that tone (DPO ?) sounds so much like early autechre!

1930s Gibson-made Kalamazoo KTG-11 tenor guitar (demo)

Phonogene experiments with radio sample

As mentioned on Disquiet:
http://disquiet.com/2014/05/23/p-is-for-phonogene/

e for...

A simple piano improv inspired by a recent piece by @daniel-diaz , a need for space and Ibi's 'Some sand'
More on this 605th weekly Disquiet Junto project, Fifty Fifty (Compose a piece of music with as much silence as notes), at: https://disquiet.com/0605/

Thanks to Jason Richardson for having proposed this week’s project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0605-fifty-fifty/

Minimal Piano Improv (disquiet0605)

A stag is passing by in the woods of Svanøya island in Norway. I think the hinds is being chased as you can hear some movement before the stag is entering the scene. The strongest rut is in the middle of the recording and luckily it does not distort my recording. 

Sony PCM D50
LOM Microusi

Deer Passing.WAV

Made on the Teenage Engineering EP-133 K.O. II

Piano Slices sketch

Environment 1 is based on recordings of cicadas combined with electronic sounds to create an
electro-acoustic landscape. The main pitches of the quartet are chosen from spectral analyses
of these insect sounds, and undergo their own transformation mimicking ring modulation. The
goal of the piece is threefold: to act as a field recording of an imagined habitat, to showcase the
inner musicality of the world around us, and finally to blur the lines between synthetic and
acoustic sounds.

Envrionment1ForStringQuartetandTape

Drum and bass patterns generated by Octatrack midi tracks, lfos on arp speed.

Octatrack- Generative Jazz machine

Ambient field recording sampler of Japanese Train Station with the Sanken CMS 7s Mid Side Stereo Microphone.

Sanken CMS 7s Japan Train Station Field Recording Sampler

Étude #3

Suss Müsik has been traveling a lot lately. Thus is the nature of having to work for a living, a privileged state that appears to be accelerating toward some form of extinction. That’s probably a gripe for another Junto project.

On a recent trip to a U.S. city not to be named, Suss Müsik captured this strangely bucolic view outside the hotel window. Look closely, and you’ll see evidence of gentrification in the urban landscape: a new corporate housing unit dominates the left side of the image, obscured by a rich envelope of foliage. There appears to be some sort of mosque in the background, perhaps representing one of the orthodox faiths, next to what might be a church steeple. A rustic brick dwelling sits confidently where it was built some 300 years ago. Just beyond that is a budget hotel and what is likely a corporate office building, both filled to half-capacity.

The intention of Suss Müsik’s sonic interpretation was to demonstrate this weirdly haunting mashup: a blend of classical ‘old world’ architecture residing in an environment of aggressively digital commercialization. It is a scene where progress is measured in glass panels, beige is the new brown, innovation is temporal, and humans interaction relies on the conductivity of elemental particles. If you can imagine the setting of a Milan Kundera story retold through a series of YouTube Shorts, that’s sort of the vibe this image presents. 

This piece for cello, violin, piano, and electronics was recorded quickly to TASCAM 8-track. It is dedicated to Marc Weidenbaum and all participants of the Disquiet Junto community. Here’s to 700 chapters and counting.

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share a peek out your window and some sounds inspired by the view — at https://disquiet.com/0700/

Urban Entropy [Disquiet0700]

Live at the Roundhouse

Detectorists (Full Studio Version)

dusty noises, pictures & field recordings

see also:
https://soundcloud.com/thechalkgroup

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danjec

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