My idea for this was to take a piece of generative music, and regenerate it...

I politely asked and was granted permission to use a track called Wrinkles (https://soundcloud.com/sundog70/wrinkles), which he had composed inspired by Todd Barton's work to replicate the Krell noises from Forbidden Planet (the original 'lesson' here https://vimeo.com/48466272). This kind of approach to modular synthesis throws up a lot of interesting timbres and noises. I picked two rhythmic elements, and two melodic ones. I EQ'd slightly, and added a dash of reverb.

Thanks to https://soundcloud.com/sundog70 for letting me abuse his fine work, and Todd Barton (https://soundcloud.com/user7621213) for the inspiration.

A little tremor (disquiet0081-cheapgenerative)

Museum Street

Each Sunday morning while my family are at church, I am exploring drones on a modular synthesizer. Eventually, I will select a dozen to represent "The Sunday Service". Recording drones at the start of the day is a peculiar experience, as they always make me think of night...

This is the seventh recording I've made for this project.

The sounds use mainly two ring-modulated sources, one sine based, the other triangle based, controlled by two looping envelopes and a chaos machine called a Woggglebug. The sounds are generative, in that once the patch was assembled, the only intervention was to fade in and out each sound. This was recorded in one take, through an El Capistan tape echo, with some panning afterwards. 

VII [disquiet0095-discussamongst]

Phonogene experiments with radio sample

As mentioned on Disquiet:
http://disquiet.com/2014/05/23/p-is-for-phonogene/

e for...

Exercise based on fig. 4.15 from Allen Strange's "Electronic Music", using a low pass filter to highlight different spectral areas of drones

Filter in question here likely to have been a Malekko Wiard Boogie. Other patch notes lost

4.15 Drone

patch based on exercise 4.16 from Allen Strange's "Electronic Music", experimenting with noise colouring timbres

4.16 Noise Masking

snippet based on exercise 4.12 from "Electronic Music: Systems, Techniques and Controls" by Allen Strange, using a sub-audio oscillator as a source, with an LFO and manual filter sweeps. 

Mainly Wiard Malekko used, inc Uncles and a Boogie

4.12 Lo bAsIc

dilder

Drone v the river, from the recordings, 'brown studies' on Game of Life:
https://gameoflife.bandcamp.com/album/muncky-brown-studies

related video:
https://youtu.be/0W2K93ahoeE

Brown Studies

brown studies V

Second test:
Snippet sampled from live Resonance FM into Phonogene, controlled by Stereo Field, with Stereo Field  noise out too...

LSSF - T-02II

SD - I

Patch built inspired by the classic (to me at least!) Edelweiss/VV3 piece by Clockgate (https://youtu.be/Ht6Cj6qgyIM)

Video here: 
https://vimeo.com/340215835

Using two Loudest Warning (http://www.loudestwarning.co.uk/) panels, one tweaking an Animal template with 258s and lots of mods, the other a VV3+ (includes quantisers). Strymon El Capistan in the auxialliary channel, level adjustments and panning afterwards and a dash of Soundtoys amazing Little Plate Reverb.

ALALMY

Duum

For https://llllllll.co/t/disquiet-junto-project-0426-cellular-chorale/29755

I took a handful of samples, mainly voices, as a chance to play with Takt. This is the first time I've played with the updated engine... amazing app!

I did bend the rules a little, while exploring the tonal mappings available.

study (disquiet0426)

taking the PB2 for a skip with the Malekko 616 analog delay. A little Litte Plate reverb added after.

2083x

3x3 Matrix mixer, playing with a Bugbrand BoardWeevil2012 and an El Capistan.

http://danjec.com/index.php?/noisebox/10/

danjec010: matrix mixer

dusty noises, pictures & field recordings

see also:
https://soundcloud.com/thechalkgroup

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