Wobberkustik ist ein Projekt von Webber (Christoph Webber/hier bekannt unter webber_uncut) und Akustischeoptik (Florian Cafourek). Wir fröhnen hier unserer Leidenschaft für den Berliner Sound. Diesen wollen wir so abwechslungsreich wie möglich gestalten um aus bestehenden Liedern immer wieder etwas neuen und unerwartetes herauszuholen. Wir legen seit 3 Jahren zusammen auf Veranstaltungen im Raum Würzburg, Wertheim und Marktheidenfeld auf und haben uns jetzt dazu entschlossen dies weiter auszubauen und unsere Begeisterung für diesen Sound freien lauf zu lassen.

In diesem Sinne viel spaß beim anhören und abrocken unserer Experimente ;-)

Chris und Flo

A disc jockey (abbreviated D.J. or DJ) is a person who plays recorded music for an audience. Originally, "disc" (sometimes spelled "disk", although this is now uncommon) referred to phonograph records, not the later compact discs. Today, the term includes all forms of music playback, no matter the medium.

There are several types of disc jockeys. Radio DJs or radio personalities introduce and play music that is broadcast on AM, FM, shortwave, digital or internet radio stations. Club DJs select and play music in bars, nightclubs or discothèques, or at parties or raves, or even in stadiums. Hip hop DJs select and play music using multiple turntables to back up one or more MCs/rappers, perform turntable scratching to create percussive sounds, and are also often music producers who use turntablism and sampling to create backing instrumentals for new tracks. In reggae, the DJ (deejay) is a vocalist who raps, "toasts", or chats over pre-recorded rhythm tracks while the individual choosing and playing them is referred to as a selector.[1] Mobile DJs travel with portable sound systems and play recorded music at a variety of events. Some mobile DJs also serve as the master of ceremonies or MC directing the attention of attendees, and maintaining a room-wide focus on what is included in the event's agenda.[2] According to a 2012 study, there are approximately 1¼ million professional disc jockeys in the world.[3]

The title "DJ" is also commonly used by DJs in front of their real names or adopted pseudonyms as a title to denote their profession and the music they play

Tech house is a subgenre of house music that mixes elements of techno with house music. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house.[1][2] The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.[2] In the mid to late 1990s a scene developed in England around club nights such as Heart & Soul, and Wiggle, the latter run by Terry Francis and Nathan Cole.[1] Other DJs and artists associated with the sound at that time included Charles Webster, Bushwacka!, Dave Angel, Herbert, Funk D'Void, Ian O'Brien, Derrick Carter, and Stacey Pullen.[1][2] By late 2000 London nightclub The End, owned by the former Shamen rapper Richard West (Mr C) and Laylo Paskin, was considered the home of tech house in the UK

As a mixing style, tech-house often brings together deep or minimal techno music, the soulful and jazzy end of house, some minimal techno and microhouse (especially with a soulful feel, such as Luomo’s music), and very often some dub elements. There is some overlap with progressive house, which too can contain deep, soulful, dub, and techno elements; this is especially true since the turn of the millennium, as progressive-house mixes have themselves often become deeper and sometimes more minimal. However, the typical progressive-house mix—which might integrate some funky house, trance, and even some hard techno at times—has more energy than tech-house, which tends to have a more “laid-back” feel. Tech-house fans tend to appreciate subtlety, as well as the “middle ground” that adds a “splash of color to steel techno beats” and eschews the “banging” of house music for intricate rhythms.[3]

In contrast to most progressive house, which tends to have a progression over the course of the mix ending in an ecstatic release of energy at the end, tech-house often aims at achieving an even “groove.

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