Red Rose

Song by the Ginger Twins
vocals/synths - Brian Beethoven 

Lyrics:
Help – it’s gonna take me down
Way – it’s gonna take me way down, down, down, down
Hey – it’s gonna break me down
Way – it’s gonna break me way down, down, down, down
Stay until the morning comes
Stay until it comes
Wait until the morning comes
Wait until it comes
Help – it’s gonna take me down
Way – it’s gonna take me way down, down, down, down
Help – it’s gonna take me down
Way – it’s gonna take me way down, down, down, down
Stay until the morning comes [It’s gonna take me down, down, down down]
Stay until it comes [It’s gonna take me down, down, down down]
Wait until the morning comes [It’s gonna take me down, down, down down]
Wait until it comes [It’s gonna take me down, down, down down]
It’s gonna take me down
Way - it's gonna take me way down, down, down, down
Way down, down, down, down,
It’s gonna take me down

Down

Nadir

Neurogrinder 2

Chapter 240 of 266

Enter the enigmatic world of "TAFFETA," a musical tapestry woven from the threads of dreams and tragedy. Born from a single night of profound dreaming, this ambitious project embarks on an exploration of the human psyche through the language of instrumental music.

This is a five-year project, comprising of what will eventually end at 266 chapters, each is a standalone piece of sonic artistry, "TAFFETA" unfolds like a novel, with each composition serving as a chapter in a larger narrative. Crafted with meticulous care and creative fervor, every piece is birthed within the span of a week, capturing the essence of inspiration in its purest form.

But "TAFFETA" is more than just a collection of songs; it's a journey of the soul. Set against the backdrop of loss and longing, the project follows the story of a woman who slips into a coma following the untimely death of her husband. Through the evocative power of music, listeners are transported into her world, where emotions ebb and flow like the tides of a restless sea.

Week by week, each chapter of "TAFFETA" unfolds on SoundCloud, inviting audiences to immerse themselves in its haunting beauty. From cinematic compositions to haunting electronic soundscapes, each piece adds a layer to the intricate tapestry of sound, weaving a narrative that transcends the boundaries of language.

As listeners embark on this sonic voyage, they are invited to ponder the mysteries of existence, to confront the depths of sorrow and the resilience of the human spirit. "TAFFETA" is not merely a musical project; it's an experience—a testament to the transformative power of music to touch hearts, stir souls, and awaken the imagination.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 15 is now available exclusively on Bandcamp. 
https://belialpelegrim.bandcamp.com/album/taffeta-vol-15

TAFFETA VOLUMES 1-14 are all available on Bandcamp
https://belialpelegrim.bandcamp.com/

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 240

TAFFETA | 240

released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 1

mid-deep listening groove electronic ambient dub

fresh aire day

The Block

Part of: Dark Bouquet. Variations on a theme. https://soundcloud.com/velvetsomethingsuperdark/sets/dark-bouquet 
All material - cut, altered, mixed at will - comes from a nocturnal solo improvisation with fretless acoustic bass guitar with piezo pickup, effect pedals (Carcosa - Dark Star - Obscura), non synchronized loops, three amps. Recorded in the room with Zoom H2n, edited in Audacity. All sounds made with the instrument. All sounds, mixing and production: Velvet Something Superdark.

Dark Flower Dream

The Old Mill

Great wild grains
Human tamed grass
For thousands of years
Ground sustenance passed
We priced this grind in Latin d
To Craanford mills
History we see

Destination for read news
The illiterate learned in kiln room
Tools of health from hard French stone
Great gears of life
Good kids to hone

Great milestones carved
Celtic design
Our base stone still
Upper runner grind
Our mill stone dresser
Life ground by hands
Grooved harps our patterns of furrows and lands

Good lands be dressed
Carve cracks as furrows
Pick wonky tool bran cleaned from kernal
Prove worn stone
Jack stick paints red
Red ochre even our fine stone bed

Wonder wheel of water
Overshot it strikes
Thunderous gravity falls for Mill might
Gargantuous gears turn our great stones
Feed us our years fine sustenance tones


The Old Mill (Poem and Notes)

Lost languages are like bones buried beneath shifting sand—remnants of once-living voices that shaped worlds now unreachable.

Red Rose

Daniel Spickler (Page 1)