singles-01

PRE-ORDER VINYL: http://www.darkentriesrecords.com/store/dark-entries/smersh-super-heavy-solid-waste-lp/ ‎

Dark Entries returns to the New Jersey basement studio to unearth another compilation cassette recordings by Smersh titled “Super Heavy Solid Waste”. Smersh was the duo of Mike Mangino and Chris Shepard, who began making music together in the late 70s. They were uninterested in traditional notions of songwriting or live performance. Everything they needed was in Piscataway NJ: a basement full of analog gear, a Roland TR-606 (the same “Roland” who was listed as a member of Big Black), a SH-09 (Cabaret Voltaire’s favorite synth), and a TB-303  (the sound of acid house). Most Monday nights, they would write a new song from scratch. A couple hours later, the song was recorded, never to be performed again.

By 1981, this dedication to spontaneous creativity had already produced countless recordings, and the duo began releasing cassettes as Smersh via their own Atlas King label. A definitive Smersh discography may not even be possible, but one lists more than 30 Atlas King cassettes. As these tapes traded their way across continents, Smersh developed a devoted following in places far beyond Piscataway, leading to releases on dozens of other labels from around the globe. Smersh’s sound is a lush hybrid of techno, industrial, dance, and experimental. Sometimes easy, sometime not. Most songs revolve around driving EBM style beats, intricate industrial noise manipulation and synth melodies. The Smersh sound has so many faces it doesn’t fall into any one category. For “Super Heavy Solid Waste” we have selected 8 songs, focusing on the harder, harsher, rhythmic side of Smersh’s vast discography. Spanning a ten year period, 1983-1993, this the first time all but one of these songs are appearing on vinyl.

Each song has been carefully remastered from the cassette originals for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a sludge-infused jacket designed by Eloise Leigh, using art motifs and textures sourced from their original cassettes, as well an 11x11 offset printed insert. 

Tu Quoque, Fili Mi

Out Demon Out

Why is a man not a camel? 
Public Possession “Under The Influence” catalogue number 006 is another delivery from Down Under. Four customised Disco heaters roughly built around an Arabic theme – with Italian background. Courtesy of Tamas Jones & Paul Harmon (building the duo „Carpentaria“) and George Hysteric on the flipside. Tamas Jones, one half of “Hey Convict!” , was already introduced on PP UTI 05 and if you are into Italo Disco Hysteric might be no stranger to you. Having contributed various high class mixes to his own imprint “Mothball Record” as well as an edit to “Bordello A Parigi” we have been following his activities for quite a while now. For PP they joined forces and 4 hot tracks to watch out for are the outcome.

B2) Hysteric - Arabian 02 (snippet)

B1) Hysteric - Arabian 01 (snippet)

A2) Carpentaria - Der Inder (snippet)

A1) Carpentaria - Gadget Messiah (snippet)

Timothy J. Fairplay is back with this months edition of Dungeon Module. This month including
new music by The Jak & Nico Babylon, Rebecca Goldberg, DJ Slush, Mystic Bill, Sanford
Zydeco, Robert Bergman, Mark Grusane & Eric Schwab, Adrián Marth and lots more. Plus as
always some new music by Timothy himself.

Timothy J. Fairplay pres. Dungeon Module [12.07.25]

ȶɛʍքǟʊʀǟʟ // EP016

Los Angeles native Ole Mic Odd grew up playing saxophone and immersed in jazz education before moving to the east coast and discovering turntables, synthesizers and drum machines. After four years back in LA, he moved to Chicago in 2024 where he is based.

Influenced by cult Dutch electronic labels, Detroit electro, Miami bass, Chicago house and acid, and all types of funk, his music is driven by hardware electronics, live recordings and improvisation. His high-energy hardware PA and DJ sets weave together techno, acid, electro, house, synth-wave and body music, while his recordings range from acid electro and jackin techno to crunchy house and ambient synth improvisations.

Michael has released on US and EU labels Kraftjerkz, KRI, Source Material, Zement, Dead Channel, Natural Sciences, New York Haunted, Hilltown Disco, Clan Destine, Zonate and Up North Records, among others. His latest EP "Vapor Lock" is out on Paris-based Nocta Numerica.

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You can find him on:
Instagram: instagram.com/olemicodd
Bandcamp: www.olemicodd.bandcamp.com 
Soundcloud: @ole-mic-odd 
RA: ra.co/dj/olemicodd

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Tania Atyabi's Tracklist:
1. Jamiu - Paradis
2. Exzakt - Off Course
3. Strahinja Arbutina - Blast 'Em, Fuck ‘Em
4. Mesopolonica - Depth Charge 
5. Ole Mic Odd, Alonzo - Smoke Break 
6. ARA-U - Arvo’s Sound Speech (Carl Finflow’s Remix)
7. Alonzo - Shades of Tuch
8. DJ Di'jital - CrackWorld
9. Reptant - March of the Repazoids
10. DJ Astrobee - Wake Up
11. HVL - Take Heed
12. Kerrie - Act of Resistance
13. Skee Mask - SB Did It First (Master by SAD PROM)
14. Clatterbox - Argonaut

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Ole Mic Odd's Tracklist:
1. Fleck E.S.C. – The Fog
2. Mikron – Cotard Delusion
3. E-Bony – Pluk BT
4. Scape One – In The Fold
5. Remora – Turbo Encabulator
6. Kwasir – Life On Jupiter
7. Squadra Blanco – The Night Must Fall
8. Innershades – Flanders Fields
9. Das Ding – More Morer Morest
10. Neud Photo – Lotus Eaters
11. Cardopusher – Mirror Terror
12. Derek Michael x Marshall Applewhite – Winding Wormhole

Tempaural w/ Ole Mic Odd - Netil Radio - 10 Sep 25

https://soundcloud.com/echo-libero
🛒 https://echolibero.bandcamp.com/album/e-a-t-e-a-t
🔊 https://youtu.be/bK5mhMynvkM

Echo Libero presents the remastered first release on vinyl and digital edition of the self-titled CD by the group E.A.T. from 1997.

Consisting of the musicians Helmut Zerlett (Dunkelziffer,
Phantom Band), Reiner Linke (Dunkelziffer) and Boris Perlonski.
The music is characterised by a combination of club-oriented elements, abstract percussion, and subtle electronic references. This amalgamation of sonic elements can be considered a logical consequence of the legendary and experimental Stollwerk years in Cologne during the 1980s.

Upon initial listening, the sound is characterised by a pronounced electronic quality, yet it is simultaneously imbued with a profound depth that is evident in every composition. This depth serves as a testament to the impact of the prolific years spent at Stollwerk, where the creative process was particularly fruitful. Rhythms are characterised by their inherent capacity for fluidity, continuously alternating between varying tempi. The aural backdrop of electronic machines is a constant presence, its soundscapes metamorphosed and driven forward by the percussive elements of Reiner Linke's composition. This is arguably a pivotal aspect of the musical oeuvre of E.A.T., characterised by a creative openness that was evident in all of them from a young age and that is exemplified in the self-titled release. Departing from the prevailing electronic music of the era, the trio demonstrated their mastery of a distinctive auditory aesthetic that was both pioneering and resonant in the contemporary context. 

Tracklist:

1. Aravinda Rose
2. Shin Ramyun
3. 3Eat
4. Mysore 4
5. Parimala Works
6. Noon

PREMIERE: E.A.T. - 3Eat [Echo Libero]

People sometimes speak of something that happens frequently as happening 'ever so often'. But when something happens only occasionally, it happens every so often. Ever so often is a monthly show at Operator by Samira, drawn to bass and breaks that carry a quiet tension.

www.operator-radio.com

Ever So Often w/ Samira - 15th October 2025

"Songs I enjoyed playing in clubs that need to be mummified on SoundCloud and rediscovered by a bunch of AI tourists in 4000 years." - are the words from this fellow sonic voyager himself.

Without a doubt one of the most original voices of Belgrade nightlife, Edin (@edinoma) hails from the first row of the city's insatiable dance floors. Now a regular at both famed @karmakoma-club-beograd and Eastern European underground cathedral @drugstorebeograd, Edin has been throwing parties since elementary school and it shows.

While in parallel being Drugstore/Karmakoma online omnivoice - Edin has been shaping his idiosyncratic expression all around, and since 2013, through venues like KC Grad, Dim, and 20/44, he played alongside Rabih Beaini, I-F, Legowelt, Intergalactic Gary, CJ Bolland, Pan Daijing, towLie, Les Yeux Orange, Benji DF, Albion, Red Axes, WC7, Elena Colombi, Soyoon, and many others.

Since 2018, Edin’s effort took the form of PUTNIK (trans. “Traveller” or “Voyager”) party series, while his phone calls from the Bardo have been broadcasted by platforms like Intergalactic FM, @mutantradio, @whypeopledance, and @commedeslarmes.

Tracklist available in our telegram channel: t.me/aipiei
Visit our socials and explore more: https://linktr.ee/aipiei

xoxo

Support the artist: @deenaabdelwahed @copperz @punshukunshu @salllvage @greaterthanone-music @00970 @colin-self @untold @szare @gaszia @bjork @yotamavni @zoemcpherson
Support the label: @taubgold @infine-music @wearetar @aufnahme-wiedergabe @powertripclub @rvngintl @hemlockrecordings @polity-records @muterecords @onelittleindierecords @s-f-x-0101
Support the collective:
https://www.instagram.com/ai.pi.ei

IPA [as.o14] w/ EDIN

What began as a search for life among the stars turned into a journey of self-discovery - a mission to touch human souls through sounds that travel beyond the cosmos. This revelation reignited a purpose anchored in the pure essence of electronic music, where its origins and its future coexist in infinite space.

Joaquín B. Lapeña’s path began in 1993 as DJ Pitch, performing regularly in iconic Madrid venues like Voltereta. His curiosity drove him to explore an ever-expanding sound spectrum - from EBM and IDM to house, techno, electro, drum & bass, and ambient - guided by groundbreaking artists such as Aphex Twin, Autechre, and James Stinson.

His creative vision flourished with the Dark Archives Collective. Their Altered State sessions introduced Madrid to experimental drum & bass, soon expanding across Spain’s most influential clubs and festivals like Zeus (La Coruña), Metro (Alicante), Copelia (Madrid), Moog (Barcelona), El Jardin (Gijon), Arena (Madrid), One (Madrid), Sónar (2000), Festimad (2002), or Phonetica (2004).

The mid-2000s marked a turning point as electro took hold of his artistic core. Influenced by Carl Finlow and Anthony Rother, he embraced music production and released Madrid My Beat (Drivecom, 2007), a vinyl record that defined his identity as The Zenobit3 and became a milestone in Spanish electro.

Since then, his sound - rich in arpeggios, emotion, and cosmic groove - has echoed through events like Mugako, Celobert, Fanzine and clubs such as LAUT, Lanna, Macarena, Moog, Razzmatazz, Specka and Ya’sta. As co-founder of Redsonja Beats, Joaquín continues shaping the underground scene, no question about it.

01. Drexciya - Intro [Clone] 2012
02. /DL/MS/ - Invisible Beats [Trust] 2022
03. Client_03 - You Have Been Notified [Cultivated Electronics] 2022
04. Random Factor - Adulterant [20/20 Vision] 2024
05. Carl Finlow - Hollowed [Serenity In Keos] 2025
06. Client_03 - Image Connector Demonstration [Client_03] 2025
07. /DL/MS/ - S.I.T.G [Mechatronica] 2023
08. Morphology - Gradient Descent [Deeptrax Records] 2024
09. Zobol - Hyperfocus [Tiger Weeds] 2024
10. Carl Finlow - Macromolecule [Serenity In Keos] 2025
11. Nullptr - Recursor [Central Processing Unit] 2023
12. 214 - Miami Nights [Frustrated Funk] 2016
13. Sin: It: Sin - People Are Aliens [Electro Music Coalition] 2024
14. Client_03 & James Shinra - Decommission Me [Client_03] 2025
15. Cignol - Modularity [Distant Worlds] 2020

More at https://soundcloud.com/the-zenobit3

The Zenobit3 - SOULMEEX DECKS 184

Dietroiter Electro Vinyl Mix Dr041125
Artwork : E_Herd

Dietroiter Electro Mix DR041125

Mirage is a musical phenomenon that arises in the atmosphere due to refraction and total internal reflection of analog sound rays at the boundary between layers of trance of varying density, tribal ambient, and futuristic dub.

Thanks to this effect, the observer sees imaginary images of distant objects that are normally hidden behind the horizon, as well as their distorted shapes or reflections.

A mirage you can hear.
Right here.

Music by @lvrin-1
Mastered by Justin Drake.
Artwork by Igor Skaletsky.
Designed by Nikita Erokhin.

Snippets : Golden Axe - Mirage [SRNDS006]

Recording of my set at the Machine Cult party on November 7th, 2025 at OT301 in Amsterdam with Beau Wanzer, Masha Wordpress, 2:23, and Deandrah.

Bertram @ Machine Cult Amsterdam - 7-11-2025

LIES-221
DUKE STRANGE
StreetBeatRhythm (Spellbound) b/w GrooVnRhythm (The Enchantment) 
EP
TO BE RELEASED Nov. 26th 2025

buy vinyl

Duke Strange-StreetBeatRhythm (Spellbound) soundbyte

The Dark Entries Record Label : Resuscitating the 80s Underground

I am not a DJ. 
I am not a producer.
 I am not a musician. 
I am a just only listener.

The list is made for my own use.
Of course, it's good to get like and use it.
But my ideal is for you to make a list based on my list.

Tu Quoque, Fili Mi

darkentriesrecords

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