In a first look, I'm using the Sarajewo as sound source & experimenting with feedback. At the end is a more traditional melodic sequence. Uses lightly applied salt & pepper FX (EQ, compression, reverb)& multi-tracking. Notes are to best recollection.

0:00 - Input tone with feedback control near 8 to get a constant cycling feedback tone, then using clocked Pressure Points to modulate the delay time for pitch shift effects to create a solo clip, then pitch shifted copies of the clip for harmony

1:37 - Use a faster clocked Pressure Points blended with a Math self-cycle as a kind of vibrato to further torture the delay time input, again treating it as a kind of pitch input. Multi-tracked the clips

2:15 - An LFO is modulated thru a VCA by a PEG and directed to the time delay input - modulating the modulator. Sarajewo set to high tone

2:43 - Continuation of prior, but continuously varied the speed of the LFO (from an E370, medium setting from 7 to 15 Hz)

3:22 - Created & played a single stage in a USTA sequencer, routed a fixed Zadar pattern thru a sample & hold then to the sequencer as a pitch CV - the sequencer acts as a quantizer (you can hear the notes stair-casing) and then re-recorded a similar set of clips with envelope articulation as well. Added a little delay section of rhythmic ticks from extremely short envelopes towards the end.

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