Vicky Schreiber (Vox)
Joseph D. G. Voltaire (Bass)
Jay Hermann (Git)

The year 2010. Something is on the move in little, unconspicious Saarland,
located east of river Mosel. The musical landscape lies dark, harsh and torn.
And though, out of the sheer endless marshes of Metalcore, Death-, Black-
and Thrash-Metal-Acts springs a tiny, single rose. Unconspicious at first glance,
this rose offers an overwhelming musical variety to a stunned listener, now taking a closer look.

Celesta is born, five diamonds in the rough risen from the ashes of prior bands.
This rose is source to a scend of lovely, although strong melody, an accurate rhytm and an indescribable groove.
The essence spreads and introduces the listener to an overwhelming musical landscape, sends him on a journey and
simply knows how to enchant.

But enough talk! Residing somewhere between Funk, Jazz, Prog and Heavy Metal all of these musicans as with
vocalist Vicky Schreiber gather long years of band practice and a keen sense of writing complex and yet pleasant music, unparalleled is the Saarland area.
Sophisticated riffing blends into intoxicating grooves, both bejeweled with gorgeous harmony.
You'll be served a well blalanced delicacy which offers something enjoyable for everyone!

DANTE besetzen musikalisch die Nische zwischen zeitgemäßen Progressive Metal und Progressive Rock der alten Schule - und die Band fühlt sich sicht- und hörbar wohl dabei. 
Mit schweißtreibenden und mitreißenden Konzerten untermauern DANTE seit Jahren ihren Ruf, einer der ganz großen Hoffnungsträger der Progressive Szene zu
sein.

Banda brasileira de Thrash Metal

contacts
Vinicius Muhoz
bandacaravella@yahoo.com.br
Cel : +55 (019)  9 9741-7676

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Hi dude! So I am really glad I can proudly welcome you on my new Soundcloud-Page!!! I'am so excited about all the things happening right now and I want you to be part of it (plus: Good (well at least I hope so... ;-) ) Musik and news will await you, just one 'subscribe' away. Do it ! :-D
And why do I do this?- Well I really don't know....but I think sometimes it is the right thing to do and not to consider if.
Born and Raised in the middle of nowhere...a place, where nothing really extraordinary happend for since medieval-ages I think. Two years ago I've graduated at the IKG in Landsberg. Since then I have constantly been working on many recording and live Projects. Besides that I am studying electronical-science (To be honest, I have absolutely no idea, what benefit I can expect from that, except for I will be able to change my bulbs in the kitchen.... ;-) ). I like what I do and I tend to loose myself therein a lot of times. I have a little cat called 'Pinsel' (two weeks ago he used to be a little tomcat). I really like to understand what and how I am some things doing. I like playing the white keys on a piano most and sometimes I also like playing the black ones.....(but then my music very often gets very complicated and sounds very complex....some might even say out of tune.... ;-) ). It's really hard form me to say: 'No!' to anybody but I think I should do it more often. If I like a country I like to cook the most common dishes from it. If I arrive in a different country I am very focused on how it smells there. When I am composing music I very often try to imagine a movie where the tunes can be played in. I also like burning some special kind of indian incense sticks but I am pretty sure, that this DOES NOT influence my music at any kind....hopefully...

Stay tuned! C U Eric

Please listen to my music, comments welcome. 
I am looking for singers and other musicians to cover my music.

Any suggestions or help welcome in getting music to a wider audience

Thank you

BENJAMIN RICHTER: The Grand Momentum 

„Melancholie ist das Vergnügen, traurig zu sein“ (Victor Hugo)

Benjamin Richters Musik ist Emotion pur. Seine Songs verbinden eindrucksvoll klassisch inspirierte Melodien mit modernem Pop und bewegenden Sounds. Sehnsucht, Melancholie und Hoffnung – tief empfundene Emotionen, die das „kleine Glück der Unglücklichen“ (Victor Hugo) beschreiben. 
Mit seinem ersten Soloalbum „The Grand Momentum“ präsentiert der Pianist und Produzent Benjamin Richter einen ebenso eindringlichen wie mitreißenden Crossover, inspiriert sowohl von klassischer Musik, als auch von Pop- und Rockmusik. Benjamin Richter verbindet die Einflüsse aus verschiedenen Genres zu einem stilübergreifenden, atmosphärischen und außergewöhnlich kopfkinolastigem Klassik-meets-Pop-Spagat irgendwo zwischen Beethoven, Hans Zimmer, Ludovico Einaudi und Linkin Park.   


Composer for Film/TV + Music producer + Sound designer + mixing mastering engineer

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