“Entrance at Dusk”
A boy who always avoided conflict, a girl with torn shoes, and the quiet whispers of the wind in a lonely school building.
This is a story of realizing that being "nice" is not the same as being "kind."
A gentle yet painful ballad of awakening and empathy.
“Smiling... was easier than I thought.”

’Entrance at Dusk’

[verse 1]
ぼくは　いいひとっていわれていた
傷つけず やさしく　言い訳なんかしない
誰からも好かれ
そして　
誰からも深く思われなかった
とても　楽で
とても　過ごしやすかった

[pre chorus 1]
いつのまにか
かすれた風の音が
ボクの　耳にすみついた
それは 途切れることは無く
うるさく　なることもなかった
それで　よかった

[chorus 1]
夕暮れの　エントランス
寂しい学校の
あのこは　靴箱の前で
立っていた
手には　破かれた靴
ぼくは
はじめて
生きるのが
怖くなった

[verse 2]
目覚めた　朝になってもぼくは
思い出した　やさしく　なにか言うべきだったか
でもそれは　ぼくに
矛先むくかも　せっかく静かに毎日を
とても　楽に
悩み無く　生きてこれたんだ

[pre chorus 2]
やけに耳に
風の音が　響いた
うるさい　
それは消えなかった
それはなにかがぼくの中で
崩れた 
誰からも好かれる
それで　ああ　良かったはずなのに

[chorus 2]
夕暮れの　エントランス
今日も　あのこは
寂しい 靴箱の前で
立っていた
静かに　唇を噛んで
ぼくは
どうしたら
よかったのだろう
わからなかった

[bridge]
いったい
なんのために
波風無く
生きるんだろ
一睡もせず
怖い夜が
明けた

[pre chorus 2]
風が囁く
ほんとに　それは
おまえの　幸せか？
やがて　朝がやってきた
ああ　もう　無理だろう
ぼくは　心が痛いのが
ああ
一番怖いんだった

[chorus 2]
夕暮れの　エントランス
今日も　あのこは
ひとりで　靴箱の前で
立っていた
ぼくは　口を開く
ぼくは
どうしたら
いいのか
やっとわかったんだ

[outro]
さあ

生きたいように
生きたい
微笑むのは
意外と
簡単だったんだ
ラララ...

’Entrance at Dusk’

[Chorus 1]
At the entrance at dusk
In that lonely school
There she stood
In front of the shoe lockers
Her torn shoes in her hands
For the first time
I became afraid
Of being alive
[Verse 2]
Even when morning came, I still remembered
Should I have said something kind?
But that might turn the blame on me
I'd been living every day so quietly
So easily
Without any troubles at all
[Pre-Chorus 2]
The sound of wind rang loud in my ears
So loud
It wouldn't fade away
Something inside me was crumbling
Everyone liked me
That should've been enough
So why...?
[Chorus 2]
At the entrance at dusk
Today again, she stands there
Lonely
In front of the shoe lockers
Quietly biting her lip
What should I have done?
I didn't know
I didn't know
[Bridge]
What's the point
Of living without making waves?
The frightening night passed
Without a moment's sleep
[Pre-Chorus 3]
The wind whispers
"Is this really your happiness?"
Morning finally came
But it's too late now, isn't it?
What I feared most
Was this pain in my heart
[Chorus 3]
At the entrance at dusk
Today again, she stands there
Alone
In front of the shoe lockers
I open my mouth
Now I finally understand
What I need to do
[Outro]
Now I want to live
The way I want to live
Smiling turns out
To be easier than I thought
La la la...


Entrance at Dusk

The First Time

Love Me Like You Mean It

Yours

Yours (Wedding Edition)

I Don't Believe We've Met

Sway

All To Myself

Cry Pretty

Southbound

Jana Kramer

Why Ya Wanna

Hunter Hayes (Encore)

Wanted

hole in the bottle

Stepping into her own lane with sophomore album  I DON'T BELIEVE WE'VE MET, Bradbery infused her story into her songs for the first time – penning seven of the album’s 10 tracks including “Worth It,” “Potential” and GOLD-certified “Sway.” Kicking off a new chapter last year, Danielle infused her own heartfelt and personal stories into latest releases “Never Have I Ever” and “Girls In My Hometown.” The powerhouse vocalist continued to broaden her impressive range as she deepened her connection with her Mexican heritage by enlisting Latin GRAMMY® nominated artist KURT for a Spanish version of  “Never Have I Ever” (“Yo Nunca He…”), singing entirely in Spanish for the first time. With her latest release, “Stop Draggin’ Your Boots,”  Danielle shows a side of herself we’ve never seen before in a fiery coming-of-age declaration. She takes the put-up-or-shut-up honky tonk shuffle one step further with a boot-stompin’ video embodying the song’s feisty message. Fine-tuning  her unique  sound since getting her start  winning Season 4 of NBC’s  The Voice,  Bradbery has  earned  multiple award nominations and toured across the globe with Kane Brown, Blake Shelton, Brad Paisley, Miranda Lambert, and more. For the latest updates, visit  DanielleBradbery.com  and follow along on  Instagram.

Sway

Danielle Bradbery