Interference is an ongoing project by Evaporationist. Each installment features algorithmically generated music, created using various data sonification and randomization techniques. This first installment features tracks produced by sonifying computational sorting algorithms, creating spectrographs from digital images, and randomly generated patterns of notes using Max-For-Live. Once the raw materials were generated, they were treated and arranged to create cohesive compositions.

Composed in December 2023, released in February 2024.
credits
released February 7, 2024

Composition, production, mixing: Evaporationist

Mastering: Christopher Lock

Interference 1.5.1

Interference 1.1

Interference 1.7

Interference 1.5.2

Interference 1.3

If Only

Topological Music Project — Study 01

This piece explores how sequences of numbers — in this case, prime numbers — can be translated into evolving harmonic textures.

Each chord is formed from three consecutive numbers, dynamically mapped to musical pitch using a local normalization technique.

The result is a flowing structure where notes slide in and out of chords, with rhythm tied to the internal pitch spread.

Rendered from a generated MusicXML score using Python and MuseScore, this excerpt forms part of a larger research and artistic project investigating how mathematical topology and numerical growth can be heard through spatial and harmonic transformations.

Tools: Python (music21), MuseScore, MusicXML
Source sequence: OEIS A000040 (Prime numbers)
Website: GitHub Repository

Primescape No. 1 – Harmonic Drift

Obsession (2009/10) [MIDI Mockup]

Glowborne

The purpose of school is to prepare children for life in prison.


school [version 1]

Gentle Push of Destiny

Microcomposition made with strudel. I would like to dedicate this track to all those who have ever suffered bullying at the workplace.

You Will Never Beat Me

school [version 2]

school [version 3 - condensed]

school [version 4 - condensed]

positry
1.  the act of trying to posit
2. the act of positing
3. the art of positing
4. there is no such word

Here, I post mainly my experiments in algorithmic/electronic music with programming languages, mainly strudel and sonic pi (check Radio Dulu on YouTube for the live coding). In reposts and likes, 4 main areas of interest: 1) Afro-tropical rhythms, afrobeat; 2) retro 80s pop; 3) electronic, retro videogame music, chiptunes; 4) Turkish psychedelic, Balkan folk. 💛

Asheville based record label dedicated to releasing experimental sounds in the realm of electronic, ambient, drone, field recording, and noise music.

Irish composer/violist/director of Kirkos Ensemble

Feel free to email sebastian(dot)adams(at)hotmail(dot)com if you are interested in scores or parts!

Sebastian Adams (b. 1991) is an Irish composer, violist and artistic director. His music is deeply engaged with the classical tradition, but filters through a range of interests including just intonation, performance art, improvisation and artificial intelligence. Trajectory is a major preoccupation in his music. 

Performers of his music include Crash Ensemble, Kirkos, Benyounes Quartet, Fidelio Trio, Sarah Watts, Beatrice Berrut, Carl Ludwig Hübsch, David Adams, Lina Andonovska, and many others. His music has been included at the West Cork Chamber Music Festival, Festival EuropArt (Brussels), Órtús Festival and Hilltown Festival and has been performed in Montreal, Vienna, Cologne, Potsdam, Antwerp and Görlitz. 

Sebastian founded and directs Kirkos and co-directs the Fishamble Sinfonia. He also chaired the Irish Composers Collective for two years. As a violist, Sebastian has premiered works by many of Ireland’s leading composers and performed as an improviser in Dublin, New York and London. He studied in Dublin (Kevin O’Connell & Jonathan Nangle) and Vienna (Karlheinz Essl).

New tracks tagged #Algorithmic