Bookings: lumpywoodmusic@gmail.com
https://linktr.ee/lumpywood

@SwaggerLikeUz: [OG Underground/Indie enthusiast/Cratedigger/former DJ/former music producer/former songwriter/former Emcee/video editor/award winning artisan circa 1992']

gotta make ends meet, gotta flex my beats, gotta beat my meat.

Born and raised in Chi, House and Disco music all night long!

its supposed to sound shit and grimm

[2000]

*𝙝 e y!

░ ⋆ ❤ *𝘪 𝘭𝘰𝘷𝘦 𝘮𝘰𝘴𝘵 𝘰𝘧 𝘶 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝕔𝕔𝕔 𝘢𝘯𝘥 𝘪 𝘭𝘰𝘷𝘦 𝘵𝘩𝘦 𝘳𝘦𝘴𝘵 𝘸/ 𝘵𝘩𝘦 𝘳𝘦𝘴𝘵 ❤ ⋆ ░

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https://soundcloud.com/zzfrog

Despite the horribly prescient title, as Music City USA recovers from terrible flooding this past May, this “25th anniversary reissue” of solo recordings by V-3/Mike Rep and the Quotas member Nudge Squidfish is oddly satisfying, and a good companion piece to the two mysterious, recent appearances on LP of Vertical Slit’s Slit and Pre-Slit and that V-3 bootleg. Of course, there are plenty of stylistic differences between this release and those of Shepard’s. For instance, “Drinking for Christmas” could surprisingly fit in with C86 bands of the same period, while songs such as “Goodbye Princess” recall Big Star if Chris Bell was high on Whip-Its. “The Stranger” and “Backlot of Gilligan’s Isle” anticipate The Pod-era Ween (that’s a compliment). Elsewhere there’s tearjerkers like “City of Sorrow” and “Wonder Where You Been,” tributes to fellow Ohioans such as “They Call Me Mike Rep,” two otherwise-unrecognizable Shepard covers (“Metal or Meat?” and “Signals & Warnings”), some spoken-word nonsense, and an overall vibe of loner weirdness that probably couldn’t be replicated in any convincing way today, even if anyone had the balls to try. (http://www.columbusdiscountrecords.com)

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