2013

Free Download: hopestreetrecordings.com/dawn

Artist: Emma Donovan & The PutBacks
Album: Dawn
Format: LP/CD/Digital
AU Release Date: Nov 7 2014
UK Release Date: Nov 10 2014
US Release Date: Nov 11 2014

Acclaimed indigenous vocalist Emma Donovan and Melbourne rhythm combo The PutBacks come together to bring you Dawn, an LP of hard hitting and heartfelt soul songs telling stories of grief, struggle and redemption. Dawn is a gritty, uniquely Australian record, simultaneously classic and contemporary. The songwriting is in turns optimistic, angry and melancholic, and on occasions bruisingly honest. The music is fluid, live and raw, recorded in one room on eight channels of analog tape and the electric connection between Emma and the band comes through in every beat.

Emma grew up singing church songs with her maternal grandparents on the North coast of New South Wales. Her first secular gigs were singing in The Donovans, a band comprised of her mother and five uncles. With her mother, Emma sang country for years, and in her youth was a fixture at the Tamworth Country Music Festival, but she always yearned for the bluesier tones of her Father’s record collection, full of American artists like Laverne Baker and Etta James and Indigenous Australian artists like No Fixed Address and Archie Roach.

Years later, after touring and recording with many of the mainstays of Indigenous music and developing as a solo artist in her own right, Emma met members of The PutBacks, and finally she found a band with the gritty blues soaked tones she had been looking for. She also found, in PutBacks bassist Mick Meagher, a co-writer and collaborator on the the soul songs she had been waiting a lifetime to write and sing. The results are well worth the wait and hopefully, only mark the beginning of this oh-so-right collaboration.

Buy Vinyl/CD/Digital

Emma Donovan & The PutBacks - Voodoo

#nicholascraventypebeat  #boldyjamestypebeat  #rocmarcianotypebeat 

BPM: 79

🎧 purchase here: https://bsta.rs/c42e3d074 🎧 

📱 Contact / Social Media 📱

IG  @zicabitz  
📧 Email: zicabiitz@gmail.com 
🎧 Beatstars: https://www.beatstars.com/zicabitz


Feel free to email or DM for custom beats or collabs!



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Nicholas Craven x Navy Blue Type Beat "Late night calls" (prod by zicabitz)

To bookend the Collocutor -'Instead' project Contours offered up this On the Corner Banger. The next chapter for Collocutor begins here and one for the next Vs 12". 

Contours Vs Collocutor - Agama

01 - Nolan Porter - If I Could Only Be Sure

Charles Bradley's new album, Changes, out now and available at http://shop.daptonerecords.com

Charles Bradley "You Think I Don't Know (But I Know)"

Check Me Out / Say Yeah Yeah

Little Denise - Check Me Out

Nothing I’d Rather Be (Than Your Weakness) b/w I've Lived The Life

Nothing I'd Rather Be (Than Your Weakness)

Like Yesterday

A man rots from the head first. Miasma remains trapped in ears and annihilates clear hearing. The sound is needed that will break through the barriers. Self-knowledge is needed to catch this sound.

Improvisation is the only way to move downwards, to descend lower where the tones gain a physical dimension. “Zła krew” ("Evil Blood") is an expedition.

“Zła krew” ("Evil Blood") is the second album of the kIRk band. A shattered structure, derived from improvisation, where the 20th century music heritage reverberates. The echo of the present manifests in the electronic tones, the vinyl hum and the sound of a trumpet

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Człowiek psuje się od głowy. Miazma zalega między uszami, niwecząc czyste słyszenie. Potrzebny jest dźwięk, który przebije się przez bariery. Potrzebne jest samopoznanie, żeby schwycić ten dźwięk. 

Przez improwizację schodzi się w dół, coraz niżej, tam gdzie tony zyskują fizyczny wymiar. „Zła krew” to ekspedycja.

„Zła krew” to drugi album zespołu kIRk. Wywiedziona z improwizacji, rozklekotana struktura w której pobrzmiewa dźwiękowa spuścizna XX wieku. Realizujący się w elektronicznych tonach, winylowych szumach i wyziewach trąbki oddźwięk teraźniejszości.

---


Label: InnerGuN / Oficyna Biedota
Release Date: 01.02.13
Link: www.innergun.com / www.biedota.com

---

Tracklist:

1. Do rozpuku
2. Zła krew
3. Dżuma
4. Dzieci Boga
5. Pies zdechł
6. Poza zasięgiem

kIRk - Pies zdechł

Media inquiries: alyssa at teamclermont dot com

http://teamclermont.com

http://www.familytreerecs.com

"Where the Wild Things" premieres at Pitchfork: 
http://pitchfork.com/reviews/tracks/14654-where-the-wild-things/

Video premieres at Vice: 
http://www.vice.com/read/vice-premiere-cy-dunes-where-the-wild-things-are-video
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To celebrate Cy Dune's upcoming No Recognize EP, cans of spray paint were shot over canvases with handguns in the Arizona desert south of Tucson by a group of local musicians, artists, poets, and pedal makers. Plumes of color exploded into the desert air, and onto the canvases. 

The day resulted in about 22 paintings.  These paintings will be for sale on the Family Tree Records website shortly. As a creative alternative to a limited edition 7", each painting will come with a download code for the EP's lead single, Where the Wild Things, as well as a limited track not available anywhere else. The 12" canvases will be $30, and two sets of large diptychs will be $100 each. (Photo: http://teamclermont.com/images/3151.png)

The No Recognize EP will be available digitally on February 4 and on vinyl March 5 on Family Tree Records. A full length is planned for later in the year. (EP Art: http://teamclermont.com/images/3150.png)

Cy Dune photo: http://teamclermont.com/images/3155.jpg

-----

The Cy Dune story starts with a songbook.  This particular book had a 100 songs written in 20th century American visionary long hand over five years after leaving home and traveling the world in what some might call the contemporary music scene of the early 21st century, recording and performing with his band Akron/Family and collaborating with Rhys Chatham, Michael Gira, William Parker, Hamid Drake, Keiji Haino and Tatsuya Nakatani. The songs were demoed all that same time with new and old friends in big city and small town apartments, parents' garages, horse barns, Maine basements, New Jersey Synagogues, old Pennsylvania factories, molding mid-century moderns, Brooklyn basement studios and across the bridge at the midtown Manhattan Sear studio with the old Abbey Road tape machine and the bass player from the Henry Rollins band.  

In 2010 the 100 songs were finished, written and demoed. In 2011, he moved to the Sonoran desert to record a primitivist American blues story; an old/new weird American anthology of these songs with only an old acoustic guitar and the very same rebuilt 1/4" tube Ampex reel to reel that Alan Lomax used to record field hollers out of his trunk. Months were spent fine tuning the 100 songs, researching tube and tape saturation, Fahey's discovery of Skip James and his mystical open D tuning, early Dylan cryptology,  the notes between the notes of Leadbelly recordings, Michael Hurley's Folkways First Songs and re-tuning all guitars to that self same slightly flat key. 

But the 100 songs wouldn't record. 

2011 ended and the spark of change finally came as a Christmas gift given by his mother. Patti Smith's Just Kids. Re-awed by the transformative powers of Rock 'n' Roll, frustrated, and fed up, he plugged in his guitar and the songs alived and ripped themselves into being, bursting out as sheets of guitar shredding sound like explosions written on the wall. Patti Smith's book begins the year Coltrane died. Cy Dune's story begins again with the simple act of plugging in his guitar, mimicking the thrust of the 20th century.  

The No Recognize EP is a soundtrack to this transformation. His electric guitar story-tellings tap in, steeped with all the mystery of  pre-war weird America holler, African pentatonic shamanism, be-bop underground, and Kerouac's road verse electrified and amplified.  The songs blaze like roads north to Chicago and Detroit, like amps falling off cars, the rattling tubes all saturated, sound color and broken speaker blues,  sounds of a whole century, like Wayne Coyne says,  "touched by the religiousness of Rock 'n' Roll".  No Recognize was recorded loud on a few old microphones in Tucson, AZ and in Brooklyn with the help of drummer Andrew Barker (William Parker, Gold Sparkle) and bassist Shazad Ismaily (Sam Amidon, Bonnie "Prince" Billy),  then doubled back and blasted through a friends broken PA high on a desert mountain. A Rock 'n' Roll Hymnal 100 songs behind and 1000 songs to go.




Cy Dune - "Where The Wild Things"

From the album Victim of Love. Out now on Dunham/Daptone Records.  

Buy it here: http://bit.ly/1E03bOb

Facebook.com/thecharlesbradley

Charles Bradley - Strictly Reserved For You

From the album Impossible Truth, out March 19, 2013 in North America and April 29, 2013 in the UK and Europe on Merge Records.
http://www.mergerecords.com/store/store_detail.php?catalog_id=898

Impossible Truth

Buy from Merge

William Tyler "Cadillac Desert"

Free download available until Jan 2013

Written By Blanck Mass
Recorded and mixed by Blanck Mass
Mastered by The Haxan Cloak

blanckmass.bandcamp.com/
blanckmass@gmail.com

HELLION EARTH

Taken from the Morning Swim EP out February 5, 2013.
Buy:
https://itunes.apple.com/us/album/morning-swim-single/id596169442

More on Glenn Jackson:
soundcloud.com/glenn-jackson
twitter.com/glenntjackson

Contact: info@ceremonyrecordings.com

Glenn Jackson - Save

"Total Explosion" re-issued on vinyl.  In stores March 05 on Hi Records/Fat Possum Records.

Charles Bradley - Strictly Reserved For You

Daptone Records

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