Up, Up High

Les machines à fumée se transforment intérieurement, et vaporisent désormais de l’eau déminéralisée.
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On entend qui bruissent les fourrés : une créature approche, ses grosses mains jouent avec des bretelles. D’esprit ne le conçoit-elle peut-être pas comme tout entier le sien, mais le corps de cette créature déborde : des poches de graisse l’enflent, des poils font des lianes, des fourmis le picorent.
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Encore une créature qui penche du tronc. Son second pas balance le premier pour qu’elle maintienne l’axe de sa marche.

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credits

catalogue : muzakorderEP0014

recording(s) : fhauna

mastering : Cyril Meysson

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https://fhauna.bandcamp.com/album/strange-silence-to-dance-apart

strange silence to dance apart

palatatee

[P]alatatee

‘a divinis’
Wastes & Sequences.
2024 live performance.

Chaotic music engineering franchise.

Tools :
Pam’s, Arp, SIG.
- DFAM > Vcf1 > Desmodus Versio.
- Strega.
- Plaits (granular cloud) > DSP (leslie speaker).
- Twin Waves (additive odd) > Optomix > FX Aid (#26 reverb hall chorus).
- Basimilus.
- Pluck > Monsoon (clouds mode).
Diode Chaos, Ochd, Rnd Step, Tetrapad.
3x MIA, Mutes.
Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Hardcoratops Ambiensis [wastes & sequences]

WALD

insignificant

Liquid Fire

link to YT channel https://www.youtube.com/@futuregenocide9652 

track 1

actions/ reactions/ interactions: guitar/ pedal

042725gnoodlin'

Nyeriniver

This is the second part of the fourteenth piece in a series of Concrete Music pieces. The sounds come from pots and wooden bricks. The music is generative. The source-code can be found at github.com/danielstahl/concrete-music-14.

Dots and Strokes Part 2

Soundmining makes dark, generative ambient music. It is based both on pure electronic sounds and on recorded natural sounds.

He is a Swedish composer named Daniel Ståhl. Born in Stockholm, Sweden 1967 and is currently based in Stockholm. Studied composition at the Royal College of Music in Stockholm between 1992 and 1995.

Dots and Strokes Part 2

soundmining