Hey there! 

I'm a composer who works on games and linear media, most recently scoring Star Wars: Outlaws, Helldivers 2, Pacific Drive, Mortal Kombat 1 & 11, Call of Duty: WWII, Star Wars: Vader Immortal, Lara Croft and the Temple of Osiris, and several others.

I'm also making my Japanese anime score debut with the upcoming Netflix miniseries, Gundam: Requiem for Vengeance.

Brett Copeland is a performer and composer of acoustic and electro-acoustic music. He maintains a freelance career as a performer, composer, and educator of tuba and music technology. He is currently based in Rochester, NY.

Vök is a dream-pop/indie-electro band from Iceland.
Vök was formed in January 2013 to enter an annual band contest in Iceland, 'Músíktilraunir' (Music Trials).The problem? They didn't actually have any songs. Yet within a few weeks they were at the contest performing their brand new tracks. In a twist of fate (and talent) won the competition.

Vök’s sound mixes wistful electronics and melodic vocals, distant saxophones and reverberating guitars. Think The xx’s hypnotism, The Knife’s sexual tension and Poliça’s playful overdubbing.

Since the first edition was held in 1999 (in an airplane hangar), Iceland Airwaves has become one of the premier annual showcases for new music – Icelandic and otherwise – in the world. It's made a heap of friends and won many fans along the way, and been lavished with praise pretty much everywhere they write about music. Example: Rolling Stone magazine called it "The hippest long weekend on the annual music-festival calendar."

Some of the world's most exciting artists have performed there, too. The Shins, The Rapture, TV On The Radio, Florence and the Machine, Klaxons, Hot Chip, Flaming Lips, Wolf Parade, Bloc Party and Fatboy Slim have made the short hop from Europe or North America to share the stages with Iceland's finest talents, including bands such as Sigur Rós, FM Belfast, GusGus, múm, Singapore Sling and Dr Spock, to name but a few. And when the live bands have done their thing, top DJs from all over the world spin across the city until the crack of dawn.

But there's more to Airwaves than music. Reykjavík is quite possibly the perfect festival city – small enough to be welcoming, sophisticated enough to offer cultural, historical and nightlife diversions to rival cities ten times its size. Maybe twenty. Who knows? And it's surrounded by some of the most unique and astonishing natural beauty you're ever likely to see (this is a grand statement, but you should just see it).

Roll out of bed, hose the party remains out of your hair and hop on a bus. Before you can remember what you did the night before, you're looking at geysers, waterfalls, lava fields – all the best that a volcanic island has to offer, including the world-famous Blue Lagoon, favorite soaking spot of the international hung-over glitterati. Mmm! You can really taste the hipster! 

Ryan M. Hare, composer and bassoonist, was born in Reno, Nevada in 1970, and now lives in Pullman, Washington. He earned tenure and the rank of full Professor at Washington State University, where he taught composition, bassoon, and music theory from 2003 until 2020, when he decided to take a voluntary early retirement in order to focus his attention on composing.

Ryan’s music has been performed at a large variety of venues and festivals, in as diverse locations as Tokyo, Japan, and Darmstadt, Germany, as well as Southeast Asia and China. Commissioners include Fred Korman, longtime former principal oboist of the Oregon Symphony, and the Washington Music Teachers Association, who awarded Ryan "Washington State Composer of the Year" in 2012. Further commissions have come from the Walla Walla Symphony, Mid-Columbia Symphony, Washington Idaho Symphony, Common Tone Arts, Affinity Chamber Players, the University of Idaho Vandaleers Concert Choir, and the Lake Forest College Orchestra, among others. His music has been championed by numerous other well-known performers and ensembles around the world, with notable recognition from New Music USA, Artist Trust, and the American Prize. In addition, a number of Ryan's compositions are published by TrevCo Music Publishing and ALEA Publishing.

Much of the subject matter of Ryan Hare's music is drawn from nature; recurrent themes include the deep mysteries of the cosmos and the extraordinary beauty of the state of Washington—as originating from a gloriously violent and volcanic past. He finds delight in the outdoors, physics, and astronomy, both in pursuit of hobbies such as hiking, photography, and bicycling, and also as a source of musical inspiration. He has often found creative respite in bicycling all over the beautiful region of southeast Washington known as the Palouse. 

Inspired by the multiplicity of styles found in art music of the twenty-first century, Ryan sees no essential contradiction between serialism, the avant-garde, minimalism, and the vernacular, but rather embraces the rich potential for all of it to be synthesized into something beautiful, compelling, and unexpected.

With numerous guest artist appearances at multiple venues around the U.S., including many at International Double Reed Society annual conferences, Ryan M. Hare seeks to combine composition and bassoon whenever possible. He believes in the promotion of the music of today for its own sake but also as a necessary component of maintaining and refreshing the interpretation of music of the past. 

Ryan is a founding member of the Artemisia Winds chamber ensemble, and also serves as principal bassoonist of the Yakima Symphony Orchestra, McCall SummerFest orchestra, Siletz Bay Music Festival orchestra, co-principal bassoonist and contrabassoonist of the Walla Walla Symphony, contrabassoonist of the Mid-Columbia Symphony, and has performed in a variety of the leading professional ensembles all over the Pacific Northwest. He has been featured as a concerto soloist with the Yakima Symphony, Washington Idaho Symphony, and WSU Symphony Orchestra.

Before earning the degree Doctor of Musical Arts in Composition in 2000 at the University of Washington, Ryan M. Hare  earned a Master of Music degree in Composition at Ithaca College, and a Bachelor of Arts degree with an emphasis in composition at Oregon State University. Ryan's principal teachers in composition include Joël-François Durand, Diane Thome, Richard Karpen, Greg Woodward, and Ron Jeffers. Additional composition studies were also undertaken with Shulamit Ran and Jacob Druckman, both visiting professors at Ithaca College, and Brian Ferneyhough and Paul-Heinz Dittrich at the 1996 Ferienkurse für neue Musik, Darmstadt, Germany. His primary bassoon teachers include Arthur Grossman, Lee Goodhew, and Mike Curtis, with additional studies in audition preparation with Seth Krimsky.

The Unfinished is me, Matt Bowdler. I am a composer and sound designer, producing synth soundsets and sample libraries - both commercial and bespoke.

My sounds can be heard in Hollywood feature films, hit US and UK television shows and also AAA game scores. If you are interested in using my sound design services, please get in touch.

Here you can listen to demo tracks for my products, little sound design experiments and a whole bunch of other stuff. If you are interested in my composing, please check out my other account at soundcloud.com/matt-bowdler-music

The Reykjavík Grapevine is free alternative magazine in English published 18 times a year. The magazine covers everything Iceland-related, with a special focus on news-related events, human interest stories, music, culture and events.

Torn between the authentic and the connected.

musician, software engineer, husband, father.

dankney is following