deejay or LIVE bookings:  ladykier@mac.com  

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
Continue reading... www.facebook.com/pg/rogersanchezfanpage/about

Explorer. Adventurer. Manipulator of Sound. Master of Ceremonies. Producer of Yasiin Gaye, Fela Soul, Bizarre Tribe, A Common Wonder & more.

BIO:

Forging an evolution of the "mashup" album format, producer Amerigo Gazaway's "conceptual collaboration" projects imagine studio sessions between like artist of different genres and eras. With a process the LA Times' Randall Roberts described as "drawing a different design within a similar framework," the producer/DJ deconstructs and re-orchestrates samples from his respective subjects, bridging overlapping themes of the two musician's classic catalogues. Equally influenced by his Brazilian roots and southern U.S. upbringing, the 28 year old Nashville native's work was featured in Apple's "What Will Your Verse Be" series of iPad commercials, called "brilliant" by music’s premier aficionado, Questlove, and earned praise from national/global outlets such as The Guardian, Huffington Post, The LA Times, Vulture, NPR, BBC, MTV, BET, REVOLTtv, EBONY,VIBE, XXL, THE SOURCE, OKAYPLAYER, Wax Poetic, Gizmazo and HipHopXL to name a few. 
 
The son of renowned Jazz trumpeter, Gary “El Buho” Gazaway, Amerigo’s thematic documentary-like concept albums uses found interview sound-bites, live performances, and original multi-track stems to help narrate and craft his combined artists' stories. Finding his first success with 2011's Fela Kuti/De La Soul pairing "Fela Soul," the project went on to land on several year-end "best of" lists including NPR, Soul Train, and OKAYPLAYER. Following the release in 2012 with "Bizarre Tribe: A Quest to the Pharcyde", a concept that layered vocals of The Pharcyde over re-imagined productions sourced from the original Soul, Jazz, and Funk records ATCQ utilized to create their productions, Gazaway would later collaborate with The Pharcyde on their single "Still Got Love" and perform with the legendary group at SXSW.
 
Continuing the theme of his previous work in 2014, the producer united Brooklyn rapper Yasiin Bey (FKA Mos Def) and soul legend Marvin Gaye for a dream collaboration aptly titled "Yasiin Gaye" (side one and side two.) Building the album’s foundation from deconstructed samples of Gaye’s Motown classics, Amerigo re-purposes the instrumentation into new productions with the familiar fervor of the original work. Carefully weaving Bey’s tangled raps and Gaye’s soulful vocals over his new arrangements, Gazaway delivers a quality much closer to an authentic collaboration than a lukewarm “mashup” album. Drawing nearly 20,000 downloads in its first two days of release, the “Master Modern Soul Match Maker” (Juan Vidal- Vibe Magazine) earned a perfect “5 Star” review from BET, collaborated with New York Magazine cartoonist, Drew Dernavich, for the project's side two cover art, and landed on Billboard's Best Selling Singles Chart with the album's third single, "You Are Undeniable."
 
Honing his DJ skills through tours of Europe, Brazil, and the U.S., Gazaway’s dancefloor driving live set features classic breakbeats, original blends, remixes, edits, and mashups of multiple genres including Funk, Soul, Disco, Hip-Hop, Afrobeat, and everything in-between. With presentations and lectures logged at USC, MTSU and upcoming dates at Google HQ (NYC) and SXSW 2015, the DJ/Producer continues to highlight the possibilities of sample based art and shows no signs of slowing down.

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

Psychedelic jazz hiphop fusion trio based in the heart of Europe

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