Inspired by 90’s IDM, early electro and everyday life.
melancholic emotika and rushed beats

https://open.spotify.com/album/2hj8midNw8lO8oNxRJ1bq0?si=3rZ7znoPRuq_LBwSb8bGGg
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https://fundamentalrecords.bandcamp.com/album/5th-anniversary-808-box
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 https://haarrecords.bandcamp.com/track/naqara-altered
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https://midievil-records.bandcamp.com/track/naqara-2018untitled004
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https://concretecollage.bandcamp.com/track/03-naqara-2017023edit1-fxbip-remix

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Some people know me as Deemasj or MC Deemas j .I started with Reggae music when I was very young .I used to do things with small reggae sound systems in and around london .Then I moved on to the drum and bass scene ,where I kept my reggae style .After a couple of years I started releasing  funk and house tracks .It wasent untill about six and a half years ago  I went back to my roots and joined a reggae sound system in Germany called Bombastic sounds where I  fly back and forth to perform Reggae and D&B  . I also spend time back and forth to other parts of Europe   doing Reggae ,Drum and Bass , and vocal House .Not many vocalists and MC's have made the cross over that I have and been recognised in the wide range of music that I cover .Ive now teamed up with my old friend DJ Wrongtom  we used to be in an acid jazz band together playing in and out of london ,and now me and DJ Wrongtom are releasing reggae tracks together .As well as releasing tracks together three and a half years ago me and a guy called Limey Banton started up a reggae sound system called Old Time New Time Sounds where DJ Wrongtom has become part of the family .Keep a look out for our new track its out on Irie Ites lable 
1 love Deemasj

he rubberbodies collective (f.2009) are an established multi-disciplinary artist collective based in Malta.

Wrongtom is a record producer and dj from South London, now residing in the not-so-trendy reaches of the east end, he spends his days playing with tape echo and watching B-movies in his makeshift studio hidden away in a converted nunnery.

Spanning over a decade, Tom’s career has covered a colourful patchwork of styles from Dancehall to Indie-Pop with the likes of Rockabilly, Dub, Ghettotech and Free Jazz filling the gaps in between. Starting out as a percussionist playing on records for Bob Jones’ Black On Black label and Kingsize Records, Tom soon taught himself to produce with some hand-me-down analogue gear and a cracked copy of Cubase, his early productions bridging the gap between new school breaks and old freestyle-electro records.

Somewhere down the line he got tangled in the web of pop music and in no time was touring the land with spiky soul boys Hard-Fi playing seemingly inappropriate records to thousands of indie kids which came to it’s ilogical conclusion on stage at Wembley Arena as 10,000 perplexed punters listened to a selection of B-More, Shut Up & Dance and Italo House classics. Through Hard-Fi, Tom notched up production credits on a UK number 1 LP and paved the way for his reggae/dub collective Stoneleigh Mountain Rockers, with whom he’s worked on projects for Trojan Records, Pama International (featuring 2 Tone luminary Lynval Golding) and now with UK rap legend Roots Manuva.

As a dj Tom’s traveled the world from Shanghai to Southampton playing in a variety of venues including sweaty basements, churches and even a former Yugoslavian army barracks, the bakery of the barracks in fact. Not content with subjecting the world to his record collection in the dance, he’s also tormented the airwaves via experimental station Resonance FM for a few years with his radio partner Mr Trick.

With his latest album with Roots Manuva in the can, you can expect a couple of new projects in the not so distant future, no doubt filling in a few more genre gaps on his CV in the process.

Lao Chi (aka Lix Method) is first and foremost a bedroom turntablist, and a vinyl enthusiast and collector.  He is secondly an intimate-venue/crowd DJ.

Most proficient with 3-turntable setups and particularly fond of Digital Vinyl Systems (DVS) such as Traktor Scratch and Serato; he does not underestimate the prevalence of the CDJ and has learned to adapt.  

Lao Chi's ultimate goal is to keep perfecting his own personal take on the art of audio montage; by juxtaposing and mixing elements of several diverse records together, weaving them into intricate and extended sonic tapestries driven by dynamism and flow, and characterized by strong elements of structure which allow for the listener/dancer to experience a unique/unforgettable journey, ideally without having to sacrifice the subversive joys of transitioning between different genres and alternating energies and moods. 

He sees this creative (and recreative) process of consistent propulsion towards unattainable perfection as ongoing, evolutionary and never-ending, and as an end in itself.  

Lao Chi is also in love with hip-hop and has been, through the years, influenced by a variety of artists ranging from Nine Inch Nails to Aphex Twin, via Meat Beat Manifesto.

Label founded by Posthuman in 2010

Sub-labels include 'I Love Acid' & 'Rave Wars'

We are not currently looking for demos.



SE London based DJ, producer and drummer. Pan-genre dance maker. 128 bpm sometimes more, sometimes less. Progressively heavier as the night goes on but also still a spice girl.

Danjeli is following