Composer David Biedenbender’s music has been described as “simply beautiful” [twincities.com] and is noted for its “rhythmic intensity” [NewMusicBox] and “stirring harmonies” [Boston Classical Review]. “Modern, venturesome, and inexorable…The excitement, intensity, and freshness that characterizes Biedenbender’s music hung in the [air] long after the last note was played” [Examiner.com]. David has written music for the concert stage as well as for dance and multimedia collaborations, and his work is often influenced by his diverse musical experiences in rock and jazz bands as an electric bassist, in wind, jazz, and New Orleans-style brass bands as a euphonium, bass trombone, and tuba player, and by his study of Indian Carnatic Music. His present creative interests include working with everyone from classically trained musicians to improvisers, acoustic chamber music to large ensembles, and interactive electronic interfaces to live brain data. He has had the privilege of collaborating with and being commissioned by many talented performers and ensembles, including Alarm Will Sound, PRISM Saxophone Quartet, Stenhammar String Quartet, New Jersey Symphony Orchestra, U.S. Navy Band, Philharmonie Baden-Baden (Germany), VocalEssence, and Eastman Wind Ensemble, among many others. 

He is currently Assistant Professor of Composition at Michigan State University. He holds degrees in composition from the University of Michigan and Central Michigan University, and has also studied at the Swedish Collegium for Advanced Study, the Aspen Music Festival, and in Mysore, India where he studied carnatic music. For more information, visit: www.davidbiedenbender.com.

Siamyth Drum & Bugle Corps : Brass Instructor, Arranger 2009 - 2016

Wachirathamsatit Drum & Brass Corps : Director 2010 - Now

LPN Ruamjai Band Club : Director 2012 - 2018 

Thai Youth Winds : Assistant Conductor, Arranger & Composer 2018 - Now

Music Arranger & Composer : Winds Band, Marching Band, Drum & Bugle Corps, Jazz Orchestra, Popular Band, ETC.

American conductor and composer Efraín Amaya was born in Venezuela, where he began his musical training. Continuing his studies in the United States, he earned two Bachelor’s of music degrees in composition and piano from Indiana University, and a Master’s degree in orchestral conducting from Rice University.
As a guest conductor Mr. Amaya has appeared with the Orquesta Sinfónica de Venezuela, the Orquesta Sinfónica Municipal de Caracas, the Orquesta Sinfónica Simón Bolívar del Táchira, the Jóvenes Arcos de Venezuela, the Sinfónica de Maracaibo, the Orquesta Sinfónica de Tucumán (Argentina), the Orquesta Sinfónica del Estado de Veracruz (Mexico), the Westmoreland Symphony Orchestra, the McKeesport Symphony Orchestra, the Washington Symphony Orchestra, the Edgewood Symphony Orchestra, the SOS Venezuelan Concerts Symphony Orchestra and several youth symphonies.
Maestro Amaya founded and was the Music Director of the Point Chamber Orchestra, which made its debut performance during the summer of 2006 with a tour of seven concerts in Italy. The Point Chamber Orchestra made a commercial CD released in 2009 with Albany Records label. It featured two of Mr. Amaya’s chamber operas: Clepsydra: An Operatic Installation with 13 Performers and Phantasmagorilla? No! Phantasmagoria, receiving excellent reviews by Pittsburgh, the American Record Guide and Fanfare.
Mr. Amaya's compositions have been selected for performance at major international festivals, including the Seattle Symphony's Viva la Música Festival; the V Congreso Iberoamericano de Llíria, Spain, the Festival de Música de Santa Catarina in Brazil, the American Composers Orchestra Festival of Venezuelan Music at Weill Recital Hall in New York; the II Congreso Puertorriqueño de Creación Musical in San Juan among many others. In 2004, Efraín Amaya received a Fellowship from the Pennsylvania Council on the Arts. He was also a Meet The Composer Composer-in-Residence with Gateway to the Arts, WQED-FM, Renaissance City Wind Music Society and Shaler School District from September of 2001 to September 2004. His opera Clepsydra premiered as part of the First Night celebrations in Pittsburgh as a collaborative multimedia performance for tape, live performers, and edited video projection, sponsored by the Associated Artists of Pittsburgh and the Heinz Endowment.
His cello concerto Un Camino, commissioned by renowned cellist Kim Cook with a grant from the Pennsylvania Arts Council, premiered in August of 2013. Other recent works include Archipiélagos for Eb clarinet and piano, commissioned by Venezuelan virtuoso clarinetist Jorge Montilla; Irmgard's Mementos, a three movement piano solo work commissioned by Tanner Film and Art; Chocolat for solo bassoon commissioned and premiered by Jim R. Whipple; Marahuaka, a concerto for 3 marimbas and Wind Symphony Orchestra and Epona’s Portal, a concerto for bassoon and Wind Symphony Orchestra both commissioned by Robert Boudreau and the American Wind Symphony Orchestra. His two act opera La Bisbetica, commissioned and performed by International Opera Theater was premiered in August of 2010 in Italy; it was then invited to participate in the Bergamo International Festival of 2011 at Bergamo, Italy.
Mr. Amaya was invited and completed a residency at Yaddo, NY, during the summer of 2012 where he worked on his latest chamber opera Constellations, to be premiered in December of 2015, in Philadelphia. Since the Fall of 2012 he has been one of the four national adjudicators for the National YoungArts Foundation in Miami, for their national competition selection of finalists and Presidential Scholars nominees. He’s also since 2007 the Music Director of TanzTheater André Koslowski and the USA Chief Regional Officer of the CELAM (Centro Latinoamericano de Música). Mr. Amaya has recently joined the faculty at Minot State University and has been named the Music Director for the Minot Symphony Orchestra, starting with the 2015-16 Season.

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