Ah ..Look the Beautiful Angel.🕊
https://vindication-of-bobby-fischer.co/

🕊🌌♘

Bobby deserved all the best in this world, and to see how they treated him, he deserved help and understanding due to his autism of aspeger.
If they had helped him, he would have had a family, children and grandchildren..
Bobby knew the truth of the reality of the world due to its high IQ.(just see the destruction in the world,the climate crisis,possible nuclear war..)
just because of his autism, he couldn't express it clearly.
But he knew it.🕊
https://vindication-of-bobby-fischer.co/
(If you want to know more)

♔♘🐎⛺

Kyle Bruckmann  |  oboe
Mckenzie Lagenfeld  |  vibraphone
Jennifer Ellis  |  harp

This piece is a setting of Dorraine Laux's 2017 poem "Under Stars." The poem is not sung in my setting, however—it is  used as a dramatic guide, for both me as a composer and (hopefully) for the performers. I originally intended to set Ray Bradbury's 1947 short story "I See You Never" based on its title alone, but its words failed to sufficiently inspire. I found that title, however, to be poignant, especially in the quarantines of 2020-21 that have kept me physically very far from people I love. So I kept it.

The idea of setting an unsung text comes from the instrumental jazz tradition of playing standards. A pianist, for instance, might internalize the lyrics of a song and communicate them not through singing, but through playing.  —D.G.

Painting: Kay Sage, "On The Contrary" (1952)

I See You Never (2021) for oboe, vibraphone, and harp

Kara no Kyoukai OST - M17

Kara no Kyoukai OST - M01

Kara no Kyoukai OST - M08b

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

A 2015 re-recording of Ljósið, originally released on Found Songs in 2009. 

Violin/Viola: Viktor Orri Árnason

Ljósið - 2015

You can PRE-ORDER Living Room Songs on CD/LP/Download or Special Edition CD&amp;DVD here: 
http://www.erasedtapes.com/store/index/ERATP037

ABOUT LIVING ROOM SONGS:

Icelandic contemporary composer Ólafur Arnalds created and released a new song, one per day for one for one whole week during the month of October 2011. The songs were recorded and filmed live in the living room of his Reykjavik apartment and released instantly for free as streamed videos and mp3 downloads.

Thousands of fans followed this exciting project online at: livingroomsongs.olafurarnalds.com

Living Room Songs will now also be released on CD, Vinyl, Ltd. Special Edition CD &amp; DVD and as High Quality Downloads on December 5th via Erased Tapes.


Following in the spirit of Ólafur Arnalds’ critically acclaimed Found Songs (2009) now comes Living Room Songs. This time Ólafur takes the idea further and invites the audience into the comfort of his living room, where the songs were recorded live and the whole process filmed. The songs were instantly released in form of a free mp3 download and video stream- straight from Ólafur's Reykjavik apartment.

IN HIS OWN WORDS: ‘One night I was just playing my piano here in this apartment and I was writing a new song and I didn't have my phone on me which I usually use to record ideas. So I actually took out my MacBook and I didn't want to open like a proper recording program, so I just opened Photo Booth and recorded a video of myself playing the song so that I would remember the song. And I really liked the atmosphere of that video and that's when I thought I should do a series of songs in my living room...’             – Ólafur Arnalds


Born in the suburban Icelandic town of Mosfellsbær, a few kilometers outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide since his 2007 debut Eulogy for Evolution. Ólafur Arnalds’ second full-length album ...and they have escaped the weight of darkness, continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements. Ólafur is currently touring with Ryuichi Sakamoto on his Trio Tour throughout Europe.

'The indie kid who knows the score’ – Guardian’s Observer

'Timeless and sublime’ **** – Uncut

'An artist of immense maturity' (9/10) – Drowned In Sound

'Hotwired to the soul. ...will reduce you to wordless tears'  – The Quietus


 
TRACK LISTING: 

I. Fyrsta 
II. Near Light 
III. Film Credits 
IV. Tomorrow's Song 
V. Ágúst 
VI. Lag Fyrir Ömmu 
VII. This Place Is A Shelter


Near Light

Ólafur Arnalds - Near Light

For Piano Day 2017 I give you this little tune for Piano and Viola from the score for a documentary called Out Of Thin Air (coming later in 2017)

Viola: Karl Pestka

Slow Decay (Out of Thin Air - OST) Piano Day 2017

Sky Children of the Light OST | The Orbit

Samples from every track on the new album, For Now I Am Winter out Feb/March 2013:

iTunes: http://smarturl.it/OAiTunes
Amazon: http://smarturl.it/OAamazon

Visit and contribute to the fan-art site: http://olafurarnaldsart.tumblr.com/
Join the mailing list: http://smarturl.it/OAlist


Twitter: http://twitter.com/OlafurArnalds
Facebook: http://www.facebook.com/olafurarnalds
Website: http://www.olafurarnalds.com/

09 Old Skin - ft. Arnór Dan

Sky Children of the Light -After eden- End (Aurora)

Daniel Godsil's music, which has been described by the San Francisco Classical Voice as having an “intense dramatic narrative,” draws from such eclectic influences as science fiction, thrash metal, and Brutalist architecture. His more recent work draws inspiration from the natural beauty of Northern California, his current home.

Winner of the 2019 League of Composers/ISCM Steven R. Gerber prize (for Cosmographia) and the 2017 Earplay Donald Aird Composition Competition (for his quartet Aeropittura), Godsil's music has been played by Ensemble Dal Niente, Spektral Quartet, Talujon Percussion, Daedalus Quartet, Lydian String Quartet, Empyrean Ensemble, Metropolitan Orchestra of Saint Louis, UC Davis Symphony Orchestra, University Symphony Orchestra at California State University Fullerton, Knox-Galesburg Symphony, and the Nova Singers, among many others. Recent film scores include the PBS documentary Boxcar People, Man Ray’s 1926 silent film Emak-Bakia and the feature film H.G. Wells’ The First Men In The Moon. Godsil was a finalist in the 2018 Lake George Music Festival chamber composition competition, as well as the 2014 and 2019 Red Note New Music Festival Composition Competitions. His choral works are published by Alliance Music Publishing and NoteNova Publishing.

Born and raised in central Illinois, Godsil (b.1982) is currently pursuing his PhD. in Composition and Theory at the University of California, Davis, studying with Mika Pelo, Laurie San Martin, and Sam Nichols. He holds an MFA in Music Composition from the Vermont College of Fine Arts, where he studied with John Fitz Rogers, John Mallia, and Jonathan Bailey Holland. He also holds a BM in Music Composition from Webster University.

Godsil was selected to participate in the 2017 Summer Institute for Contemporary Performance Practice (SICPP) in Boston, where he had master classes with composers Nicholas Vines and Georg Friedrich Haas.