molenda for the track "Mind's Collide" with Begley's former project Solartistic.
Here are Mr. Molenda's comments of Begley's work- (“Mind’s Collide” Trippy stuff, here, but it’s also very commercially smart in the sense that it inserts a beguiling melody amongst the song’s bizarre swoops, noises, and cascading echoes. Guitarist J.S. Begley evokes Bridge of Sighs-era Robin Trower, and then starts playing like a Tasmanian Devil on crack. Fabulous. 

Although his guitar playing is a sound & style of it's own, he's been compared to such artist's as Robin Trower, Jeff Beck, Frank Zappa & a Tasmanian Devil !? just to name a few by fans & critics.

 J.s. Begley is a true artist in the sense of his passion & love for the music.



Born and raised in the Kingdom of Eswatini, my real name is Maseko Mqondisi Gift, the name 'dusty dude' was given to me by my brother from another mother and since then i decided to use it as my stage name, i am currently a bubbling under artist/dj since the age of 15 (2014), my specialty is mixing/dj-ing nt i also do production part time. I run my own podcast "Matured House". 

Music is the only language i understand clearly.

Available @ https://hearthis.at/dusty-dude


1/3 of the Algorythms. Producer. Writer. Artist. DJ from Los Angeles.

The Attic is a new online music magazine, which focuses on a wide variety of music genres and investigates different cultures from all around the world.

The magazine narrates empirical listening experiences from different collaborators, through reports, features and interviews with various artists, DJs, composers and ensembles, music reviews and audio podcasts.

The music approach has no typical boundaries of genre, style, time or space, but admits its importance and relevance. We question everything and try to pursuit the essence of what we believe is good, timeless and continues to resonate regardless of its release date.

We have nomad offices in different parts of Europe with permanent bases in Bucharest, Romania (editorial/events) and Oslo, Norway (technical/editorial).

http://theatticmag.com

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