For bookings email: the_muffin_man_@hotmail.com

Management & Bookings (Ex N. America)
Joseph Pepin: joseph@pepin.works

Bookings (N. America)
Conor Sheldon: csheldon@cs3agency.com

Owner of Lust.
https://www.youtube.com/channel/UC8TYcmzzqR5NyON42nv_yGw

[BOOKINGS] North America: Hunter Williams | Hunter.Williams@caa.com // SA/Australia/Mexico: Mac Clark | MClark@caa.com // ROW: Roman Trystram | roman.trystram@caa.com

1 Billion streams and counting - remixer of the #1 Radio Hit "Call On Me"

www.ryanriback.com
facebook.com/ryanribackmusic
twitter.com/ryanriback

Grammy nominated Australian DOM DOLLA is experiencing a meteoric rise, his signature style of house music is connecting with global audiences, and he is recognised as one of the most exciting producers in electronic music.

Dom discovered house music when his Mother handed him a copy of Basement Jaxx’ 2001 album ‘Rooty". In his late teen’s Dom spent weekends hosting pub‑discos & djing at parties whilst working as a graphic‑designer during the week. In 2015 Dom was encouraged to quit his day job to pursue his obsession with music and production.

Dom emerged with a string of critically acclaimed club hits; Define, You, Be Randy, Take It, San Frandisco, Pump The Breaks, Moving Blind and Strangers ft. Mansionair. In 2022 Dom released ‘Miracle Maker’ ft. Clementine Douglas which was named BBC Radio 1’s Hottest Record In The World, propelling Dom into his global break‑out moment with a run of hit singles, Rhyme Dust w/ MK, Eat Your Man w/ Nelly Furtado, Saving Up, girl$, CAVE w/ Tove Lo and Dreamin ft. Daya, which saw Dom’s catalog surpass 1 BILLION streams, receiving a GRAMMY nomination for his remix of ‘New Gold’ by Gorillaz feat. Tame Impala & Bootie Brown, and ARIA award for best ‘Electronic Dance Release’.

Dom’s dedication & craft has been recognised by Rolling Stone named ‘Best New Artist’, GQ’s ‘Solo Artist of the Year’, labeled Billboard Dance’s ‘One To Watch’, awarded Dancing Astronaut’s ‘Artist Of The Year’’ and was celebrated on the cover of DJ Mag.

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