@sonikx-1: CHEERS GONNA BE PART OF AN ALBUM OUT VERY SOON

it is cool to stumble upon u on here.

i am wanting to discover new underground songs.  I totally love Your songs

If you have time, check my Soundcloud and my Facebook, would be nice if you like my page !

https://www.facebook.com/xEqualiz

http://soundcloud.com/j-r-mycarrara

i also am a fan of House, Trance, and all kinds of Electro songs.  do you have any suggestions for similar musicians  on soundcloud?

warm regards- Equaliz

good to discover you on here.

i'm trying to locate new underground songs.  I totally love Your songs

If you have time, check my Soundcloud and my Facebook, would be nice if you like my page !

https://www.facebook.com/xEqualiz

http://soundcloud.com/j-r-mycarrara

also, i listen to: House, Trance, and all kinds of Electro songs.  do you have any suggestions for similar musicians  on soundcloud?

bye for now- Equaliz

New trx

Guest selector Terry Farley and also featuring tracks from Sean Johnston , Mad Professor, Akio, Moody boys, The Cure, Sabres, The Clash and many others. Join the dub club hub https://www.facebook.com/groups/1269260220137242/?ref=share

Sunday Dub Club with Terry Farley 21st March

Infamous Faces

Best Dressed - ft Harry Nolan-Hampson on guitar

A little track I wrote with a great songstress and our dear friend

I Never Loved You

Running for a bumper 3 hours 41 minutes, Ozmosis is a combination of recordings from my first Australian visit in October 2006, edited together to form a whole and given away as a limited data disc, which also included my lecture at the Red Bull Music Academy in Melbourne, and various interviews, articles and photographic images that I took on my travels. The 3 appearances were at the infamous Revolver in Melbourne on Oct 21st, Sugar in Adelaide on Oct 27th, and Mad Racket in Sydney on Oct 28th. Here’s a YouTube clip filmed at the Melbourne gig:
http://youtu.be/W0aBUE7HpE4 

The following was written on my return to the UK:

AUSTRALIA AFTERTHOUGHTS:
Got back from Australia a couple of days ago. Went over for the Red Bull Academy and a trio of DJ dates in Melbourne, Adelaide and Sydney. Had a great time and already planning a return next summer, when I also hope to take in Perth and Brisbane, as well as Auckland and Wellington in NZ.

The whole Red Bull thing is very impressive – so much preparation and attention to detail (not to mention funding) goes into it all. The students really know their stuff as well, and it was an absolute pleasure to be invited across to give a talk (on UK dance culture pre-House) and host an editing demo (old school style on reel-to-reel).

The club dates went brilliantly – having now played in New York, Australia and various European countries, it’s clear that the underground scene is undoubtedly global. The internet has truly revolutionised the way we’re all inter-connecting and even though I was on the other side of the World, I met so many people on a similar wavelength.

As a relatively new country with a multicultural vibe, I’ve a feeling that Australia is primed to really make its mark. Despite not having the direct connections with black culture that have had such a huge influence in the US and UK, a younger generation is now retrospectively embracing the dance music of the 70’s and 80’s, taking in new (old) influences. There’s a melting pot bubbling away, which I’m sure will result in some really interesting groove fusion.

Having spent a few weeks over there, I’m more confident than ever that we’re entering an exciting new era for dance culture. There are definite parallels with the early 80’s when the supposed death of Disco allowed dance music the necessary space to explore new hybrid forms in a more fertile underground environment. However, whilst this was mainly centred around New York, nowadays the geography is less important – the scene being globalized, rather than regionalized.

As Ian Brown once famously said (paraphrasing Rakim), ‘it’s not where you’re from, it’s where you’re at’ – words that resonate more strongly today than ever.

November 2006

Greg Wilson – January 2012

Check out my label's music at: https://superweirdsubstance.bandcamp.com

FIRST AUSTRALIAN TOUR - OZMOSIS OCT 06 (greg wilson live mix)

One Last Stand

Zone Out

Ghosts of Soho (Radio Edit) The words of Poet Felix Dennis

We’re buzzing to bring you the 5th instalment in our Sircle mix series, coming in hot from someone we’re mega excited about: Leeds-based wonder woman @tanya-sanadze aka Tañ. 

We first heard of her back in June, when she really impressed us during the @TribeRecordsUK leg of @alextheomusic’s tribute stream. Not disappointing here either, this extremely fun high energy 90 minutes is the perfect soundtrack to lift that winter mood. Lock in:

Sub Club Mixes

Sircle Mix 005: Tañ

Every possibility this is the last upload on this account as I'm focusing on some new and exciting projects. Thankyou for the support

Sun's Coming Up

Things were somewhat on top for Liverpool radio station Melodic Distraction, having lost their studio space in the Baltic Triangle they were left homeless, and this mix was put together in support of their plight. They set up a Kickstarter and I’m happy to say that they reached their required amount of £35,000 and plan to move across the city into new premises in the Fabric District, novelly housing their studios in shipping containers.

The hour-long mix features original tracks I’ve played during more recent years, rather than re-edits or older stuff, so, especially given it’s a bit different to the norm, it’s good to be able to get up onto SoundCloud, where my uploads have been a bit threadbare (in comparison with previous times) since coronavirus shut down the industry.

DISTRACTED MIX (by greg wilson for melodic distraction 2020)

Confessions Of A True Hustler

@DanielRichardN4 (Twitter)
Well travelled DJs and Producers 
Perth&Melbourne .

One Last Stand

momentswehad

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Jérémy Carrara (Equaliz)

Jérémy Carrara (Equaliz)

momentswehad

Mercury Grade

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