Se disfruta muchisimo con audífonos! Superrr! :)

This track is quoted from EP "
the vanishing point".
Listening to all tracks of EP and purchasing are available on a link below.

https://gallerysix.bandcamp.com/album/the-vanishing-point

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

the vanishing point

Over The Horizon

Karma by @logic-moon

Cover artwork by Anthony Asher Yates
Mastering by Seth Bellow

Karma

Logic Moon - Karma

Native Woodlands by @atmosphare (preview)

Available on our Bandcamp page:
atlantearecords.bandcamp.com/album/nati…-woodlands

Written and produced by Tom Lievens
Mastering by Andrea Porcu
Cover artwork by Anthony Asher-Yates

Native Woodlands

Atmøsphäre - Native Woodlands [AR008] preview

Solar Sails

Orbital Bay

Hiroshi Morita - Abstract Poetry [AR011] (album preview)

Limited Edition 💿:
https://atlantearecords.bandcamp.com/album/abstract-poetry

Stream:
https://open.spotify.com/album/2KLtVDKQMrv7y8BZmYKzN8?si=fNEqQhakQPOqqlgXHbshjQ

Artist: Hiroshi Morita
Mastering: Andrea Porcu
Cover artwork: Anthony Asher-Yates

Abstract Poetry

Hiroshi Morita - Abstract Poetry [AR011] preview

Mind Games

Under Pressure

Neural Scape - Under Pressure

To celebrate reaching 10K followers on Instagram, I want to say thanks by releasing this random collection of older and newer songs from the depths of my folder structures.

THANK YOU for your continuous support and attention for my creations!

Instagram is has been one of my favorite social media platforms because there are so many great musicians, illustrators and other makers, sharing their art as well as glimpses of their process, inspirations and beyond. Which in turn, inspires and motivates me to keep making stuff.

IG10K

Dozboks [2020]

Debris[1] //dialectics is the second of a series of pieces focused on micro-sonic transformations of purely synthetic sources. States of intense motion alternate with states of ease.

This piece was originally composed for 4 channels. Premiered at the Next_Generation_Festival 6.0 at ZKM, Karlsruhe, Germany - 2015

Debris[1] //dialectics (stereo version)

RIP Ana-Maria Avram 
1961-2017

Ana-Maria Avram 
"Metalstorm"
Recorded at Studio Ina GRM 12 December 2012
Mixed by Ana-Maria Avram in Bucharest December 2012

Ana-Maria Avram : Electronics
Stephen O'Malley : Electric Guitar

Thanks to François Bonnet for the invitation and, of course, to maestro Iancu Dumitrescu for the presences and visions.

Ana-Maria Avram Soundcloud :
https://soundcloud.com/ana-maria-avram-composer-2

Ana-Maria Avram abbreviated biography

Composer, pianist and conductor.
After graduating from the National Conservatory of Music in Bucharest, she obtained a degree from Paris Sorbonne in 1992. 
PHD in Musical Esthetics at Sorbonne, Paris (1995)
In 1994 she was awarded the Grand Prize in Composition from the Romanian Academy.
She is considered to be one of the most important Romanian composers of her generation.
Her music is affiliated with the spectral music trend.
She represents the Hyper-Spectral music trend in contemporary avant-garde music. 
Conductor with Iancu Dumitrescu of the Hyperion Ensemble - a chamber music ensemble from Romania, based in Bucharest specialized in the performance of contemporary classical music, more particular as the main promoter in Romania of the Spectral Music trend
Her music is spectral, acousmatic, heterophonic and transformational.
She composed over 200 works, music for soloists, chamber
music, music for symphonic orchestra, electronic and computer assisted music.
Avram received numerous commissions for composition from Radio France, Art Zoyd (France), Les Ateliers UPIC (Paris), Ensemble Lucilin (Luxembourg), Ensemble Mozaik (Berlin), Ensemble Musiques Nouvelles (Mons-Belgium), IMEB-Bourges, Bodo Sinfonietta (Bodo- Norway), 
She was awarded at Ars Electronica - Linz in 2000 for the work “Traces, Sillons, Sillages” for ensemble and computer assited sounds.

Founder and President- since 2006- of the Romanian Community of Electro-acoustic and Computer Assisted Music – CREMAC.

Vice-President of the International Community of Electro-acoustic Music – CIME – affiliated to IMC and UNESCO.

She is also founder and Artistic Director of several national and international festivals dedicated to experimental, electronic and spectral music trends:

« Acousmania »- in partnership with Romanian Broadcasting Corporation – six editions, from 2002 to 2006

« Musica Nova » – In partnership with the Ploiesti Philharmonic Orchestra 2002-2004
« Spectrum XXI » - dedicated to spectral music trends and held annually in three European capitals. Since 2006 the festival took place in Paris, London, Geneva, Brussels, Berlin, Bucharest, Mons, East Grinstead.

SPECTRUM XXI was financed by institutions such as Romanian Ministry of Culture, Romanian Cultural Institute, Pro Helvetia, European Agency for Culture, Education and Audiovisual – EACEA towards the program Culture 2007-2013.

In 2010 Avram was elected as “Blodget Artist in Residence” at the Harvard
University, Department of music where she taught composition to postgraduate students. She also sustained numerous workshops, lectures and conferences at Harvard University, the University of Maine, Farmington (USA), Univeristy of Minneapolis-St Paul (USA), Technical University of Istanbul (Istanbul,Turkey), Institute Jacques Dalcroze (Geneva), Centre de Creation Musicale Iannis Xenakis (Paris), etc…

GRM session December 2012

Ana-Maria Avram "Metalstorm" GRM Session December 2012 w/ Stephen O'Malley

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Mech

“In the context of language, self-reference is used to denote a statement that refers to itself or its own referent. The most famous example of a self-referential sentence is the liar sentence: “This sentence is not true.” Self-reference is often used in a broader context as well. For instance, a picture could be considered self-referential if it contains a copy of itself; and a piece of literature could be considered self-referential if it includes a reference to the work itself. In philosophy, self-reference is primarily studied in the context of language. Self-reference within language is not only a subject of philosophy, but also a field of individual interest in mathematics and computer science, in particular in relation to the foundations of these sciences.”


Debris[1] //dialectics (stereo version)

Darien Brito

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