Recorded on PBSFM 106.7, Melbourne 12.07.1994

Antediluvian Rocking Horse - "We Plot the Lost"

Formed 1994 St. Kilda, Australia, Antediluvian Rocking Horse was an audio project maintained by two core artists credited as DJ2 and DJ3. DJ2 is Paul Wain, a sculptor and graduate of the Victorian College of the Arts. DJ3 was Susan King (R.I.P), a collage artist, writer and anti-copyright advocate.  The project produced music and soundscapes that are entirely recycled from other recorded works.

The pair took further inspiration from Dada and Situationist texts and practises. ("Dada" is a term employed by French children to signify hobby horse. This translation, presumably, provided the spur for the project's name.)

The composer Ollie Olsen was also a member for recording sessions.

In loving memory to DJ3 Susan King ... we miss you. 

Releases:

Antediluvian Rocking Horse - Music For The Odd Occasion 
https://psy-harmonics.bandcamp.com/album/music-for-the-odd-occasion

Antediluvian Rocking Horse - Forward Into The Furniture
https://psy-harmonics.bandcamp.com/album/forward-into-the-furniture

Antediluvian Rocking Horse - 1st Radio Show 1994

Daed's music is characterized by creative sound design, intricate edits, thick atmospheres and playful melodies. His work has been compared to the likes of Autechre, Venetian Snares, Squarepusher, and Aphex Twin. He focuses heavily on the creation of abstract, other-worldly sounds as exemplified by his work with Glitchmachines and Inear Display. He is firmly establishing himself with releases on Mozyk, Analogical Force, and Concrete Collage. He continually seeks to push the boundaries of what he creates and has started creating custom software to achieve this goal and he is the co-founder of Defunkt Records.

Which artists have influenced you the most?
- I'm heavily influenced by Aphex Twin, Squarepusher, Qebrus, Noisia and Autechre. I also have a past with metal music that drives a lot of my decisions.

What new projects/releases with your participation are expected in the near future?
- I have several projects lined up, but nothing in the very near future. Some self-released, some with labels. I do have a metal project that I'm slowly putting together, which relates a lot to my last answer.

Which artists/labels are more relevant to you now?
- Currently, Defunkt Records, Analogical Force, and Concrete Collage.

What inspires you now to create music?
- Everything. Living, experiencing life. All of it inspires music for me. I don't think I would be alive today if it weren't for music and it is a very central part of my existence. 

What set-up do you use when creating music?
- I bounce between a lot of things. Most of my released music is created using Renoise, but I also like to dabble in a lot of other software (Bitwig, Blockhead, VCV Rack). In terms of hardware, I use an octatrack live, along with whatever I feel like syncing to it. Some of my gear includes: An Arturia Minifreak, a Korg Monologue, a guitar, a M8 tracker, and an LXR-02 Drum machine.

Follow:
@daed

Strange But Dance Music LIVE #28: Daed

OC@Specter

U n d u l a t e 

 -050- 

 Lisa Mizuno(Jp)

Lisa is a Tokyo-based Japanese DJ who is passionate about pushing the boundaries of the techno and psychedelic music scene. She uses hypnotic sound based on techno music to access the subconsciousness of her audience, believing that music has a great power to positively affect their lives.

Lisa Mizuno’s musical world is characterized by a multifaceted and experimental flow, designed to take listeners on an exhilarating journey. Through her innovative approach, she continues to be a significant presence in the electronic music scene.

She started DJ career in 2022, performing at outdoor festivals, and actively DJing abroad with the aim of doing Japan's underground culture to the world, she  started her own event "Resonance" and welcomed artists who sustained underground electronic music scene.


これまで幾度となく自己探究を続けてきた彼女。そんな中で出会ったダンスミュージックと人との繋がり。
「祭」という儀式の中で人々が生み出すエネルギーと音楽の多大なる力に気づき、催眠的テクノ音楽を使用し人々の潜在意識へのアプローチを図る。
彼女のトランスシーンを経たpsychedelicかつhypnoticな儀式的なテクノサウンドは深く人々の根底に眠る精神世界を掘り下げ、高次の旅へと誘うだろう。

LISA MIZUNOの音楽世界は、多角的かつ実験的な要素を伴った独自の流れを特徴としており、リスナーを高揚の旅へと誘うようにデザインされたその革新的なアプローチを通じて、エレクトロニックミュージックシーンを中心に重要な存在であり続けている。

2022年からDJキャリアをスタートさせ野外フェスティバルへの出演、国外でのDJも精力的に行い日本のアンダーグラウンドカルチャーを世に広めることを目的とし、そして2023年自身の主催イベント『Resonance』始動。

「これは2024年4月に神楽坂、神楽音にて行われたLisa Mizunoの主催パーティ、Resonanceでの録音セットである。
Recoding set from Lisa’s Party “Resonance” at Kagurane.」

https://soundcloud.com/lisamizuno
https://ra.co/dj/lisamizuno
https://www.instagram.com/_lisa.m26__/
Mastering : Yolabmi
Artwork by Shogo Furuichi

U n d u l a t e  -050-  Lisa Mizuno

Bedouin Records w/  洸太郎 karanaki - 28/12/2024

旋律在潮汐與篝火中閃爍，與萬物交織，
遠山疊影，海岸碎石，
感受草木，仰望天空，
在明亮的獵戶座下，我們自成派對。

The melody flickers amid tides and campfires, entwined with all things. Distant mountains layered, coastal rocks scattered, We feel the grass and trees, gaze up at the sky— Under the bright Orion, we are our own party.

融合過程 Fusion process｜May 2025

Genre｜BreakBeat、Broken Dub、Jazz-infused Beats、Deconstructed Techno、Riddim Dubstep、 Hip-Hop、Hybrid Trap
無軀之旅，神遊萬象。
意識脫離身體束縛，在細碎的 Broken Dub 節拍中漸漸展開，低頻紋理如迷霧般瀰漫，震耳地 Dubstep 不斷穿刺靈魂深處，將東方旋律的殘響與 Deconstructed Techno 節奏縫合成一場未竟的夢。
空間不停轉換，彷佛在場域中拉扯、撕裂，再度重組，行走於無形的精神地景——實驗性與詩意並存。
謝幕時，
Lu1〈Paperback〉輕快地節奏，
帶領著我們回到美妙故事的起點。
這不只是聽覺，而是一次靈魂的出走。
讓我們，在沒有軀體的狀態下，與萬象共振。