Exhibited at Natalie L. Haslam Center at the University of Tennessee
Nief Norf Summer Festival 2019
Snippet recorded during exhibition 2019
For video go to: https://www.daniel-fawcett.com/watch

"Anamnesis is an ambient installation consisting of a 2 generative Max chordal patches, 1 fixed audio bass track and 2 wire based controllers built from recycled game controllers on wooden frames. Over a continuous bass track the 2 generative patches will play a repeating harmonic figures that overlap with one another. Changes in these figures can occur by pulling on the various strands of wire connected to the installation. Reflective in nature, this work deals with memory and renewal. For this reason, the work makes use of only recycled materials for both the physical components and the audio sources."

Anamnesis (Snippet) (gesture control installation, electronics) [2019]

Composer | Musician | Educator
Composer of Contemporary Art Music inspired by the philosophies and cultures of our beautiful world. 
Plays and collaborates with the violin, piano, hammered dulcimer, accordion, steel-tongue drum and hulusi.
Aspiring educator of music from many corners of our musical and expressive world. 
Chapman University BM Music Composition '16
University of Oregon MM Music Composition '19
UC Santa Cruz DMA Music Composition '27

Daniel Fawcett (b.1991) is a composer, sound artist, visual artist and instrument builder from the United States. He is a graduate of New York University’s Steinhardt School with a M.M. degree in music composition where he studied privately with Joan La Barbara and Morton Subotnick. Prior to this, he completed his B.M. studies at Roosevelt University's Chicago College of Performing Arts, studying with Stacy Garrop and Kyong Mee Choi.