Name: Gravity Pull by ~DarMar~
Duration: 3 min 54 s
Description: experimenting with retro-cyberpunk (90's) atmosphere if that makes any sense

the intros got an interesting synthy atmosphere

Written: 2022-23
Duration: 30'
for piano trio (violin, cello, and piano) and orchestra (2-2-2-2 / 4-2-3-1 / 3 percussion, timpani, strings)
Commissioned by Neave Trio
World Premiere: Mostly Modern Orchestra with Neave Trio, JoAnn Falletta, conductor, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 17, 2023.
Publisher: Bill Holab Music

As we live through a sixth mass extinction, it is not difficult to question whether we can act as good stewards of our earth. While I often feel a sense of despair — how could we have messed this up so badly? — my thoughts are often, perhaps irrationally, tempered by a sense of optimism. Maybe we can fix this, or at least that’s what I tell myself. Triple Concerto is essentially an exploration of these emotions. As a scenic point of departure, the entire work also uses three types of geographical regions as inspiration.

Triple Concerto is structured a bit differently than a traditional concerto. An introduction and three larger movements are interspersed with three small trio-centric movements that loosely function as either a prelude, interlude, or cadenza. These three smaller movements also exist as a stand-alone version for the piano trio that may be performed as a sort of “teaser” for the concerto on a chamber music concert.

The first movement, Introduction, loosely evokes a sunrise. Toward the end of the movement, bird song melodies from around the world are incorporated and performed by the winds. This leads to a movement entitled Chorale Prelude, focusing on the piano trio, leading to a joyful third movement, Bright Pastorale, filled with bright, sunlit bell-like chords and sounds reminiscent of birdsong. Moments of despair begin to appear as the movement progresses. The movement ends darkly, like an overcast sky before a storm. The fourth movement, Interlude, echoes the beginning, focusing on the trio once again and evoking a sense of longing, the sound of a more innocent time. Tundra, the fifth movement, is cold, dark, and bleak but with swaths of color. A sense of sadness and loneliness permeates this movement, at times represented by various mournful effects such as bent notes created by dipping tubular bells in water and glissandi in the strings and brass.

After the fifth movement, the trio performs a virtuosic Cadenza, full of grief and rage but with signs of hope. This leads to the final movement, entitled Summit. Ascending lines suggest climbing a mountain, both literally and figuratively. After a brief climax, eleven bell-like chords sound one after the other, symbolizing the chimes of the Doomsday Clock. The winds perform birdsong once again, perhaps of songbirds that may soon become endangered or even extinct. In a nod to Haydn’s Symphony No. 45 (his “Farewell Symphony”), the players leave the stage one by one until all that is left are the trio and conductor.

Triple Concerto was commissioned by the Neave Trio and premiered by the trio and Mostly Modern Orchestra, JoAnn Falletta, conductor, at Mostly Modern Festival in Saratoga Springs, NY.

– RP

Movements:
I. Introduction
II. Chorale Prelude
III. Bright Pastorale
IV. Interlude
V. Tundra
VI. Cadenza
VII. Summit

Triple Concerto, "Summit" for Piano Trio and Orchestra (World Premiere)

Artwork based on photography by Roberto Nickson

CURRENT AND EMPTY SPACE

Unussual Tendency (dl)

Proud

Peaky Blinders concept song by HAZPAIN and Michael Watson. I really felt this show so I made a track to it. It’s about going to war with the mafia and whoever. And no matter whoever you go against, it’s about coming out on top victorious. 

“AVAILABLE TO DOWNLOAD FOR FREE”

“The Phone Recordings”

“Acoustic guitar live phone recording”

“This is a phone recorded album”

“Cover Art by HAZPAIN”

Peaky Blinders - MobTies War - (LIVE) Acoustic By GuitarBanditz

IGR X Ogi Feel the Beat - Where do we go From Here

⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐
Lyrics:
If I said goodbye
Then make me a liar, a liar

My heart's heating up, our love is on fire, fire

Up in the clouds, here in the dark
We shine a light, we are the stars
Maybe we found, who we are, meant to be
In this galaxy

Look at the way that we are
Burning so bright, we are stars

So Bright
So Bright
So Bright

We belong to the sky

Magic fills my eyes
I'm lost in a dream, a dream

A million suns could die but
Our light won't recede, recede

Up in the sky, 
Here in the night
We shine together and the heavens align

Through the expanse
Entangled tonight
In this galaxy


Look at the way that we are
Burning so bright, we are stars

So bright
So bright
So bright

When we light up the sky

I'm lost in the love that we are
Shining our lights, like were stars

We are stars, We are stars
You're my star

Look at the way that we are
Burning so bright
We are stars

So bright
So bright
So bright

We belong to the sky

If I said goodbye, then make me a liar, a liar 

⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐

Listen to my band

We Shape the Sky [acoustic]

From our upcoming album Infinities due in...2025?

experimenting with retro-cyberpunk (90's) atmosphere if that makes any sense

Gravity Pull

A. I.

Multi-instrumentalist, born 1979 and involved in music since early 90's.
Started in piano school and shared interest in drumming. Since my parents were not happy with drumming in my room, tried guitar and voila! found my main instrument.

Formed first band around 1993 with drummer Davor Radovec called "Decorator" which later grew in beast called "Deaf Auditorium", did couple of songs together but parted ways because of mutual misunderstanding and goals.

Somewhere 1997 formed my first heavy metal band "Pro-Maya" and wrote all songs, except lyrics which were written by Marko Curman (Cuki). First real studio recording with band was late 1999 named Tales of warning. Due to crazy circumstances in life Band disbanded somewhere 2003.

Since than played as session guitarist/bassist when needed for recordings or live performances. Like playing with "Forlorn Legacy" while their bass player served army for a year for live shows. Played in multiple genre bands from punk, rock, metal, jazz mostly either guitar or bass. Also working in studio Memphis in Zagreb as tonmeister/sound engineer. With sometimes working on movies/documentaries as sound recordist.

In 2010 formed 2 man experimental improvisational metal-jazz-noise band "qb" with legend Marko Martinovic (Bik) as drummer, where we experimented with sound. And we got crazy singer Sasa Jungic (Jungla). 

Around 2014 joined Soundcloud and was interested in improvisational music. I would find drums beat from various artists on youtube and improvised guitars and bass. Challenge was to record every instrument in just one take without any post production makeup or hiding errors, mostly done in Garage Band. Fun journey that lasted about 2 years, and after I moved to Norway in search for better job my music got radio silent and did not play much for about 5 years.

By beginning of 2023 realised that music is big part of my life and came back into playing, but with more serious take on composing, songwriting and production. Broke silence with song Waves and continuing to investigate dwellings of sound and emotion. 

My music taste goes all the way around and trying to collide genres to reveal god particle, still considering music that I do as experimental form. Hardly being able to stick to one genre.

Darmar with some literal translation from Croatian means chaos. Name kinda fits music style.

Gravity Pull

~DarMar~

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