Bandcamp

Heal Deep

NAMAQUÉ (Long Play)

Buy on Bandcamp

Making Chase

Home is where the heart is, party is where your friends are! You’re familiar with each other and already know the evening will be great. Mo's Ferry's current mini-compilation, "Taste Buds", is a ping pong game between accomplished live acts like Dapayk solo, The Micronaut and The Outernet, as well as great DJs like Douglas Greed, Patrick Vano and Kleinschmager Audio. The musical journey goes from groovy Techhouse via functional Minimal to refreshing Electronica. A label showcase that is infectious and fun.

www.mosferry.de

The Micronaut "Heavylight"

AL272 Trummerschlunk - Soupe Populaire (24/05/17)

Berlin based Trummerschlunk is releasing his debut EP of experimental slow tech “Soupe Populaire” via Audiolith Records on 24 May 2017. 4 tracks, ranging between 103 and 114 bpm, capture bits and patterns of synthesized analogue sound, swallow them up, and release pieces of technoid music that are unsettling and magnificently mesmerizing at the same time.
It’s as if modular synths are having a jam session at night when no one is looking, mixing in macro recordings produced by little robot dolls. As if you step into a mad scientist’s lab where everything fizzles, pops, and beeps, but somehow all of a sudden the elements come together in the rhythms and beautifully haunted melodies of a modern day Fantasia musical.
Trummerschlunk’s jazz-session-of-the-machines-style is linked to his method: He plays fully improvised live-sets, then develops song ideas from the recordings afterwards. Consequently, his tracks are characterized by improvisation, handcrafted synths, and modularized sounds.
Based on a poem by Joseph Pearson, “Noah” brings in the voice of David Minor, enchanted and wonderfully lost, as if emanating from half-lit rooms behind doors left ajar. “After the Fall” is the most abstract piece on the EP with Saam Schlamminger's signature percussions and string instruments that seem to circle one another – measuring space, punctuating time. The title track leans into minimal, interlaced with mechanical echoes and industrial noisiness. The final track is “Portico” feat. Lucia Cadotsch. Trummerschlunk has woven her voice into a nervous dreamscape, which impressed the jazz singer so much that she invited him to play at the release party of her “Speak Low” Renditions at Berghainkantine on 26 May 17. Not to be missed!
The EP will also be released on limited coloured vinyl.

Soupe Populaire

Trummerschlunk - After the Fall

Buy our first LP on vinyl and digital here:
amselcom.fanlink.to/030

Follow @brussels-pony-club
www.instagram.com/dka.live
www.instagram.com/parsifaller

More from Amselcom:
amselcom.fanlink.to/everything

Brussels Pony Club - She Danced Naked

Taken from 'Bunny' LP by Matthew Dear out October 12, 2018

Order 'Bunny' at: bit.ly/2ng7qBr
Or at the retailer of your choice: Ghostly.lnk.to/matthew-dear-bunny

Bunny

Matthew Dear - Horses (feat. Tegan and Sara)

Not only is this person a great music maker and performer but he has supported Something Slow events with generosity and good vibes - thank you Marcel Puntheller for this Podcast #26 and for being who you are <3

SLOW LOVE
https://soundcloud.com/marcelpuntheller

Track List:
◦	David Holmes - ’71 (Original Soundtrack)
◦	Foudre - Fujin (Original)
◦	Ai Messiah - Dust Simian (Original)
◦	LOKALAFFAIR - Ethiopia - Edit
◦	Ric Benigno - Fight For Love (Original)
◦	Vox Portent - Woy Ya Thuhera (Original)
◦	Esteble - Ardent
◦	Bison - Familiar Stranger (night)
◦	Bison - Familiar Stranger (Incect Beat)
◦	Nathan Fake - Fentiger (Clark Remix)
◦	Dead Head - Bosco (Original)
◦	Weval - I Dont’t Need It (Original)
◦	Musiccargo - La Era (Original)
◦	Sarrelangue - Yoacan (Jiony Remix)

DOWNLOAD Slow Music

Marcel Puntheller | Something Slow 026

Rheinzand releases their amazing self-titled debut album 'Rheinzand' on Music For Dreams. Available in all digital stores: https://music-for-dreams.lnk.to/rheinzandFA

After much anticipation, our Belgian disco diamonds Rheinzand present their debut full-length album. On their self-titled record, The Belgian trio wraps the human heart in synthetic threads of modular electronic disco. 9 songs writhing on timeless dancefloors, morphing in and out of shapes of luxuriant melody and vivid instrumentation.

The album is full of classic disco and electro sounds, wielded with imposing prowess by multi- instrumentalist Reinhard Vanbergen. It’s both an exploration of dance music’s electronic genealogy and the vintage cool that has defined its different eras. Still, an organic atmosphere pervades as the blend of real instrumentation fixes a sort of retro-futurism, imagining an alternative timeline that’s a bit more exciting, more sensuous and libidinal, maybe more human, too, than our current outlook.

We start the engines with Break of Dawn, a compelling beat rises from the basement and soon we’re submerged by the pulsing bassline. Dark sunglasses on, we cruise through the night, letting flashing city lights flow into unbroken torrents of color. Blind awakens us, a splash of handclaps in the face, vivid strings and Charlotte’s trademark slick vocals enter the stage. Tantalizing sunbeams power up circuits of electronic synths blipping and beeping away.

Later down the road, we hit the Latin part of town. Porque fits enchanting vocal spells in beautiful Spanish on playful flamenco rhythms. Fourteen Again is a throwback to early electro, playing around with knobs and buttons. An oscillating synth imagines new worlds of plastic

emotion. Still disco and still very cool, though. A constant velocity is sustained throughout the album by this recurring locomotive synth, trudging away beneath the action. Once in a while, we hear the deep, mighty, trembling voice of Mr. Rheinzand speaking to us in incantations. Someone’s pulling the strings here.

On Slippery People, the trio cover the Talking Heads classic in a characteristic procedure of bouncy funk. We’re swirled around by the delirious glasswork of You Don’t Know Me into the hypnagogic funk noir of Strange World. Drifting through the house of mirrors after the fourth mojito.

Obey collects all these threads in a full-bodied future classic disco anthem, before Queen of The Dawn wraps up the show with a sky-bound epic of operatic choirs and ceremonious drums that lands somewhere between Kate Bush’s Aerial and Peter Gabriel’s most bombastic.

Connect with Rheinzand:
FB: https://www.facebook.com/Rheinzand/
SC: @rheinzand
IG: https://www.instagram.com/rheinzand/?hl=da

Connect with Music For Dreams
FB : https://bit.ly/2MEexC2
SC : https://bit.ly/2w0qOqR
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2Le2u9s
TW : https://bit.ly/2L9HyjX
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Connect with Kenneth Bager
FB : https://bit.ly/2N58gfy
SC : https://bit.ly/2mgVZsd
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2w0p8NY
TW : https://bit.ly/2nTndX1
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Rheinzand - Rheinzand (Full Album) - 0166

Mixtape # 002 // DJset

──
@zangas
≈ recorded last summer at Kollectif Bunker's HQ livestream

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Co-organiser and member of NoName, Emilien shares with us here a set that will wake you up from this gloomy crisis. Through this piece, we are sending a message of hope that next year we will be able to find a renewed celebratory energy and find you on the dancefloor as soon as possible!

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Enjoy !

Mixtape # 002 // DJset

Daniel Plotnik