Mary Has A Little Lamb «War Media Broadcast Theme»

Superdestroyer "Y3K (Parking Lots)"

Mary has a little lamb

Gudang Garam (Pro)

Atavistic office breakdown: see The Salarymen go wild in third episode of Filastine’s Abandon video series- https://youtu.be/5Al3sjPa_9M

It is morning in the office of an anonymous startup at the dawn of the digital age, circa 1996. Beige walls entomb data serfs pecking at workstations, unaware that the world is about to flip upside down. Welcome to the latest episode of Abandon, a video series on liberation from work by the artists Filastine. 

Filastine are an Indonesian and American duo based in Barcelona, who combine bass-heavy electronic music with, image, movement and ideas to trespass borders. They have earned a dedicated international following for their otherworldly music and intense live performances. 

Their current project, Abandon, fuses video art, documentary, and music to explore how we sell our time on earth, and the ways we imagine getting free. Each of the four episodes profiles a unique personal revolt against low-valued work: an Indonesian miner, a Portuguese maid, American office workers, and Spain’s scrap metal salvagers. 

‘Salarymen’ brings Abandon into the office, at the very moment in history when computers first began to dominate our lives. But the dreams of a frictionless technocracy quickly hit a glitch: “the CRT screens are taken over by hypnotizing video feedbacks, triggering seizures in the workers,” explains Grey Filastine.  “The data serfs reject the machines, seek out anything natural, from the potted plants to the animals within themselves.”

To embody the salarymen, Filastine tapped the Seattle butoh dance trio P.A.N. “We have a long history of collaboration, some of our first tracks were made for P.A.N. performances,” Filastine notes. “This story was made for them: atavistic, raw.” Setting the scene for this office catharsis, Filastine sourced obsolete computers and period motivational posters to build a space of perfect spiritual emptiness.

‘Salarymen’s music also features vintage electronics, the squelching leads and lo-fi textures of classic synthesizers. “We used the same musical instruments that Kraftwerk played in their teutonic love songs to the robot, but bent the circuits for an opposite effect; the synths are harmonized with mechanical hums, and driven by percussive mouse clicks and qwerty keystrokes.”

Salarymen will be available in spring of 2017 on Filastine's coming album, Drapetomania.

Abandon

Salarymen

1983

Dansa Dan Coke - The Juicy Message

Dizzyhead - You

let me be your capital letter that you always remember
when you write everything you want to write

radford, very funny

Fletch 2nd single for upcoming EP, “Tiga Pagi” tells about the worry that someone experiences towards his/her feeling to someone else. Those thoughts only appear during a third of the night when this person’s mind has been overfilled with unnecessary contemplation. We think that many people could relate to this topic and this kind of thought will haunt you in your sleep and keep you awake. So here it is "Tiga Pagi" official lyric video. Enjoy!

Tiga Pagi

Lyrics 

I'm not 
Like you 
I'm not 
Like you 

Anywhere i go, 
I will never realise 
Everywhere i go, 
I will never realise 
Every step i take, 
I have to deal with real lies 

Everything has fallen right in front of me, in front of me 

Everything has fallen right in front of me, in front of me 

Spoken: 
life is not about how to live forever. I know it seems nice if we could live forever, but you know, you'll never gonna meet him then. Everyone has to meet him in the end. So just do good and be good in life, and you'll be okay. Don't be such an asshole to others. I guess thats it.

Marly Reds - Ego (Demo)

Pocica - Ironi (ft rundauf)

DΔNSɅ DΔN KOKΔ KOLΔ is a project of Akhmad Alfan Rahadi since 2006. Previously before encountering Drag,PostRock,Nugaze and WitchHouse. DΔNSɅ DΔN KOKΔ KOLΔ played shitgaze. In lo fi mixing/mastering. thanks for friends and family who taught me ABLETON, it has been a blessing