Score Follower: https://www.youtube.com/watch?v=XEkwERKf8WE
Written for and recorded by the JACK Quartet (https://jackquartet.com/).

Christopher Otto and Austin Wulliman, violins
John Pickford Richards, viola
Jay Campbell, violoncello

Recorded by Brian Riordan at Salisbury Congregational Church, Vermont, June 2021.

*good quality headphones or loudspeakers are recommended*

as eroding arches collide [2021] for string quartet

Brazilian composer.  
PhD candidate - CNMAT/Department of Music, UC Berkeley (USA).

https://www.dannielribeiro.com/
https://cnmat.berkeley.edu/people/danniel-ribeiro

Contact: 
dannielribeiro@berkeley.edu
dannfribeiro@gmail.com
ig: 
www.instagram.com/danniel1ribeiro
YouTube:
https://www.youtube.com/@DannFRibeiro

Bio: 
Danniel Ribeiro is a Brazilian composer from Bahia. Danniel’s recent work focuses on instrumental music—exploring the use of instruments by way of project-specific contextualized techniques, preparations, practical sculptural objects, amplification, and transduced electronics.

​In Brazil, Danniel studied with Paulo Costa Lima and Wellington Gomes, composers who continued the cultural resistance of the Grupo de Compositores da Bahia (Group of Composers of Bahia). In 2012, 2014 and 2016, he was awarded the National Prize for Classical Composition from the National Foundation of the Arts of Brazil (FUNARTE). Additionally, he has been awarded research grants in Brazil, Canada, and the US, contributing to research projects in composition, music theory and analysis. 

Danniel was a composition fellow and participant at the Klangspuren Schwaz (AT), Banff Centre for Arts and Creativity (CAN), Domaine Forget (CAN), Festival Musica (FRA), New Music on the Point (USA), DePaul University Residency for New Music (USA), ilSUONO Contemporary Music Week (IT), among other festivals and institutions. Additionally, his works have been performed at the Festival Empreintes (FRA), Festival de Morelia (MEX), Sala São Paulo (BRA), and the Biennial for Brazilian Contemporary Music (BRA). Danniel has worked with ensembles such as L’Instant Donné, Yarn/Wire, Schallfeld, JACK Quartet, RAGE Thormbones, Dal Niente, Suono Giallo, Eco, Paramirabo, and Abstrai. He has had private lessons with Chaya Czernowin, Franck Bedrossian, Clara Iannotta, Philippe Hurel, Malin Bång, Daniel D'Adamo, Mark Andre, Brian Ferneyhough, and Du Yun. 

​Danniel completed his Master’s degree in composition (M.Mus.) at McGill University in 2018, advised by Philippe Leroux. At McGill, Danniel also had additional instructions in music theory from Christopher Neidhöfer and Robert Hasegawa. Currently based in France as a fellow of the 2023-24 George Ladd Prix de Paris, he is also attending the graduate specialization program in instrumental composition at the Conservatoire de Strasbourg. Danniel is a PhD candidate in music composition at UC Berkeley studying with Edmund Campion, Ken Ueno, Myra Melford, and Carmine-Emanuele Cella.