I play fingerstyle guitar, and if you would like to, then you can listen to more of it on my bandcamp page - https://sebastiansequoiah-grayson.bandcamp.com/

Self-taught guitarist, composer, microtonalist, improvisor, and video artist, Daniel Stearns grew up a nature mystic and devout Ivesian in his earthbound New England climes obsessed with nature, music, art, and the infinite extraterrestrial carapace of the heavens......Mister Stearns currently resides in Urbana, Illinois and prefers to view his music in a therapeutic/kinetic paradigm where the process is intrinsically tied to sustaining one's own presence in the ongoing work of life and living it as a true work-in-progress.

Guitarist - Sound Artist - Sound Designer

I've had a few piano lessons and one violin and banjo lesson, but other than that most of my musical knowledge is self-taught or from online tutorials. The total list of instruments I own is:
* Acoustic Guitars (Full-size, half-size and 12-String), Electric Guitar, Bass Guitar, Guitanjo, Violin, Mandolin, 12-String Harp, Ukulele, Baritone Ukulele.
* Clarinet, Flutes (practice and concert), Ocarinas(!), Pan Pipes, Harmonica, Soprano, Alto and Tenor Recorders, Melodica, 5 Tin Whistles, Toy Trumpet, Toy Horn, Mini Accordion
* Keyboard, Glockenspiel, Xylophone, Bongos, Desktop Drumkit, Maraca, Jaw Harp
* Microphone, Guitar Amp, Bass Amp, Glass, Chrome, Brass and Porcelain Slides, Chorus and Distortion Pedals

I'm also a big fan of alternate tunings, modal scales, odd time signatures and various national folk music (Celtic, Scandinavian, Finnish, Spanish, Romanian, Turkish, Arabic, Chinese, Japanese, Indonesian, Malian, Mexican, Peruvian). I've also recently been getting into early 20th century composers like Debussy, Ravel, Mahler, Schoenberg, Stravinsky, Bartok and Shostakovitch.

Beyond music my other big interests are writing (you may see some audio readings of mine posted in the near future), art (even though my own drawing skills are quite limited), history, mythology, geography and fashion (though I have zero interest in trends).

https://bergerrond2.bandcamp.com/

La musique (fragments, vent et virtuel), la littérature vocale et les vidéos du Berger Rond (2003...) se forment de courts extraits remplis de sens et qui exigent toute l’attention peu habituée au brouhaha.

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Page vocale, 
https://soundcloud.com/vincentbergeron
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1999-2003-First Fragments
2009-Instruit mental
2016-Plages d`Intrus Mental
2019-En dehors de tout
2022-Cet oc​é​an effrayant et furieux 

01-2004-Casse-tête de l'Existence
02-2005-L'Art du Désarroi
03-2007-Philosophie Fantasmagorique
04-2008-Le SAVANT devait arriver avant SONGEUR!
05-2009-Audiomachie - Logomachie
06-2009-Imperméable aux prévisions
07-2010-Étrange En Compagnie
08-2011-[{ }]
09-2011-Un doux rêveur dans. Homme Sauvage dit
10-2012;18-Elle Avait Raison Hathor
11-2012-En Dehors de Tout
12-2013-Il y a seulement des apparitions
13-2013-Game Overtime
14-2014-Même quand ils se fâchaient, on tendait l`oreille pour entendre
15-2015-Village De La Métaphore
16-2015-La Rumeur De La Circulation
17-2015-Virtuel Inconnu
18-2016-I Could Not Figure Out This One Yet
19-2016-La répétition du même acte
20-2017-Simulacre Occidental
21-2017-Du pain d`épices à la marche raide
22-2017-Schizosphère
23-2018-InQUIETudes
24-2018-For that, you have to live more...
25-2019-Des voix au hautbois
26-2019-Oh Boy !
27-2019-Eau du Bois
28-2020-Plénitude de la Solitude
29-2020-Un ancêtre retiré du chemin de la sévérité trouvée en lui
30-2021-Fil de la Pensée - Train of Thought
31-2021-But Ruminates on Necromantic Skill
32-2021-Laissez​-​moi Rêver en Paix !
33-2022-La Victime d`un Cou monté !
34-2022-De Tortueux sentiers montrent nos instants défaits
35-2023-Nous sommes composés d`infinis pluriels et d`obstination 
36-2023-Nous sommes composés

I am a composer/improvisor specializing in experimental and improvised music.  I play the shakuhachi, suling, computer, analog synthesizers, and keyboards. I  have played extensively in gamelan groups on the west coast of the US.  I am deeply ensconced in free improvisation and electronic music since the early 70s. I have a deep interest in microtonality and polymicrotonality, and use many different tuning systems in my current music.  I occasionally find my way to building instruments, both acoustic and electronic, and  programming computer music applications using Max/MSP/Jitter. I'm interested in collaborative projects with other musicians and artists. Completed albums are at http://joeltaylor.bandcamp.com

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.

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