Shatter

Grassy Knoll

pictures on walls

some place afar
i wanna sit in front of a volcano

distant affairs
i wanna stop but its so hard to say no

and theres a crack down the road
i can see it from a month away

rush in
jump in
im ready to erupt
youre ready to erupt too

suffering
in the ash
but hey, its breathing
its what we do

rush in/volcano/milotic???

Have you ever wanted something really badly? I'm talking craved and pined for. Then when you got it, you realized you actually didn't want it anymore? This song is for you. Whether it was a girl, a boy, a job, or an opportunity, don't feel any remorse because at one point... it was exactly what you wanted.

-
LYRICS

No remorse, I feel the force
Your full frame up against me
Got these boys around here striking out
Pretending that they're edgy
And I know they've tried their hand
Your patience in demand
They've been eyeing up your floor seats
But they'll take a one night stand
And I, I've been waiting for the right time
But my watch has always been late
I think you are rather divine. Is it luck or is it fate
Cause heaven knows, and if they don't then hell with it
I'm hell bent, you're heaven sent
Any logic here's irrelevant
Use my brain or use my charm
Tell you what is going on
I've been scheming for your love now
But I think the heist is wrong

No remorse, feenin' for your love for so long
I, of course, never meant to make you mine
No remorse, feigning all my love for so long
I, of course, never meant to make you cry

No remorse, I'm sorry though
Thought I knew what I didn't know
I like a chase, you got pace
Sorry that you were too slow
Hard to keep up, hard to maintain
Chemicals of love in my brain
Check my synapse, snap my sinus
Sorry love for my non compliance
Yes, maybe it was my idea
But not all ideas are good
I should have slept on it
Instead of sleeping with you darling
I have no regrets, couple missed texts
I know it's my fault, but baby you're blessed
Trust me, something better is next

No remorse, feenin' for your love for so long
I, of course, never meant to make you mine
No remorse, feigning all my love for so long
I, of course, never meant to make you cry

Not one for eternities
Apocalypse seems alright to me
Self-sabotage, third degree
Turn a new leaf I decree
Forever lost in what ifs
Is it a mountain or a cliff
Will I be worthy of the hieroglyphs
Or will I fade into abyss

No remorse, feenin' for your love for so long
I, of course, never meant to make you mine
No remorse, feigning all my love for so long
I, of course, never meant to make you cry

No Remorse

I Know

JUST TO ME

SF Bay Area textural pop group Torrey delve deep into a translucent dreamworld on their self-titled sophomore album. Bending classic shoegaze, rainy day indie rock sounds, and 90s alt rock flair into more intricate forms, the band uses these guitar-forward songs to shape-shift between gentle drifting and noisy breakthroughs. Some touchstones might include Lush, Drop Nineteens, Cocteau Twins and The Breeders, but Torrey have a deft grasp of their craft and a forward-thinking studio approach that places them very much in the NOW. Singles like "No Matter How," "Bounce" and "Moving" are pure 2024 and place Torrey firmly alongside like-minded groups like Seablite, Mo Dotti, Winter and Alvvays who are enlivening a similar set of inspirations.

It's fitting that Torrey's most masterfully crafted album is also their first for Slumberland. As the album plays out, it perfectly arranges contradictory expressions of angst and tenderness, exaltation and melancholy, restlessness and acceptance. These songs are obsession-worthy for any dream pop enthusiast, with Torrey managing to call on some familiar spirits for guidance while sounding more like themselves than ever before.

Torrey

Torrey - Moving

written and recorded by Palo Sopraño and Chiggi Momo
mixed and master by Ryan Nelson

i wish i had a friend named tom (feat. Chiggi Momo)

This is a remastered version of my previous work. The main keyboard riff is directly taken from BWV 54 Widerstehe Doch Der Sünde by Bach, specifically Vikingur Oalfson's version. It literally comes from downloaded midi files. It's about my dad, and a dream I had that he was still alive, and my inability to face the truth of his death. The end is sampled from Glenn Gould's version of BWV 54

I Know That You're Gone

For a home to be a home, I'm told,
One needs a straw-broom seven centuries old.

It took years of dust passing through us
For you and I to come so unmoored.
And, now, no one home is quite home enough.

It's Hard To Tell

Danny Arcane combines quick wit with raw emotion and layers these concepts over dreamlike keys, spaced out guitars, and saturated drums.

Raised in the UK and the US, he was Influenced by the British indie rock scene and the grunge scene of America, constructing his own unique sound that often lures listeners into a realm of introspection or a realization of false reality. 

His style is often referred to as avant garde, a hybrid of indie pop and rock, and is often compared to artists like King Krule, Mac Demarco, Bakar, and Jamie T.

Danny Arcane's music has been featured on BBC Music Introducing, a radio show dedicated to discovering and supporting new up and coming artists from the UK.

No Remorse

Danny Arcane

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