έχω Σελήνη στο Σκορπιό, ευχαριστώ που έκανες αυτό το κομμάτι, πραγματικά το αντικατοπτρίζει... :O

What an outstanding drone in the beginning. It shakes my insides.

Sounds like the Greek gods have awakened! Great track!

@sara_brito: oh :') what can i say now..i think its true!!thank god i have and bright times :)) :p

@sara_brito: i cant remember my mood when i was created this one,but im sure was bad time after good time..something like that..im not really sure,some tracks are like an life album of my life

it feels like i’m on a train and everything is crumbling down around it

Taken from the album 'Music from Computer' released as LP
Recorded in 1968 

Jean-Claude Risset 'Computer Suite from Little Boy - Fall' (REGRM 011)

This clip contains 2 tracks from the upcoming soundtrack album from the film "Schächten". 1. "Slaughter" 2. "Hope Through Confusion". Released December 9th. 300xLP + Digital.


________________
Erik K Skodvin's feature-length score to Thomas Roth's thriller "Schächten" feels like the epitome of all his musical projects, conjuring a dark cinematic trip through 1960's post-WWII Vienna in a film that touches on topics such as law, justice & revenge.

Releasing a soundtrack as a stand-alone album can be challenging; and "Schächten" is by no means a typical listening experience. The record contains 24 more or less short pieces evolving through dramatic movements, underlaying menace and deep emotive scenes. One thing that stands out is the linear atmosphere throughout the story which creates a wholeness that keeps your attention to the very end. Set in wintery Austrian landscapes in dimly saturated colours, the film's dramatic events with dark political undertones feels like a perfect situation for Skodvin's atmospheric collages - perhaps sounding closer than ever to his early works as Svarte Greiner or Deaf Center. Cello, violin, piano, analogue synth and plenty of hardly recognizable instrumentation come together in a record that feels very organic in its subdued tones. The score also features percussion by Andrea Belfi as well as a Chopin piano interpretation by Kelly Wyse to the bizarrely schizophrenic piece "Judenfreund".

With the contemporary world sliding into darkness again, listening to the soundtrack feels like coming to terms with ones own anxieties - something that in the end comes through as a cleansing experience. As quoted in the film "Everyone is their own devil. And we make this world our hell".

Short synopsis : "Vienna 1960s - The young Jewish business man Victor has to witness how the prosecution of a Nazi crime against his family fails. The political and legal system is still virtually run by former Nazis with large parts of society being entangled in the past. When Victor also loses his grief ridden father and his girlfriend’s family opposes their relationship and his identity, Victor begins to loose faith in formal justice and takes matters in his own hands."

Schächten

Erik K Skodvin - Schächten (teaser)

Composed and produced by Abu Ama + BedouinDrone
shabaH project previously known as BedouinGhost

mahorka.bandcamp.com/album/1

shabaH - Track 2

Official Website:
https://darkstar83.net/

Released June 12, 2012

Written and performed by Darkstar83 (2012)
Photography By: Darkstar83
Design By:Darkstar83

Visions

Free Download

Moon In Scorpio

Brume - Mika Vainio & Franck Vigroux

From the album Light Pipe on Room40. RM498

M.Geddes Gengras - Nave (Edit)

This is an excerpt of the first of two improvised concerts given at Aqtushetii in the village of Omalo in the northern Tusheti region of Georgia, deep in the Caucasus mountains. It's played on a Prophet synthesizer in a tuning I got from Kraig Grady, which is called Sisiutl. A 12 tone 11-limit self mirroring scale in just intonation. A Centaur-like scale with 11s instead of 5s. The other sounds are grass hoppers I had recorded in the field below us during the day, as well as some looped contact mic'd instruments also made that day. A metal barrel suspended from a ceiling beam and metal spring strung between two nails on a board (built with the help of some enthusiastic locals and played with mallets). Thanks go out to Robert McDougall for inviting me and Scott McCulloch for hosting me on this residency.

Moon Wheel — Sisiutl (Live in Tusheti, Georgia)

"We Taste Like Salt" out August 7th / 2019
Missing the days of releasing my own music I decided it is time to give birth to this creature. 

Breathing underwater, nurturing fantasies.
https://evitceles.bandcamp.com/album/we-taste-like-salt

Secret Path

Gnosis

Vulnerary

[BD013] 12“ LP & digital
Tomoko Sauvage – Fischgeist (LP)
This is a preview of three songs. You can purchase the whole album (LP & digital) on Bandcamp.

Label: bohemian drips
Release date: October 16th 2020
Genre: Ambient, Sound Art, Experimental

Fischgeist was recorded in a former water tank in Berlin-Prenzlauer Berg in August 2019. The nineteenth-century brick building consists of five layered circles, with a spiral staircase in the middle leading up to an exit to a hilltop. Inside, it's humid and cold, the temperature always around 8–10 ℃. The building’s acoustics produce a long reverberation that lasts up to 20 seconds.

‘One day between recording sessions, a man, a passerby, wanted to look inside the building. He told me that it used to be full of fish. For a second I imagined a huge round aquarium with loads of fish swimming around in circles. Then I realized that he meant dead fish were kept there, to be sold on markets during the GDR era. But the image of fish swimming in the space stayed with me.’

In conversation with the space of the water tank, Tomoko Sauvage searches beyond the limits of her self-invented ‘natural synthesizers’: porcelain and glass bowls, filled with water and amplified with hydrophones.

While she continues to develop some of the classic techniques heard on her previous album Musique Hydromantique (Shelter Press, 2017) – hydrophonic feedback (Kinetosis Study) and ‘fortune biscuits’ (porous pieces of terracotta that emit tiny singing bubbles) (Deluge) – here new elements are combined with delicate gestures to make curious noises: stroking bowls’ surfaces to imitate the voices of sea mammals (Metamorphosis), drawing dots and circles by rubbing stones against stones underwater (Exit) …

The underwater amplification of quasi-inaudible sound is even more magnified in the air by the echo of the water tank. Not only tiny bubbles, but also micro-movements of the bones and veins of the hand holding the sonorous objects in the water, are intensely amplified – sounding like a tempest on the opening Deluge.

Sauvage's longtime research into hydrophonic feedback develops with her new obsession with natural harmonics and sympathetic resonance. In Flying Vessels, the percussive notes of struck bowls resonate and turn into feedback loops before decaying, fueled by electric signal gain. Kinetosis Study is a sonic etude on fluid dynamics – the flow velocity, pressure and density of manually shaped water waves directly controlling the aquatic synthesizer's parameters.

August, when the mid-summer Ghost Festival is held, is traditionally known as the Ghost Month throughout East Asia. The spirits of the dead visit their living families, who welcome them with feasts, dancing and music. Miniature lantern-laden boats are released in rivers, to help lost ghosts find their way home.

Animated by formless matter – water, electricity, sound – Fischgeist celebrates a phantasmagoric journey, as the souls of aquatic lifeforms find their way out of the labyrinth of the water tank.

[Tracklist]

Total Runtime: 35:59

Side A (20:36)

A1: Deluge (6:48)
A2: Metamorphosis (6:59)
A3: Flying Vessels (6:49)

Side B (15:23)

B1: Kinetosis Study (12:22)
B2: Exit (3:01)

[Credits]

Composed, performed and mixed by Tomoko Sauvage
Recorded and produced by bohemian drips prior to Speicher festival, Berlin, August 2019 | Binaural recording with a KU 100 dummy head microphone
Mastered by Andreas Kauffelt in Berlin
Cover drawings by Baien Mōri (1798–1851)
Back cover photo by Richard Berger

© Tomoko Sauvage and bohemian drips – all rights reserved
www.bohemiandrips.de | www.o-o-o-o.org

A1 – Deluge

https://blackseedacts.bandcamp.com/track/one-hundred-eyes

One Hundred Eyes

Darkstar83 is the moody and minimalistic, ambient work of Konstantinos Konstadinidis from Athens, Greece,Drawing melancholic atmospheres from feelings of the mind, Darkstar83 paints a dark and spacious soundscape with his work

Moon In Scorpio

DarkStar83

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