Paulinnate's love for music started long before his 1996 inception with DJing and using turntables. With his early years of playing in bands in front of crowds, it helped to create a DJ that truly loved the whole package of moving the dance floor, throwing events and recording mix-tapes while most were sleeping. 

1996 was a great year for many reasons but most importantly for when Paul assembled the Central Mass DJ/promotion crew Germination. Together they were responsible for several successful club nights and warehouse parties that many of us remember so fondly to this day. Yes, they may have been the good old days, but in many ways things were just getting started. 

Although early influenced by Chicago House and the likes of Derrick Carter, Paul Johnson and Cajmere.  Paulinnate is not one to be pigeon holed as just another House purist DJ.  His visits to Detroit for their iconic DEMF festival in the early 2000s is when Techno unapologetically influenced his style. In recent years, raw bass lines in both house & techno are dominating his playlists, but if the moon is right you can count on some surprises of breaks, garage and freestyle peppered in. 

Recently moving from Central Ma to Boston, Paul is reconnecting with old friends and popping up at parties around the way. His attitude of playing with like minded people and having a great time is what it has always been about. If you are looking to connect, or collaborate, he can be reached at paulinnate@yahoo.com

First productions were in 1981 using the crudest equipment. Started DJing on April 1st, 1984; and, remained almost strictly a vinyl DJ for 30 years. Was given Ableton in October of 2013; but, didn't touch it until April 2014.

Several tracks were completed in Ableton that year: Furry Rave Theme (samples Ape Like Me, Ladybug Disco & Suzy) Alright With Me (samples It's Alright With Me), Future's Surely From The Past (samples Conscious of My Conscious), Letting Go Is Beautiful (samples Army Dreamers)& Holiday of Hip-Hop (samples Holiday of Strings), as well as a few tracks made without samples.

This year several more raw tracks built from scratch (no samples), were completed in February and March: Asia Minor, Hyperbola, Train By Twilight, No Rave Back & Yes Way Back.

The latest Sketch is 50 minutes of unorganized, organic, real time experimentation with some sounds newly in my possession are in a Playlist called "Classic & Proper Noodling". Perhaps this will be formatted into a more Orthodox length and structure in the near future; but, for now it is up in its raw unedited lengthy unfolding for the Hypno-House Aficionado.

NO-NONSENSE DANCE MUZAK.
OCCASIONAL SAMPLE PACKS.
LET'S PARTY.

< 140bpm: NICK MINIERI
> 140bpm: NM+

Bookings/Contact: nminieri@yahoo.com
Web: www.zakimrecordings.com

Tracks on: 2tuf4u, Driven AM, Misplaced, PUZL, Juicy Traxxx, The Seed, Bellissima, Soul Clap, U Don't Dance, Staybad, Sub Society & Covery

Promo Support: Definite Party Material, Berlin House Music, Moskalus, Data Transmission, Ballacid, Filth Inc & Sounds of Toma

Guy behind Zakim Recordings & Beantown Boogiedown

Check LOW-PASS PARTY, my spotify playlist here:
https://open.spotify.com/playlist/3fNh0ebdn42V4wSoyWHSvz?si=3ac61cfb5b7b4cef

Being exposed to funk at a very early age gave DJ Jackmaster Flash a strong vantage point where dance music is concerned. He started his interest in music as a toddler, crying for the likes of Curtis Mayfield & Isaac Hayes from his play pen in the early seventies. Influential musicians like these were favorites of his mom, and played an integral role in forming his musical tastes. The desire to capture more parts of songs that were more appealing to him came on very early, and when he saw Afrikaa Bambataa in 1977 at a community party in the Bronx, he knew just how he wanted to do it. However, tape splicing and “pause mixing” would be his only option until finally acquiring his first set of turntables in 1984.

The name “Flash" was given to him in 1985 by a b-boy crew from San Francisco as a playful reference not only to instant beat matching and signature style of mixing techno with hip-hop records at 45-rpm, but to playfully suggest a legend in the making like Grandmaster Flash. By 1986 he was referred to as “Mixmaster” Flash and not long after “Jackmaster” Flash, (or Jack MF) in honor of house music.

For over 25 years Jack MF has headlined a who’s who list of venues ranging from the most intimate underground parties to the bigger more legendary clubs and parties, like Limelight, Caffeine, Stereo, Shampoo, Traxx, Lansdowne Street, Underground, Zootz, and many more. A DJs DJ, Jack MF is recognized and credited by legendary DJs like "Lil Louis" Vega, Kevin Hedge of Blaze, Ron Trent, and house vocalist/DJ Eric "E-man" Clark, and was often asked to entertain at backyard parties where other legendary DJs and promoters gathered exclusively. He is also known for producing his own legendary events as far back as 1986, and for leading “A Book Called Galanta” a group that completely changed the face of the rave scene from New England to The South with their famous Full Moon parties during the early nineties.

Jack MF doesn't just drop tracks, but creates a whole new groove, being very particular about timing and harmonizing. The mix is constant, and the result is an even richer, more soulful sound than the records have alone. Countless DJ's have been affected in one way or another by his style, and many credit him for his willingness to share his knowledge. Most DJ/Producers who learned personally from Jack MF have gone on to earn everything from regional distinctions to international fame. Some own their own record labels.

There's a certain authentic flavor in his sound that is hard to come by. Perhaps he owes this to his record collection which dates well before the earliest disco. Jack MF has witnessed the transformation of ALL TYPES OF UNDERGROUND MUSIC since the early seventies. Almost every track he owns was acquired at the time of original release so his knowledge of history is strong. His massive and diverse collection is undoubtedly one of the most complete when it comes to classics. 

Whether live or recorded, a Jack MF set will take you on a musical journey. He takes you deep, brings you up, puts you in orbit, and brings you back down to Earth. Each set is designed and catered to move any crowd. His broad range of music, versatility, and connection to the audience guarantees to move absolutely anyone. Whatever he plays, you can be sure that his heart will be in it.


The Happy2bHardcore DJ. This account will be used to share archival sets, Happy Hour radio show recordings, and rave history. www.anabolic-frolic.com

COMING UP:
• JAN 4, OMAKASE 523, DARONE SASSOUNIAN
• JAN 11, OMAKASE 524, LOW HANGING FRUIT
• JAN 18, OMAKASE 525, TBC
• JAN 25, OMAKASE 526, STACY CHRISTINE

Gold Code aka Raf Zevallos-Crowe, is a DJ/producer based in Orange County, California. A lifelong music lover, collector, and DJ, Raf's eclectic sets run the gamut of dance music with a base in-house and techno.

Growing up in 1980s Los Angeles, he was initially inspired by radio mix shows and DJs such as Doc Martin, Rob One, Michael "Mixxin" Moore, and 1580 KDAY Mixmasters. Moving to San Francisco in 1992, he immersed himself in its underground scene. Attending parties lead to working them and eventually to djing. He played his first warehouse in 1996 and spent the next 10 years djing and producing some of San Francisco’s most infamous parties and club nights.

"Gold Code" was initially founded as a music blog in 2007. The site showcased past, present, and future classics as well as his personal edits and DJ mixes. 

In 2009, he focused his efforts on music production and a live show. He adopted "Gold Code" as his moniker and debuted a well-received live set at the celebrated “As You Like It” parties. Remixes soon followed for Nude Photo Music and SubSensory labels culminating with his debut release, "The Day After" with remixes by Audioelectronic, Basskittens, Chris Fierenze, and Jonah Sharp.

2015 brought a move back to Southern California and a radio show, OMAKASE. Currently broadcasting live on Sunday from 6-8 pm [Pacific] on KUCI 88.9 FM, and livestreaming on www.twitch.tv/omakaseshow, showcasing the art of mixing past, present, and future classics.

DanielDMoore is following