taken from yab; yvanko debut album BIOME (OOH-027)
https://ooh-sounds.bandcamp.com/album/yab-yvanko-biome

yab; yvanko - Etait - [OOH-027]

Marre (preview new vinyl EP “Chicanes” out in June 2023)

#QUASI 2024.2 @ Instants Chavirés, Paris

DEADHEAT @ Instants Chavirés / Quasi Fev 2024

KX_361e1c - Rémi GEORGES

Ralt144MI - dürüm&&bass_live@KRACHATHON_LEIPZIG

Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/bradford-cox/episodes/bradford-cox-part-1-4th-july-2025

Bradford Cox: Summer and Smoke, Pt.1 (Day) 040725

A recording prepared specifically for the "Cassettes" exhibition, organized by the TIME NEW ROMAN art collective. Object consisted of a cassette tape with a distinctive cover. The piece serves as a sound-based interpretation of Agnieszka Sztejerwald’s artwork "Self-Portrait". Track title "Öö" means “Night” in Estonian.

FRINGE Independent Art Weekend, Warsaw, September 24–28, 2025.

www.instagram.com/agnieszkasztejerwald

Öö

Artist: IFS meets AGF
Title: East-West Logistics
Label: guides
Release date: 10.10.2025
Format: digital / cassette (edition of 60)
Mix & mastering: IFS
Artwork: Marta Sieczkowska

IFS meets... is a series of three releases in which the IFS duo (Krzysztof Ostrowski @kook-on, Mateusz Wysocki @fischerle) produce, curate and host guest vocalists. The first publication in the series was an album recorded with Japanese artist MA. The next is a record created with activist, sound artist and vocalist @agf-antye-greie known as AGF. The last album planned in the series will be a release featuring Wojciech Kosma - @spalarnia.

The impulse to record the album with AGF was a project as part of the Bydgoszcz Experiment Studio, during which the three of them - Ostrowski, Wysocki and Greie-Ripatti - met for three working days in Bydgoszcz, with their final event being their performance together at the cult club MÓZG. The material recorded during the rehearsals and concert was what the artists used to create the album. East-West Logistics is a release that focuses many different strategies and experiences. Such as the fact that Greie-Ripatti, Ostrowski and Wysocki are all artists who come from Eastern Bloc countries, whose memory goes back to the regime changes of the 1990s. Another common fact is that all three live far from urban metropolises, in small towns. This is worth keeping in mind when you start listening to East-West Logistics. 

On a musical level, the artists used every possible excuse to transform their time spent together into verbal and sound material. Recorded junk sounds were incorporated into the album's audiosphere, fragments of conversations between AGF, Ostrowski and Wysocki became part of the lyrics, and the artists' city walks proved to be an important framework for AGF's poetic stories. Antye Greie-Ripatti, returning to outlines after her 2017 instrumental EP, this time focuses primarily on her voice, which becomes the focal point of the compositions created by IFS. 

East-West Logistics can be read as a horizontal movement of meanings: between subject and object, between world and individual, between present and past, between voice and sound, between east and west. On the one hand, AGF leans into psychogeographical intuition – she creates spaces for herself, inhabits them and sets new borders for private experience (the title tracks East-West Logistics and Semi-periphery). On the other hand, there is a touching and personal reflection (Limits and Force to feel). There is also room here for a more abstract and experimental formula (Neuro.logical and C– operator). In terms of sound, IFS try not to interfere with the field of view created by AGF. Although the musical texture is sometimes dense, it provides a well-balanced complement to Greie-Ripatti's voice.

While the first album in the IFS meets... series was a combination of an atomised language and post-footwork rhythms, East-West Logistics operates more sparingly. In contrast to MA's frenetic and jittery expression, AGF's voice oscillates between spoken word and singing, on the one hand being calm and attentive, and on the other precisely describing the observed world. IFS, by contrast, has managed to produce a soundscape that simultaneously complements the Greie-Ripatti narrative, but can also function as an independent sound story.

IFS meets AGF - East-West Logistics

READ > https://inverted-audio.com/premiere-synalegg-computer-series-14

French producer @synalegg returns to @ooh-sounds with Computer Series / Last Run - the final chapter in his radical generative music experiment. Built in Pure Data, Synalegg’s system composes autonomously, creating immersive, unpredictable sound worlds that blur the line between human design and machine logic.

The result recalls Autechre’s algorithmic precision, Jimmy Edgar’s Michaux project, and the mechanical curiosity of Aphex Twin’s Computer Controlled Acoustic Instruments Pt2 - yet feels entirely its own. Glitching rhythms, fractured harmonics, and fleeting human cadences emerge from the code, forming an uncanny balance between control and surrender.

A bold statement on authorship, automation and abstraction —-Computer Series / Last Run closes Synalegg’s exploration of machine-driven composition.

Synalegg - Computer Series 14 [OOH-sounds]

Bradford Cox plays records made on or before October, 1958. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/bradford-cox/episodes/bradford-cox-23rd-october-2025

Bradford Cox: October 1958 221025

Peramen! A Compilation for Belarus

https://radiokapital.bandcamp.com/releases

“Change! Our hearts demand it. Change! Our eyes demand it”, sings Kino’s Viktor Tsoi in “Peremen”. This song may now be heard on the streets of not just Minsk and Grodno, but also Babruysk, Brest, Gomel, Mogilev, Pinsk, Vitebsk and what – at least to a foreign onlooker – looks like countless Belarussian cities and towns engulfed in protest. Following years of Alexander Lukashenko’s rule, another rigged election, omnipresent violence perpetrated by the state apparatus, censorship and draconian laws, the people have taken to the streets en masse. This is not the first time the Belarusians are out to protest, but the scale of these disturbances is unprecedented. Also unprecedented is the fact the rallies are led by women, who head the peaceful marches that have spread onto the streets of Belarus. Workers, miners, teachers, employees of the media and the Minsk underground as well as artists from the Belarusian State Philharmonic have all joined the protests. They stand against lies, demand the transparency of public life, and access to power. As they rally against repression and torture, they expose themselves to the same.

The artists featured on the Peramen! compilation also demand changes. While we cannot physically join the protesters on the streets of Belarus, we want to offer them at least this form of support. Our thoughts are with our friends – and with all the people who have been arrested, beaten, and humiliated. We join in the grief of families of all those murdered in the protests.

The compilation covers a broad selection of genres: from club music, through classical and experimental classical, to noise, ambient, and rock; from pieces that were composed to ones that were improvised or inspired by folk music. Its geographical scope is similarly broad, spanning Belarus, Czechia, Poland, Slovakia, Ukraine, USA, Russia, and Hungary.

All proceeds from Peramen! A Compilation for Belarus will go to #BY_help, a grassroots initiative offering aid to victims of repression, established on the wave of arrests that shook Belarus in March 2017. The funds will be used to pay fines, unlawful fees imposed for being held in detention, medical costs and lawyers.

The idea for the compilation was developed by Elena Sizova, Minsk-based DJ and producer. Peramen! A Compilation for Belarus was prepared with the help of the Radio Kapitał collective.

Жыве Беларусь! Zhyve Belarus! Žyvie Biełaruś!

Mastering Engineering by Dr Rey | Uferlos Studios & more
Artwork by Zofia Kofta

Documentation

Daniel Jaśniewski/Genetics and Windsurfing