A chromatic variation on the John Coltrane classic Giant Steps to illustrate pan-tonal thematic improvisation.

Giant Steps (Chromatic Version)

Bruno Gussoni (born in 1951) is a flute player who works in the field of free improvisation/instant compositions. He plays several flutes (C flute, alto flute, bass flute, piccolo, shakuhachi, nohkan, shinobue, ryūteki), used to create a unique and personal language producing experimental flute sounds. He is not interested in the use of the flutes as “academic instruments”, he has given up on traditional techniques in favour of extended techniques like un-pitched breaths, multiple sounds, harmonics, overtones, whispers, microtones, keys percussion, and other sounds, all combined with breath, silence, soundscapes… exploring the acoustic possibility of the flutes, in the sound space and in relation with other improvisers.
He played/plays with: Don Cherry, Frank Lowe, Wadada Leo Smith, Jeanne Lee, Peter Kowald, Michel Doneda, Tetsu Saitoh, Edoardo Ricci, Matthias Schubert, Ove Volquartz, Joshua Weitzel, Ulrike Lentz, Anja Kreysing, Jane Rigler, Henry Koek, Christophe Meulien, André Darius, Eugenio Sanna, Iao Aea, Claudio Ferrari, Marcello Magliocchi, Angelo Contini, Guy-Frank Pellerin, Jean-Michel Van Schouwburg, Matthias Boss, Lawrence Casserley, Daniel Thompson, Adrian Northover, Willy Van Buggenhout, Tom Jackson, Adam Bohman, Martin Mayes, Maresuke Okamoto, Bernadette Zeillinger, Diego Mune, Jean Demey, Vanessa Pettendorfer, Angelina Ertel, Eric Arn,  Andreas Eichorn, Elisabeth Kelvin, Herbert Lacina, Edward Reardon, Stephan Brodsky,  Phil Gibbs, Benedict Taylor, Joao Pedro Viegas,  Roberto Ottaviano, Yoram Rosilio, J.J.Duerinckx, Dan Roth, Anton Mobin, Roberto Del Piano, Nicola Guazzaloca, Donatello Pisanello, Michele Barontini, Marcio Mattos, Marilza Gouvea, and many others.
He collaborated with the videomakers Jutta Pryor, Ash Benness, Alexandra Bouge.
He partecipated as flute player on compositions of Cezary Ostrowski, and King Imagine.
He played nohkan for coreography of the japanese dancer Yukino Nono.
Actually he collaborate with Vanessa Pettendorfer in the organ/shakuhachi project, and with King Imagine online projects, including Vanessa Pettendorfer, Markus Breuss, Dararat Chemnasiri, Ana Foutel, Dirk Watchtealer and others.

https://brunogussoni.bandcamp.com/releases
https://soundcloud.com/bruno-gussoni-flutech
https://soundcloud.com/fluctuation
https://soundcloud.com/flutespace
https://soundcloud.com/disaster-area
https://whitenoisegenerator.bandcamp.com/album/clockstop-2017
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA?view_as=subscriber
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA/playlists?view_as=subscriber
http://www.plustimbre.com/releases/0922019.html?fbclid=IwAR2SvTYJjo9f53_PbQozTgTi_ye9klI0wQbt87FexIbKeri4B6Opc-DBDnY
https://gommusic2.bandcamp.com/album/natural-sources
https://archive.org/details/Petroglyph499Nos_Namajs_and_Bruno_Gussoni-THE_NATIVE_CIRCLE
https://kingimagine2.bandcamp.com/album/between-the-universes
https://kingimagine2.bandcamp.com/album/king-imagine-online-sextet-2
https://peteswinton.bandcamp.com/album/japanese-flute-improvisations
https://lessthanone.bandcamp.com/album/wei-e-rose
https://panicgrass.bandcamp.com/.../panic-grass-and-feverfew
https://dirkwachtelaer.bandcamp.com/track/for-bruno
https://brunogussoni.bandcamp.com/album/improvisations-for-organ-and-shakuhachi
https://brunogussoni.bandcamp.com/album/soundodyssee
https://brunogussoni.bandcamp.com/album/breathe
https://plustimbre.bandcamp.com/album/a-castle-of-ghosts

Tobto - is the idealist from Kyiv, which creates instrumental electronic music in Uplifting House and Drones.

I’m a composer and sound artist based in Canada, with experience collaborating internationally across music, dance, film, and multimedia projects. My work often explores the intersection of organic, electronic, and analog sound, creating immersive textures and emotional soundscapes.

Much of my background is in composing for contemporary dance and performance, but my music is also well-suited for film, television, and visual media. I’m always open to new collaborations and opportunities to place my work in soundtracks and creative productions.
 
I love making textures and sound and have mixed for many artists over the years.  I love working with soundscapes and will probably create some more soundscapes when I have the time as I love the amalgamation of organic with electronic and analog sounds. I love all types of music and am open to listening to most types but my true love are the masters of their instruments as I could never be like that - and I am well aware of the gift special people are given.

Peace to all of you.

Daniel Schnee is an ethnomusicologist and internationally recognized graphic score composer. He is also a former student of Pulitzer Prize-winning jazz musician Ornette Coleman.


I like Techno and House Music if its good I repost

There was a door to which I found no key: There was the veil through which I might not see.
Omar Khayyam


Giant Steps (Chromatic Version)

DanielPaulSchnee