A native of the small northeastern Louisiana town of Bastrop, Dylan Scott grew up with a passion for music in general, and country music in particular, and a deep and profound love and respect for the outdoors. More than anything else, those two traits define who Dylan Scott is and what gives him direction and purpose in life. Dylan's father, a former guitar player for country legends Freddy Fender and Freddy Hart, taught Dylan at an early age the basics of singing and playing guitar and thus introduced him to the world of music. 

Growing up, Dylan ran with his buddies, played ball, went hunting and fishing, and in general had a normal rural upbringing... with one exception. While his friends were looking forward to going to college, joining the military, or trying to figure out what they were going to do with their lives, Dylan was focused on only one thing... going to Nashville to become a country music singer. He was constantly honing the skills necessary to be successful by mastering the guitar, learning to play piano, dabbling with songwriting, and working on his vocal skills. While still in school, he performed as a solo act at such prestigious venues as the Louisiana Hayride and also toured the southeast as a member of a teenage gospel trio, performing at small festivals, fairs, and churches. 

At the age of 17 on a trip to Nashville, Dylan met songwriter Charlie Craig and recorded four songs with Craig as producer. One of those tunes, "Between an Old Memory and Me" was written by Craig and had been a huge hit for a singer that Dylan had idolized since childhood, Keith Whitley. Dylan's stellar version of the song soon caught the attention of record company executives and he signed a long term recording contract with Curb Records. With famed producer and music label icon Jim Ed Norman at the helm, Dylan recorded numerous songs, one of which "Making This Boy go Crazy" went on to establish Dylan as an emerging country artist with a bright future. To date, the song has sold in excess of 130,000 units with well over 3 millions views of the accompanying music video. Always being appreciative of music in other genres, Dylan recently recorded a cover of the massive Ed Sheeran pop hit "Thinking Out Loud" and filmed a hip black and white music video which he posted to Face Book. Within the first hour, 29,000 people had viewed the video and the numbers started growing exponentially until reaching well over 1.5 million views in less than two weeks. Curb Records quickly made the song available on I-Tunes and in excess of 20,000 were sold within a short period of time, clearly demonstrating that Dylan has cross over potential to people of other genres of music. Even more impressive was that this was accomplished without the benefit of any radio airplay whatsoever.

With his career in full swing, Dylan is quickly establishing himself as a
force to be reckoned with in country music. His social media stats are
exploding and his live show is proving that Dylan is an exceptional entertainer as well as being a world-class vocalist. Booked by the world
renown William Morris Endeavor,  he is busy traveling the country performing in venues of every type and working hard to establish the fan base that will be necessary to propel him to the next level. 

Dylan is currently in the studio working on new music and just released his single, Crazy Over Me to radio. When not recording, writing, or touring with his band, he normally leaves his home in Nashville and heads back to Louisiana see family and friends and to hit the woods in his four wheeler, go hunting, or doing any number of outdoor activities that he loves so much.

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

Concord Music Group is one of the largest independent record and music publishing companies in the world. We endeavor to enrich lives by providing music of timeless appeal in innovative ways.

Revolutions Per Minute is a global new music platform for Indigenous music from across Turtle Island and around the world. 

We are always looking to discover the best of Indigenous Music Culture. Email us: info@rpm.fm

www.RPM.fm

 Fusing classic British guitar pop with Motown and Stax grooves..the missing link between the Arctic Monkeys and the golden age of doo-wop – The Guardian

The world is theirs for the seducing – Evening Standard

A talent for ska-inflected, hook-filled rock ¬– Sunday Times hottest download

Various Cruelties is the musical alias of the prodigiously talented Liam O’Donnell – a teenage Strokes fan with a sweetly soulful voice and a head full of classic soul standards, equally in thrall to the ‘New York cool’ of Richard Hell, Percy Sledge and Orange Juice.
Born in London to a Scottish father and an Irish mother, and a distant relative of Oscar Wilde, O’Donnell moved to Leeds at an early age where he spent his teenage years following the well-trodden ‘indie’ path - summer bank holidays at the Leeds festival and a record collection full of Verve and Stone Roses albums. Yet and early taste for the soul-classics made him realise musically there existed a world beyond. 

Moving to London, it proved a struggle to escape the the ‘singer-songwriter’ tag.  A booking at a Communion night in Brighton proved to be a turning point – realising he had no desire to tread the well-worn ‘troubadour’ path and inspired by recently supporting the Villagers, Liam decided to do what he wanted; ditch performing under his own name and, inspired by an Ed Ruscha exhibition, start working under the Various Cruelties tag.


Danielle Lehmann is following