R.I.M is a Korean DJ who plays techno as her main genre.
Inspired by techno artists with intensive sounds such as Nina Kraviz and Amelie Lens, and Adam Beyer.
R.I.M is getting renowned for her powerful sound and control that are distinguishable from others ,you may feel it throughout her playing  set, which gives mysterious but charmingful atmosphere. If you started to be in front of her playing, soon you will be fascinated and overwhelemed. This is why even though she started and based in Busan city,Korea, but getting more love calls from Seoul city and from even  German club.
Her sets are composed mainly of techno, often blended with genres such as Drum Beat, Classic acid, and Vocal Sound ,
which creates a perfect atmosphere for the audience on the dance_floor.
She keeps collecting different sounds from various genres, creating her own color . By repeating
the process of collecting and recreating in the context of Techno,
R.I.M started curating her own nights under the name DARKSIDEUP label.
Another fascinating techno goddess is emerging in Asia. Let's look forward to her bright future, which will unfold splendidly like the Techno Empress mentioned above.

BOOKING :
https://linktr.ee/djrim
https://www.instagram.com/djrim_0513
https://www.instagram.com/djrim_offcial

Email : djrim0513@gmail.com


Techno / Driving Techno / Breake beat

OCCA

北海道/札幌に在り聖域と称されるPrecious Hallでの「ARCHIV」をホームとしながら、Telepath/Womb、Sect/Vent、Invisible/Circus Osaka 等のオーガナイズと、未知なる表現を探求し続ける日本テクノシーンにおける特異点的存在。

独自のサイケデリクスを探求する中で吸収してきた多様な音楽観と精神性を、能動的なミキシングと緻密な構築力で形象化し、ダンスフロアに多次元構造を生み出す。空間や時間感覚さえも分解し、体験者の知覚情報処理能力を拡張する事を目的とする。

Based in Sapporo, Hokkaido, Japan, and anchoring the revered club Precious Hall with his ongoing “ARCHIV” series, he stands as a singular force in the Japanese scene, relentlessly pushing the boundaries of sonic expression while curating events such as Telepath/Womb, Sect/Vent, and Invisible/Circus Osaka. 

Drawing from the diverse musical perspectives and spiritual depth he has absorbed through his exploration of his own unique psychedelics, he transforms these influences into multidimensional structures on the dance floor through active mixing and meticulous construction. He aims to deconstruct even the audience’s sense of space and time, expanding their perceptual processing abilities and guiding them into unknown realms.

DARK SIDE UP is following